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Frequency (2000)

 -  Crime | Drama | Sci-Fi  -  28 April 2000 (USA)
7.3
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Ratings: 7.3/10 from 72,473 users   Metascore: 67/100
Reviews: 499 user | 166 critic | 32 from Metacritic.com

An accidental cross-time radio link connects father and son across 30 years. The son tries to save his father's life, but then must fix the consequences.

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Title: Frequency (2000)

Frequency (2000) on IMDb 7.3/10

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Nominated for 1 Golden Globe. Another 2 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Gordo Hersch
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Samantha Thomas
Daniel Henson ...
Johnny Sullivan (6 Years)
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Graham 'Gib' Gibson
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Gordo Hersch (8 Years)
Jack McCormack ...
Commander Butch O'Connell
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Butch Foster
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Gordy Jr. (10 Years)
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Sissy Clark
Richard Sali ...
Chuck Hayes
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Storyline

A rare atmospheric phenomenon allows a New York City firefighter to communicate with his son 30 years in the future via HAM radio. The son uses this opportunity to warn the father of his impending death in a warehouse fire, and manages to save his life. However, what he does not realize is that changing history has triggered a new set of tragic events, including the murder of his mother. The two men must now work together, 30 years apart, to find the murderer before he strikes so that they can change history--again. Written by <jgp3553@excite.com>

Plot Summary | Plot Synopsis

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The Future Is Listening See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense violence and disturbing images | See all certifications »

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Details

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Release Date:

28 April 2000 (USA)  »

Also Known As:

Prava frekvencija  »

Filming Locations:

 »

Box Office

Budget:

$31,000,000 (estimated)

Opening Weekend:

£261,559 (UK) (16 June 2000)

Gross:

ESP 709,278,410 (Spain) (29 June 2001)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Dennis Quaid received 16 stitches just above his hairline after being injured in the stunt where he slides down the construction funnels during the warehouse fire. See more »

Goofs

(at around 1h 30 mins) When Frank is at the police station and uses the aerosol can and lighter to start the fire sprinklers, he directs the flame at the smoke detector which would have only set off the audible alarm, not the sprinklers. Additionally, only the fire sprinkler head(s) that reach a certain temperature due to fire/heat in the area will activate and begin spraying water... not the entire system. See more »

Quotes

John Sullivan: Ya'know the past is a funny thing, we all got skeletons in closet and ya never when one is gonna pop up and bite ya in the a...
See more »

Connections

References Homicide: Life on the Street (1993) See more »

Soundtracks

When You Come Back to Me
Written by Jenny Yates and Garth Brooks
Performed by Garth Brooks
Produced by Allen Reynolds
Garth Brooks appears courtesy of Capitol Records
See more »

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User Reviews

 
Unique and interesting premise
18 April 2000 | by (Chesapeake, Va.) – See all my reviews

This unique and interesting film is actually more of a suspense thriller than a science fiction, although I think fans of both genres will be pleased.

Dennis Quaid plays a heroic firefighter who was killed trying to rescue a runaway from a burning warehouse during the days of the Amazing Mets' World Series victory in October 1969. Jim Caviezel ("The Thin Red Line") plays his son, now a cop, thirty years later. Through some quirk of physics involving abnormal solar activity and the Aurora Borealis, the two make contact with each other across the 30-year span over a ham radio. The son is able to prevent his father's death, but changing the past also turns out to have unexpected consequences with which the two must deal.

The film really works on all levels with good action sequences and suspense, a nice dose of humor and some very touching exchanges between father and son. It explores the "what if" scenario of one's being presented with the opportunity to change an event in the past and the way in which those affected must deal with the consequences in a very intelligent and thought-provoking manner.

The acting is uniformly strong, with Quaid very appealing as the courageous firefighter and loving father who has an almost-childlike love for baseball (he even pulls off a Brooklyn accent nicely!); Caviezel is equally good as the present day version of Quaid's character's son. Caviezel brings a subtle sadness to the character, a quality one might expect from someone whose life hasn't quite worked out quite as well as it might have, possibly due to a void created by the absence of his father. One of the strongest aspects of Caviezel's performance was a subtle shift in personality following the changing of events in the past (a change which left him with memories both of his father's death and of time spent with his father in the intervening years).

I have a good feeling about this film and think it has a chance to be a real surprise hit. It's certainly one of the best films of the year thus far.


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