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An accidental cross-time radio link connects father and son across 30 years. The son tries to save his father's life, but then must fix the consequences.

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Nominated for 1 Golden Globe. Another 2 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
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Gordo Hersch
...
Samantha Thomas
Daniel Henson ...
Johnny Sullivan (6 Years)
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Graham 'Gib' Gibson
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Gordo Hersch (8 Years)
Jack McCormack ...
Commander Butch O'Connell
...
Butch Foster
...
Gordy Jr. (10 Years)
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Sissy Clark
Richard Sali ...
Chuck Hayes
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Storyline

A rare atmospheric phenomenon allows a New York City firefighter to communicate with his son 30 years in the future via HAM radio. The son uses this opportunity to warn the father of his impending death in a warehouse fire, and manages to save his life. However, what he does not realize is that changing history has triggered a new set of tragic events, including the murder of his mother. The two men must now work together, 30 years apart, to find the murderer before he strikes so that they can change history--again. Written by <jgp3553@excite.com>

Plot Summary | Plot Synopsis

Taglines:

A son's only hope to stop a murder is the father who's been dead for 30 years. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense violence and disturbing images | See all certifications »

Parents Guide:

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Details

Official Sites:

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Language:

Release Date:

28 April 2000 (USA)  »

Also Known As:

Prava frekvencija  »

Filming Locations:

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Box Office

Budget:

$31,000,000 (estimated)

Opening Weekend:

$9,025,584 (USA) (28 April 2000)

Gross:

ESP 709,278,410 (Spain) (29 June 2001)
 »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Director Gregory Hoblit was a co-executive producer of Hill Street Blues (1981). He directed the episode seen in the film that's on TV as John is calling his mother. See more »

Goofs

When the firefighters attend the warehouse fire, they are wearing lights on their helmets that did not come into use until the 1970s. See more »

Quotes

John Sullivan: You gotta be more careful, cause I can't lose you again. Not like that.
Frank Sullivan: You won't John. You won't. I swear to God, no matter what. You got it? You hear me?
John Sullivan: I hear you.
Frank Sullivan: So how old are you?
John Sullivan: I'm 36.
Frank Sullivan: 36. You're all grown up. You must be married and everything.
John Sullivan: No, I'm not married.
Frank Sullivan: What? Too busy playing ball?
John Sullivan: It didn't work out. I gave it up.
Frank Sullivan: What happened?
[...]
See more »

Connections

Featured in Hollywood's Top Ten: Dennis Quaid Movies (2011) See more »

Soundtracks

Suspicious Minds
Written by Francis Zambon
Performed by Elvis Presley
By Arrangement with The RCA Records, Label of BMG Entertainment
See more »

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User Reviews

Twister
25 May 2000 | by (Virginia Beach) – See all my reviews

How far we've come! In the old days a final plot twist was a surprise, with the best being a surprise insight. Remember `No Way Out?' More recently we've had end twist insights that reinterpret the movie. In that case, what you learn at the end has you going over the whole film as you leave, wondering about which of your prior understandings need to be modified: `Sixth Sense,' and `Usual Suspects' come to mind.

But in those cases, the film is a story apart from your perception of it. Here now we have a story where your reinvention of what you know changes the story from the perspective of both you the viewer and the hero in the film. And it doesn't just happen at the end, but all through the last half. A new high in self-reference and experimentation with the role of the viewer in the narrative.

Worth seeing for this step in the evolution of the art.


36 of 54 people found this review helpful.  Was this review helpful to you?

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