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Frequency (2000)

PG-13  |   |  Crime, Drama, Sci-Fi  |  28 April 2000 (USA)
7.3
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Ratings: 7.3/10 from 74,491 users   Metascore: 67/100
Reviews: 502 user | 163 critic | 32 from Metacritic.com

An accidental cross-time radio link connects father and son across 30 years. The son tries to save his father's life, but then must fix the consequences.

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Title: Frequency (2000)

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Nominated for 1 Golden Globe. Another 2 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Gordo Hersch
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Samantha Thomas
Daniel Henson ...
Johnny Sullivan (6 Years)
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Graham 'Gib' Gibson
...
Gordo Hersch (8 Years)
Jack McCormack ...
Commander Butch O'Connell
...
Butch Foster
...
Gordy Jr. (10 Years)
...
Sissy Clark
Richard Sali ...
Chuck Hayes
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Storyline

A rare atmospheric phenomenon allows a New York City firefighter to communicate with his son 30 years in the future via HAM radio. The son uses this opportunity to warn the father of his impending death in a warehouse fire, and manages to save his life. However, what he does not realize is that changing history has triggered a new set of tragic events, including the murder of his mother. The two men must now work together, 30 years apart, to find the murderer before he strikes so that they can change history--again. Written by <jgp3553@excite.com>

Plot Summary | Plot Synopsis

Taglines:

A son's only hope to stop a murder is the father who's been dead for 30 years. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense violence and disturbing images | See all certifications »

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Details

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Release Date:

28 April 2000 (USA)  »

Also Known As:

Prava frekvencija  »

Filming Locations:

 »

Box Office

Budget:

$31,000,000 (estimated)

Opening Weekend:

$9,025,584 (USA) (28 April 2000)

Gross:

ESP 709,278,410 (Spain) (29 June 2001)
 »

Company Credits

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Technical Specs

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2.35 : 1
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Did You Know?

Trivia

Elizabeth Mitchell later starred on a popular television series Lost (2004) as Juliet and which one of the main characters was called Jack Shepard. Show's recurring themes included time travel and alternate history and Shawn Doyle had a guest role in Lost: Eggtown (2008). See more »

Goofs

The 1969 world map does, correctly, indicate the Soviet Republics as distinct "countries" good for various radio awards. However, it looks like Rio de Oro (which in 1976 became Western Sahara after the Spanish left) is the same color as Morocco, which has occupied Western Sahara since soon after. In 1969, Rio de Oro would have had its own color. See more »

Quotes

John Sullivan: You on the job?
Jack Shepard: Long time ago. Do I know you?
John Sullivan: Do I look familiar?
Jack Shepard: No. What house you work?
John Sullivan: 7-4 homicide.
Jack Shepard: Hot shot.
John Sullivan: No, just working the job. As a matter of fact, I caught a case that goes back to your day. One of the Nightingale murders.
Jack Shepard: No kidding.
John Sullivan: No. Missing teenager, disappeared back in '68. Found her bones last week buried out by some old diner by Dyckman Street. Mary Finelli. Yeah, talk about dumb luck. The odds of anyone finding that 30 years later and the chance of hitting a dental? ...
[...]
See more »

Connections

Referenced in The Piano Teacher (2001) See more »

Soundtracks

(Love Is Like A) Heatwave
Written by Eddie Holland (as Edward Holland Jr.), Brian Holland and Lamont Dozier
Performed by Martha Reeves / Martha & The Vandellas
Courtesy of Motown Records
Under license from Universal Music Enterprises
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User Reviews

 
A complex, thought provoking thriller that is well acted and directed. ***1/2 out of ****.
25 May 2000 | by (Michigan, USA) – See all my reviews

FREQUENCY / (2000) ***1/2

It' 1999. Jim Caviezel stars as John Sullivan, a detective whose life is falling apart. Recently, he has split up from his girlfriend, he and his police partner Satch (Andre Braugher), are unable to solve a serial murder case that has been reopened due to the discovery of skeletal remains of a past victim. The thirty year anniversary of the death of his firefighter father (Dennis Quaid), is also approaching. John is beginning to sink in a pit of despair.

One night John stumbles upon his dad's old ham radio. He makes an effort to get the machine to power up once again. When he does and begins conversations with another operator, however, he realizes the person he is communicating with is his long dead father. Somehow, due to the presence of the Northern Lights, John is able to transmit back in time to 1969 and literally alter the course of his existence.

The concept of time traveling communication may seem far-fetched to some, and "Frequency" is a little hard to grasp at times, especially when the film never directly explains why the father and son are able to talk with each other through time. Notwithstanding, the production works as a science fiction thriller with supernatural overtones. While the filmmakers do succeed in convincingly constructing "Frequency," most audiences might have to leave logic at the theater entrance before viewing it.

"Frequency" is a well-structured motion picture; the movie is focused throughout. Although its story changes pace at different periods, for the most part the audience can follow along with the characters. This is a movie with a complicated and challenging story. Because of the film's complexity, we are enormously involved, if slightly confused. Screenwriter Tobias Emmerich links original and fresh feeling material here. Gregory Hoblit produces the right amount of action and suspense, combined with gentle emotions, to generate a film we have not seen before.

Dennis Quaid and James Caviezel are the perfect choices for the principal characters. Quaid performs with intriguing tension and appropriate receptivity. Caviezel dazzles with intricacy and dexterity. Offering refined supporting roles are Andre Braugher ("City of Angels", "Get on the Bus") and Noah Emmerich ("The Truman Show") who furnishes some light-hearted material as John's best friend.

Director Gregory Hoblit ("Fallen," "Primal Fear") clearly executes topics on screen. This film is overflowing with ideas and contains enough plot for a television series. However, "Frequency" is not without flaws. Sullivan's chaotic life is only vaguely portrayed. Although we do care for the character, more development would increase the relationship between the audience and he. Some of the make-up effects depicting age differences were disgraceful. Andre Braugher appeared as if his make up artists were straight out of junior high, slapping too much pancake cream plaster on him. The film's contrived climax concludes with a formalistic fight instead of continuing its battle of wits.

Despite a few unacceptable external problems, internally this is a very effective production. As a whole, "Frequency" contains a very encompassing story and places interesting characters in engaging circumstances. The movie is definitely worthy of recognition, but do not view it unless you plan on thoroughly discussing it afterwards.


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