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Frequency (2000)

 -  Crime | Drama | Sci-Fi  -  28 April 2000 (USA)
7.3
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Ratings: 7.3/10 from 69,064 users   Metascore: 67/100
Reviews: 495 user | 166 critic | 32 from Metacritic.com

An accidental cross-time radio link connects father and son across 30 years. The son tries to save his father's life, but then must fix the consequences.

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Title: Frequency (2000)

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Nominated for 1 Golden Globe. Another 2 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
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...
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Gordo Hersch
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Samantha Thomas
Daniel Henson ...
Johnny Sullivan (6 Years)
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Graham 'Gib' Gibson
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Gordo Hersch (8 Years)
Jack McCormack ...
Commander Butch O'Connell
...
Butch Foster
...
Gordy Jr. (10 Years)
...
Sissy Clark
Richard Sali ...
Chuck Hayes
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Storyline

A rare atmospheric phenomenon allows a New York City firefighter to communicate with his son 30 years in the future via short-wave radio. The son uses this opportunity to warn the father of his impending death in a warehouse fire, and manages to save his life. However, what he does not realize is that changing history has triggered a new set of tragic events, including the murder of his mother. The two men must now work together, 30 years apart, to find the murderer before he strikes so that they can change history--again. Written by <jgp3553@excite.com>

Plot Summary | Plot Synopsis

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Motion Picture Rating (MPAA)

Rated PG-13 for intense violence and disturbing images | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

Language:

Release Date:

28 April 2000 (USA)  »

Also Known As:

Prava frekvencija  »

Filming Locations:

 »

Box Office

Budget:

$31,000,000 (estimated)

Opening Weekend:

£261,559 (UK) (16 June 2000)

Gross:

ESP 709,278,410 (Spain) (29 June 2001)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

On April 25, 2000, the New York Mets and Cincinnati Reds played a game wearing their 1969 uniforms to promote the film. See more »

Goofs

The radio was a Heathkit SB301 which is only a receiver. The SB401 is the transmitter. He would need both to carry on a conversation. See more »

Quotes

Frank Sullivan: I don't know who you are, I don't know why you're doing this, but let me tell you something, asshole, you stay away from me and my family.
John Sullivan: Listen, I don't know how this is, but it's me, little Chief.
Frank Sullivan: Hey, hey, I am warning you, you touch my kid, I'll hunt you down 'til the day I die.
John Sullivan: But you already died!
Frank Sullivan: What are you talking about?
John Sullivan: The Buxton fire.
Frank Sullivan: [sarcastically] Oh, and when did that happen, 30 years ago?
John Sullivan: October 12th, 1969.
Frank Sullivan: That's tomorrow, I ain't dyin in no fire tomorrow or any other day, ...
[...]
See more »

Connections

References Logan's Run (1977) See more »

Soundtracks

Take Me Out to the Ballgame
Written by Jack Norworth and Albert von Tilzer
Arranged by Carly Simon and Matthias Gohl (as Teese Gohl)
Performed by Carly Simon
Courtesy of The Baseball Film Project, Inc.
By Arrangement with Florentine Films
See more »

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User Reviews

Twister
25 May 2000 | by (Virginia Beach) – See all my reviews

How far we've come! In the old days a final plot twist was a surprise, with the best being a surprise insight. Remember `No Way Out?' More recently we've had end twist insights that reinterpret the movie. In that case, what you learn at the end has you going over the whole film as you leave, wondering about which of your prior understandings need to be modified: `Sixth Sense,' and `Usual Suspects' come to mind.

But in those cases, the film is a story apart from your perception of it. Here now we have a story where your reinvention of what you know changes the story from the perspective of both you the viewer and the hero in the film. And it doesn't just happen at the end, but all through the last half. A new high in self-reference and experimentation with the role of the viewer in the narrative.

Worth seeing for this step in the evolution of the art.


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