An accidental cross-time radio link connects father and son across 30 years. The son tries to save his father's life, but then must fix the consequences.

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Nominated for 1 Golden Globe. Another 2 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Gordo Hersch
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Samantha Thomas
Daniel Henson ...
Johnny Sullivan (6 Years)
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Graham 'Gib' Gibson
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Gordo Hersch (8 Years)
Jack McCormack ...
Commander Butch O'Connell
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Butch Foster
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Gordy Jr. (10 Years)
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Sissy Clark
Richard Sali ...
Chuck Hayes
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Storyline

A rare atmospheric phenomenon allows a New York City firefighter to communicate with his son 30 years in the future via HAM radio. The son uses this opportunity to warn the father of his impending death in a warehouse fire, and manages to save his life. However, what he does not realize is that changing history has triggered a new set of tragic events, including the murder of his mother. The two men must now work together, 30 years apart, to find the murderer before he strikes so that they can change history--again. Written by <jgp3553@excite.com>

Plot Summary | Plot Synopsis

Taglines:

What would you do if you could change the past? See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense violence and disturbing images | See all certifications »

Parents Guide:

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Details

Official Sites:

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Release Date:

28 April 2000 (USA)  »

Also Known As:

Prava frekvencija  »

Filming Locations:

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Box Office

Budget:

$31,000,000 (estimated)

Opening Weekend:

$9,025,584 (USA) (28 April 2000)

Gross:

ESP 709,278,410 (Spain) (29 June 2001)
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Company Credits

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Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Brian Greene:  the film's physics consultant appears early in the movie as himself, being interviewed by Dick Cavett. There are two scenes; one with old footage of Cavett interviewing Greene in 1969, then a scene with an interview in 1999 with contemporary footage of Cavett and an "aged" Greene. See more »

Goofs

(at around 5 mins) Early in the movie, while Frank Sullivan dances with Julia Sullivan in their kitchen, Dennis Quaid's hearing aids can be seen. They are small and unlike anything available in 1969. See more »

Quotes

John Sullivan: You on the job?
Jack Shepard: Long time ago. Do I know you?
John Sullivan: Do I look familiar?
Jack Shepard: No. What house you work?
John Sullivan: 7-4 homicide.
Jack Shepard: Hot shot.
John Sullivan: No, just working the job. As a matter of fact, I caught a case that goes back to your day. One of the Nightingale murders.
Jack Shepard: No kidding.
John Sullivan: No. Missing teenager, disappeared back in '68. Found her bones last week buried out by some old diner by Dyckman Street. Mary Finelli. Yeah, talk about dumb luck. The odds of anyone finding that 30 years later and the chance of hitting a dental? ...
[...]
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Connections

References Full Metal Jacket (1987) See more »

Soundtracks

Sookie Sookie
Written by Don Covay and Steve Cropper
Under license from Universal Music Enterprises
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User Reviews

 
Frequency is the first good movie of the year.
30 April 2000 | by (Ann Arbor, Michigan) – See all my reviews

The plot in Frequency is hard to believe, but the movie's twists, action, and dramatic moments cover up its uncertainties. The idea of how the past affects the future is not original, but the rest of the film is.

When I first saw the preview for Frequency, I thought that the idea of a son talking to a his deceased father over a radio was original and interesting. I didn't think, however, that the film would be very good. I was wrong though. The movie is packed with action, mystery, twists, and emotion. The love between the father and son is so real, as are the characters themselves.

Frequency uses remarkable use of film's ability to stretch out moments of time and intercut between different events. And as far as timing goes, this movie has stopwatch-precision. As a result, it can produce tears, outbursts of laughter, or dropping jaws in the audience.

I think the ending of the movie could be improved, but I still highly recommend seeing this film. As long as you don't worry too much about the plausibility of the time-lapse details, you'll enjoy it. After all, it's entertainment in its finest form.


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