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Frequency (2000)
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Overview
User Rating:
Director:
Writer (WGA):
Toby Emmerich (written by)
Release Date:
28 April 2000 (USA)
more
Tagline:
What would you do if you could change the past? more
Plot:
An accidental cross-time radio link connects father and son across 30 years. The son tries to save his father's life, but then must fix the consequences. full summary | full synopsis
Plot Keywords:
New York City
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Death
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Fire
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Serial Killer
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Murder
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Awards:
Nominated for Golden Globe.
Another 2 wins
&
6 nominations
more
NewsDesk:
(21 articles)
TV Review: Hugh Laurie’s House Shatters M.O. in Sly Season-Six Premiere of ‘House M.D.’
(From HollywoodChicago.com. 20 September 2009, 9:26 PM, PDT)
[DVD Review] Fracture
(From JustPressPlay. 6 July 2009, 11:34 PM, PDT)
(From HollywoodChicago.com. 20 September 2009, 9:26 PM, PDT)
[DVD Review] Fracture
(From JustPressPlay. 6 July 2009, 11:34 PM, PDT)
User Comments:
Twister
more (475 total)
Cast
(Cast overview, first billed only) | Dennis Quaid | ... | Frank Sullivan |
 | James Caviezel | ... | John Sullivan (as Jim Caviezel) |
 | Shawn Doyle | ... | Jack Shepard |
 | Elizabeth Mitchell | ... | Julia 'Jules' Sullivan |
 | Andre Braugher | ... | Satch DeLeon |
| Noah Emmerich | ... | Gordo Hersch |
 | Melissa Errico | ... | Samantha Thomas |
| Daniel Henson | ... | Johnny Sullivan (6 Years) |
 | Jordan Bridges | ... | Graham 'Gib' Gibson |
 | Stephen Joffe | ... | Gordo Hersch (8 Years) |
| Jack McCormack | ... | Commander Butch O'Connell |
| Peter MacNeill | ... | Butch Foster |
 | Michael Cera | ... | Gordy Jr. (10 Years) |
 | Marin Hinkle | ... | Sissy Clark |
| Richard Sali | ... | Chuck Hayes |
Additional Details
MPAA:
Rated PG-13 for intense violence and disturbing images.
Parents Guide:
Runtime:
118 min
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
Australia:M |
Iceland:14 |
Iceland:16 (video rating) |
USA:PG-13 (certificate #36846) |
Malaysia:U |
Brazil:12 |
Philippines:PG-13 |
Argentina:Atp |
Chile:TE |
Denmark:A |
France:U |
Germany:12 |
Hong Kong:IIB |
Netherlands:12 |
New Zealand:M |
Norway:15 |
Spain:7 |
Sweden:15 |
Switzerland:12 (canton of Geneva) |
Switzerland:12 (canton of Vaud) |
UK:15 |
South Korea:12 |
Singapore:PG |
Portugal:M/12 |
Finland:K-16
Filming Locations:
Company:
Fun Stuff
Trivia:
Dennis Quaid received 16 stitches just above his hairline after being injured in the stunt where he slides down the construction funnels during the warehouse fire.
more
Goofs:
Continuity: When Satch gives the World Series tickets to the kids the tickets say 1969 National League Championship Series.
more
Quotes:
John Sullivan:
Do exactly what I say ok?
Gordo Hersch: Bull hicky. You can't tell me what to do.
John Sullivan: Don't screw with me you little pisher, I know everything about you. I have complete knowledge of the universe.
Gordo Hersch: That's not true, only God knows...
John Sullivan: Oh, yeah well who put rubber cement in the coach's jockstrap, or who put the frog in Melissa Gluckman's locker and lets not forget about grandpa's laxative in the sweet potatoes last Thanksgiving. You did all that.
Gordo Hersch: What do you want Mister?
John Sullivan: Ok...
more
Gordo Hersch: Bull hicky. You can't tell me what to do.
John Sullivan: Don't screw with me you little pisher, I know everything about you. I have complete knowledge of the universe.
Gordo Hersch: That's not true, only God knows...
John Sullivan: Oh, yeah well who put rubber cement in the coach's jockstrap, or who put the frog in Melissa Gluckman's locker and lets not forget about grandpa's laxative in the sweet potatoes last Thanksgiving. You did all that.
Gordo Hersch: What do you want Mister?
John Sullivan: Ok...
more
Movie Connections:
Referenced in 'Secondhand Lions': One Screenplay's Wild Ride in Hollywood (2004) (V)
more
Soundtrack:
Rattlesnake Shake
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FAQ
This FAQ is empty. Add the first question.more (475 total)
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How far we've come! In the old days a final plot twist was a surprise, with the best being a surprise insight. Remember `No Way Out?' More recently we've had end twist insights that reinterpret the movie. In that case, what you learn at the end has you going over the whole film as you leave, wondering about which of your prior understandings need to be modified: `Sixth Sense,' and `Usual Suspects' come to mind.
But in those cases, the film is a story apart from your perception of it. Here now we have a story where your reinvention of what you know changes the story from the perspective of both you the viewer and the hero in the film. And it doesn't just happen at the end, but all through the last half. A new high in self-reference and experimentation with the role of the viewer in the narrative.
Worth seeing for this step in the evolution of the art.