1-20 of 24 items from 2015 « Prev | Next »
Angelina Jolie-Pitt wants you to look at her breasts.
They're a major character in By the Sea, Jolie-Pitt's third film as director (and the first in which she's done double-duty as a star). They lurk beneath her blouse like thinly veiled subtext and jut above the surface of her bathwater like two theater actors slightly visible in front of the stage curtain. The actress hasn't shied away from nudity in the past, but she's never been as genuinely naked as she is here.
One of the most looked-upon people »
Probably because it’s completely barking mad, we seem to be endlessly fascinated by Scientology. The religion/cult, discovered/made up by sci-fi author L. Ron Hubbard, has been the subject of endless speculation in its half-century history, partly thanks to its secretive nature. But despite it counting a number of major movie stars among its ranks (or more likely, because of that fact), cinematic investigations of Hubbard’s creation had mostly been limited to John Travolta’s propaganda movie flop “Battlefield Earth.” But things have changed of late. Paul Thomas Anderson’s thinly-veiled story of the founding of the religion, “The Master,” was followed within a couple of years by Alex Gibney’s scintillating exposé documentary, “Going Clear,” which was released earlier this year. Now, we get another non-fiction examination of the phenomenon, with John Dower’s “My Scientology Movie,” fronted by the well-known British journalist/presenter Louis Theroux and produced by. »
- Oliver Lyttelton
If Hollywood is the mecca for international moviemaking – a place where much of the magic happens – it is also the giant-sized laboratory where botched experiments explode most spectacularly. Cinema history books are littered with tales of bigger than Ben-Hur (or should that be bigger than Battlefield Earth?) box office disasters and a degree of guilty pleasure can be gleaned from reading about them.
Australian cinema operates on far lower overheads but our film industry is not without jaw-dropping flops to call its own. One of the most legendary is 1987’s Les Patterson Saves the World, co-written by and starring Barry Humphries as one of his alter egos.
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- Luke Buckmaster
Films are sometimes critically panned not because they're inherently bad, but because of the larger story surrounding them. Consider Battlefield Earth, for example: a terrible movie, sure, but its production history (not to mention its connection to the Church of Scientology) made it an easy target.
Solar Crisis, released in 1990 was an equally awful movie - and with a budget of $55m, just as calamitous, financially - but it was largely ignored while Battlefield Earth's hideousness was trumpeted from the rooftops.
Which brings us to 2014's Left Behind, a film so universally panned by critics that its Rotten Tomatoes score sits at an abysmal two percent. This places it a mere whisker above such legendarily bad films as Jaws: The Revenge and Mac And Me, and a startling »
The Forger is the latest star vehicle for John Travolta, a man whose career has had more ups and downs than a yoyo and – judging by this flick – looks set to be forever destined for the direct to DVD market alongside his Face/Off co-star Nicolas Cage (oh the irony). Of course this Isn’T the worst film Travolta has in his ouevre, that’s left to the likes of Battlefield Earth and Chains of Gold, but it’s certainly nothing to shout about.
Travolta stars as the worlds best art forger, banged up in jail with only 10 months to serve, who makes a deal with crime boss Keegan (Anson Mount), to get an early release from prison but in return he must pull of an impossible heist. »
- Phil Wheat
Since George Lucas got out of the Star Wars business, he's been lending his Hollywood heft to some long-gestating passion projects that might be difficult to produce independently elsewhere. He started developing Red Tails, a war movie about the Tuskegee airmen, back in 1988 and eventually served as producer and an uncredited co-director on the 2012 movie.
Lucasfilm's latest, Strange Magic, is directed by Oscar-winning sound designer Gary Rydstrom, but it's also been around for much longer than you'd think. 15 years ago, while working on that pesky prequel trilogy, Lucas started thinking about making a film for his daughters. “Just like Star Wars was designed for 12-year-old boys,” Lucas told Wired upon the film's Us release in January, “Strange Magic was designed for 12-year-old girls.”
If that sounds a little reminiscent of when John Travolta »
Tom Cruise and Scientology and Maverick and Goose are all coming together for one totally ... expected and not the least bit shocking event. The Church's Celebrity Centre in Hollywood is featuring its main wingman in "Top Gun" for summer movie night this week, and they're getting the word out with a few banners around town. They're not even trying to play against type anymore. Coming soon: The 'Mission Impossible' trilogy, "War of the Worlds," "Risky Business »
- TMZ Staff
In the beginning there was David O Russell's Nailed, a political comedy which began filming in 2008 and, after a disastrous string of financing problems, seemingly died two years later. Deciding to cut his losses, a frustrated Russell abandoned the project in 2010 and moved onto Oscar glory with The Fighter, Silver Linings Playbook and American Hustle.
But like Rasputin, Nailed has lingered on without Russell's involvement. Missing pieces have been shot and put in place, and the finished film - now called Accidental Love - is credited to one Stephen Greene, an Alan Smithee-like pseudonym. The result is a fitfully amusing farce that can't begin to hide the scars of its troubled production.
Jessica Biel stars as Alice, an 25-year-old small-town waitress who's caught the eye of vain local cop, »
The ensemble cast for Rogue One has shaped up rather nicely over the past few months, with Riz Ahmed and Sam Claflin joining Felicity Jones and Ben Mendelsohn, while Diego Luna was added to the line-up in May.
According to a report over at Variety, we can now add another familiar name to the list: the Academy Award-winning Forest Whitaker. Whitaker is, of course, the star of such movies as The Last King Of Scotland (the film that won him an Oscar for his portrayal of the notorious dictator Idi Amin), The Butler, Ghost Dog and, going further back, things like The Crying Game and Platoon. He was also in Battlefield Earth, but he'd probably prefer it if we didn't mention that.
Rogue One is Gareth Edwards' story of how the rebels »
The Oscar-winning actor is hoping this will make us all forgive and forget for Battlefield Earth
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- Christopher Campbell
A long time ago – well, 35 years – in a place not quite so far away, an art director named Roger Christian, who had won an Oscar for his work on Star Wars, was asked by that film’s director, George Lucas, to make a short film to accompany The Empire Strikes Back. The result, Black Angel had a short life in cinemas and was presumed lost until recently, but now Christian is turning it into a full-length feature with genre stalwarts Rutger Hauer and John Rhys-Davies, at the head of the cast.Despite the short lingering in limbo until it was discovered in Universal’s extensive archives in 2013, it has been something of a cult sensation, and is cited as an influence on other films including John Boorman’s Excalibur.Christian, who in the intervening years became a director on the likes of Nostradamus, Masterminds and (whisper it) Battlefield Earth, is »
Thirty-five years after it screened alongside Star Wars: The Empire Strikes Back in 1980, fantasy short Black Angel is getting the feature-length treatment. Roger Christian (Nostradamus, Battlefield Earth), who won an Oscar for his set decoration work on the first Star Wars (where he, among other achievements, helped design the first-ever lightsaber), is returning to write and direct the adaptation of his first-ever effort as a director. “It’s my passion project, has been for 35-36 years,” Christian tells The Hollywood Reporter. “I guess ‘patience is a virtue’ is a true saying.” Originally commissioned
- Alex Ritman
The wait between Mission: Impossible II and III was roughly six years. It took around five years for Ghost Protocol to come after the last installment. Now, less than four years after Brad Bird's film does Mission: Impossible - Rogue Nation come to the screen. In descending fashion, though, it looks like the wait between July 31's new movie and Mission: Impossible VI will be even shorter, as plans to make the Tom Cruise sequel apparently are already happening. No confirmation has come from the studio yet, and none of the stars are attached if this is true, but The Tracking Board has the exclusive on the sequel news. J.J. Abrams, David Ellison, Dana Goldberg and Cruise would all return to produce, as they did for the last three installments, with Don Granger and Matt Grimm attached as executive producers and Elizabeth Raposo to oversee development. Additionally, it's expected »
- Will Ashton
After all the excitement surrounding Andy & Lana Wachowski getting another chance at crafting original sci-fi, it was such a disappointment to see what Jupiter Ascending turned out to be. It’s one of those beautiful, mind-blowing disasters like Super Mario Bros. or Battlefield Earth. And while it’s full of stunning imagery and wild characters, none […]
The post Jupiter Ascending Honest Trailer: No One Will Give the Wachowskis Money Again appeared first on /Film. »
- Ethan Anderton
The much anticipated, inaugural image of Jared Leto as the Joker has officially hit the internet. Both newer fans and Clown Prince traditionalists alike became instantly up in arms over the grill-sporting, self-referential tattoo baring, Insane Clown Posse-looking Leto.
For rabid fans, the memories are still fresh of a time when we were ready to take to the streets when the teen heart throb from “10 Things I Hate About You” was cast as the Ace of Knaves in “The Dark Knight”. Thankfully, Heath Ledger turned out a performance so legendary, it practically erased “A Knight’s Tale” from public memory.
Ledger’s Joker certainly isn’t the first time someone flexed a little creative liberty in their portrayal of Batman’s arch-nemesis. Since the Joker’s inception in 1940, he has been portrayed as silly, inept, brilliant, savage, debonair, handsome, gruesome and he has even been…a she! »
- George J. Rutherford
Our weekly column in which writers reveal their current in-the-margains pop culture obsession. Do you know one of the things I love most about the Internet? The whip-smart parody Twitter accounts that rise and fall like ancient regimes. Here today, gone tomorrow. Rulers of the world, then buried forever in a layer of social media sediment. A few rise above the noise to be baked into collective consciousness — like @Horse_ebooks and @FilmCriticHULK. But most are just a flash-in-the-pan. Yet while they last, these anonymous satirists can bring a much needed chuckle to a Twitter feed oscillating between political debate and Instagram photos of everyone’s idealized life and lunch choices. To that end, my current favorite is @AwfulFantasy. Every day, this ode to the purple prose of yesterday sticks it to overblown fantasy tropes. Whether involving high fantasy, space fantasy, or new-fangled steampunk, no sub-genre is safe from their loving barbs. »
- Donna Dickens
Through the use of satire, and a good dose of slapstick, Accidental Love attempts to show some of the more absurd aspects of society. However, the slapstick seems to undermine the gravity of the characters, as it carries the narrative too far into the ridiculous for the audience to then believe the film’s characterization of society. Although it is possible to bring satire and slapstick together in a way that works, in Accidental Love, they feel like two opposing tones. The movie is often humorous because of its astute observations through satire, but also awkward because it relies on embarrassing and meaningless sight gags, which hurt the overall plot and message that the filmmakers are trying to convey.
- Josh Cabrita
This morning, Batman V Superman: Dawn Of Justice director Zack Snyder fired up his Twitter for the first time in over two months, and introduced the world to the latest DC hero to hit the big screen. Kneel before cod and say hello to Jason Momoa as Aquaman.There is only one true King. #unitetheseven pic.twitter.com/RDFG8jbuI6— ZackSnyder (@ZackSnyder) February 20, 2015“There is only one true King,” tweets Snyder, along with a shot of the watery warrior that has, as you might expect, split the internet right down the middle. There are those who love that Snyder has, as seemed obvious the minute the hulking Momoa was cast, departed drastically from the ‘classic’ Aquaman look (golden chain-mail armour, green tights, a shock of blond hair), and who recognise that that look simply wouldn’t fit into the darker, quote-unquote realistic DC universe Snyder is crafting.Then there are »
Awards season is upon us once again, and with the Academy Awards coming up this weekend, hopeful candidates will be eagerly anticipating their name being called out so that they can collect their coveted Oscars.
At least, that’s the scenario faced by some of Hollywood’s hottest talent. The less talented in the industry have another awards ceremony to look forward to (although that might not be the most appropriate way to phrase it): the Golden Raspberry Awards – also known as the Razzies – are also being held this weekend, celebrating the very worst the film industry had to offer in 2014.
There’s certainly plenty to choose from – while 2014 saw a decent selection of great films hitting cinema screens, the same predictable slew of remakes, sequels and rip-offs also came along ready to join movies like Showgirls, Twister and Battlefield Earth in the Razzies hall of infamy. »
- Andrew Dilks
Jupiter Ascending, 2015
Written and directed by The Wachowskis
In a bright and colorful future, a young destitute caretaker gets targeted by a ruthless son of a powerful family that live on a planet in need of a new heir, so she travels with a genetically engineered warrior to the planet in order to stop his tyrant reign.
In an age where comic book movies, reboots, remakes and films based on toys reign supreme, a movie like Jupiter Ascending should be praised for at least being “original”. It’s a movie that doesn’t play it safe with its $175 million budget and instead makes the sort of film one wouldn’t expect to see in this age of cinema. And who better to do this than The Wachowskis, who wowed us back in 1999 with the fantastic The Matrix, »
- Luke Owen
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