Brash NYC policeman Officer Gunther Toody is partnered with stiff, by-the-book Officer Francis Muldoon to protect an important mafia witness prior to testifying against orgainzed crime in ... See full summary »
John C. McGinley,
Six escaped convicts and their female hostage make a desperate run for the Mexican border, where they stumble across a lost treasure of untold wealth, and find certain death instead on the Arizona desert.
Jobe is resuscitated by Jonathan Walker. He wants Jobe to create a special computer chip that would connect all the computers in the world into one network, which Walker would control and ... See full summary »
Told in Documentary form, the film depicts a group of five British film critics and politicians who venture off into the West Virginian wilderness in search of the "Tony Blair Witch" which ... See full summary »
Michael A. Martinez
C. Alan Ploegsma,
In the year 3000, humanity is no match for the Psychlos, a greedy, manipulative race on a quest for ultimate profit. Led by the seductive and powerful Terl, the Psychlos are stripping Earth of its resources, using the broken remnants of humanity as slaves. What is left of the human race has reverted to a primitive state, believing the invaders to be demons and technology to be evil. After humanity has all but given up any hope of freeing themselves from alien oppression, a young man named Tyler decides to leave his desolate home high in the Rocky Mountains to discover the truth, whereupon he is captured and enslaved. It is then that he decides to fight back, leading his fellow man in one final struggle for freedom. Written by
The investor, Intertainment, sued producer Franchise Pictures for fraud. Franchise claimed the budget was $75 million instead of the actual budget of $44 million. Franchise Pictures were sentenced to pay Intertainment $121.7 million in damages and went bankrupt. Intertainment only financed the film because it came as a package deal with The Art of War (2000) and The Whole Nine Yards (2000). See more »
When the Psychlo Dome finally breaks, massive sheets of glass and girders can be seen falling onto the buildings below in wide shots. In closer shots with actors, small chunks of glass can be seen falling, without a girder to be seen. Also, whole buildings collapse, and yet we see just dust and small chunks of rock hit the ground. See more »
You are out of your skull bone if you think that I am going to write on the report "shot by man-animal" as the cause of the death unless I see it!
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The new millennium's nominee for Worst Film of the Century
BATTLEFIELD EARTH (2000) 1/2 * John Travolta, Barry Pepper, Forest Whitaker, Kim Coates, Richard Tyson, Sabine Karsenti, Michael MacRae, Michael Byrne, Sean Hewitt, Kelly Preston (unbilled cameo). My candidate for worst film for the new millennium: atrociously awful Travolta vehicle (who is totally to blame for his co-producing this pet project due to his Scientology ties) in bringing L. Ron Hubbard's cult sci-fi novel to fruition is just one God-forsaken mess from start to finish in what feels like the ultimate Ed Wood film with a dire need for the gang from MST3K to show up and provide apt ridicule: Travolta stars as 9 foot tall alien Terl, a Psychlo who commands his rampaging race in wiping out mankind in the year 3000 with only rebel Pepper out to thwart his nefarious plans of mining gold for his own just rewards.
Ridiculous from the get go: the make-up of the Psychlos: a combination of dreadlocks a la Jar Jar Binks to the 'Coneheads' to the costume rejects of any speed metal band of the 1990s; the dim lighting and production design; the cheezy special effects (except for the climax of Terl's planet - who the HELL cares if I'm giving away the ending?!! IT SUCKS!!!) - which looked kinda cool!) and laugh-out loud dialogue: ('Rat-brains' is the often reviled retort by Terl to the 'man-animals' he despises). Travolta better get his mind straight because his post-'Pulp Fiction' comeback is running on jet vapors at this point and don't even get me started on his evil Vincent Price-inspired chortle! UGGGHH!!! (Dir: Roger Christian)
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