Jobe is resuscitated by Jonathan Walker. He wants Jobe to create a special computer chip that would connect all the computers in the world into one network, which Walker would control and ... See full summary »
Brash NYC policeman Officer Gunther Toody is partnered with stiff, by-the-book Officer Francis Muldoon to protect an important mafia witness prior to testifying against orgainzed crime in ... See full summary »
John C. McGinley,
Six escaped convicts and their female hostage make a desperate run for the Mexican border, where they stumble across a lost treasure of untold wealth, and find certain death instead on the Arizona desert.
A modern-day updating of the Dracula legend that finds Steven, a good-looking American hero devastated by the death of his girlfriend, wandering through Europe and looking for happiness. A ... See full summary »
In the year 3000, humanity is no match for the Psychlos, a greedy, manipulative race on a quest for ultimate profit. Led by the seductive and powerful Terl, the Psychlos are stripping Earth of its resources, using the broken remnants of humanity as slaves. What is left of the human race has reverted to a primitive state, believing the invaders to be demons and technology to be evil. After humanity has all but given up any hope of freeing themselves from alien oppression, a young man named Tyler decides to leave his desolate home high in the Rocky Mountains to discover the truth, whereupon he is captured and enslaved. It is then that he decides to fight back, leading his fellow man in one final struggle for freedom. Written by
The initial version of the screenplay by J.D. Shapiro was less serious and a much looser adaptation of the original novel. The producers, and John Travolta in particular, wanted a more faithful version than Shapiro had written (in addition to more action scenes), and he soon left the project. Corey Mandell was then hired and delivered a screenplay much more along the lines of what the producers were asking for, and most of the advertising materials credited Mandell alone for the screenplay, although Shapiro was later awarded joint credit by the WGA. See more »
Jonnie drops his walkie-talkie and the camera shows one of his comrades speaking into the walkie-talkie and saying, "Jonnie, the shooting has triggered the alarm! Five guards from the cell, heavily armed and moving fast!" However, his lips are saying something completely different. See more »
[looking at an overhead photo of a car]
What is this species?
Well, according to the Clinko historians, the species is called "dog."
Obviously the superior race, having the man-animal chauffeur it around.
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The new millennium's nominee for Worst Film of the Century
BATTLEFIELD EARTH (2000) 1/2 * John Travolta, Barry Pepper, Forest Whitaker, Kim Coates, Richard Tyson, Sabine Karsenti, Michael MacRae, Michael Byrne, Sean Hewitt, Kelly Preston (unbilled cameo). My candidate for worst film for the new millennium: atrociously awful Travolta vehicle (who is totally to blame for his co-producing this pet project due to his Scientology ties) in bringing L. Ron Hubbard's cult sci-fi novel to fruition is just one God-forsaken mess from start to finish in what feels like the ultimate Ed Wood film with a dire need for the gang from MST3K to show up and provide apt ridicule: Travolta stars as 9 foot tall alien Terl, a Psychlo who commands his rampaging race in wiping out mankind in the year 3000 with only rebel Pepper out to thwart his nefarious plans of mining gold for his own just rewards.
Ridiculous from the get go: the make-up of the Psychlos: a combination of dreadlocks a la Jar Jar Binks to the 'Coneheads' to the costume rejects of any speed metal band of the 1990s; the dim lighting and production design; the cheezy special effects (except for the climax of Terl's planet - who the HELL cares if I'm giving away the ending?!! IT SUCKS!!!) - which looked kinda cool!) and laugh-out loud dialogue: ('Rat-brains' is the often reviled retort by Terl to the 'man-animals' he despises). Travolta better get his mind straight because his post-'Pulp Fiction' comeback is running on jet vapors at this point and don't even get me started on his evil Vincent Price-inspired chortle! UGGGHH!!! (Dir: Roger Christian)
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