A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.
Leo Macias writes sentimental novels with great success but hidden under a pseudonym, Amanda Gris. She is unhappy with her professional life and with her husband, a soldier working in ... See full summary »
A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his wife and son four years before... See full summary »
Harry Dean Stanton,
A single mother in Madrid sees her only son die on his 17th birthday as he runs to seek an actress's autograph. She goes to Barcelona to find the lad's father, a transvestite named Lola who does not know he has a child. First she finds her friend, Agrado, a wild yet caring transvestite; through him she meets Rosa, a young nun bound for El Salvador, but instead finds out she is pregnant by Lola. Manuela becomes the personal assistant of Huma Rojo, the actress her son admired, by helping Huma manage Nina, the co-star and Huma's lover. However, Agrado soon takes over when Manuela must care for Hermana Rosa's risky pregnancy. With echos of Lorca, "All About Eve," and "Streetcar Named Desire," the mothers (and fathers and actors) live out grief, love, and friendship. Written by
Agrado's monologue was based on a real life event. When the electronic system of an Argentinian theater failed, the director suspended the show. Actress Lola Membrives decided to give the news to the audience and make them an offer: if they'd stay, they could listen to the narration of her life. See more »
Just don't disappear again. I like to say good-bye to the people I love, even if it's only to cry my eyes out, bitch.
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Almodovar is masterful: he has created a film that seeps into you and rips apart your insides. Each moment is flawlessly crafted- the cinematography and light are lush, the writing is heart-wrenching. Loaded with irony and paradox, the story deals sensitively with a plotline that could have been sensationalistic. The strongest feature is perhaps the acting here, which is consistently superb, particularly in the case of Cecilia Roth, the lead actress. This may be the best film I have ever seen.
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