A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.
Leo Macias writes sentimental novels with great success but hidden under a pseudonym, Amanda Gris. She is unhappy with her professional life and with her husband, a soldier working in ... See full summary »
A man wanders out of the desert after a four year absence. His brother finds him, and together they return to L.A. to reunite the man with his young son. Soon after, he and the boy set out ... See full summary »
Harry Dean Stanton,
A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
A single mother in Madrid sees her only son die on his 17th birthday as he runs to seek an actress's autograph. She goes to Barcelona to find the lad's father, a transvestite named Lola who does not know he has a child. First she finds her friend, Agrado, a wild yet caring transvestite; through him she meets Rosa, a young nun bound for El Salvador, but instead finds out she is pregnant by Lola. Manuela becomes the personal assistant of Huma Rojo, the actress her son admired, by helping Huma manage Nina, the co-star and Huma's lover. However, Agrado soon takes over when Manuela must care for Hermana Rosa's risky pregnancy. With echos of Lorca, "All About Eve," and "Streetcar Named Desire," the mothers (and fathers and actors) live out grief, love, and friendship. Written by
Agrado's monologue was based on a real life event. When the electronic system of an Argentinian theater failed, the director suspended the show. Actress Lola Membrives decided to give the news to the audience and make them an offer: if they'd stay, they could listen to the narration of her life. See more »
There are people who think that children are made in a day. But it takes a long time, a very long time. That's why it's so awful to see your child's blood on the ground. A stream that flows for a minute yet costs us years. When I found my son, he was lying in the middle of the street. I soaked my hands in his blood and I licked them. Because it was mine. Animals lick their young, don't they? I'm not disgusted by my son. You don't know what it's like. In a monstrance of glass and topaz. I would ...
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At last, an Almodovar Masterpiece! Now we have the final proof and can say without any doubt: Spain has a new true genius. From MUJERES AL BORDE DE UN ATAQUE DE NERVIOS, Almodovar had shown that in his mind rounded an ace, and now several years after and with an irregular filmography, brings us his perfect masterpiece: TODO SOBRE MI MADRE, a homage to all women beginning with Bette Davis, Gena Rowlands, Romy Schneider and ending with his own mother.
Here we see not just a delicious plot, perfectly narrated, but a camera that fixes everything as if it was the last time, our last chance to watch the indescribable feminine nature in a whole panorama where tenderness and courage rule life.
A puzzle of transitions, a delicate picture of characters and, as ever, a set design that remarks each scene with a touch of simplicity and sophistication. Cecilia Roth is great, superb, unforgettable but she's not alone: Penelope Cruz, beautiful, vulnerable as a `rose'; Marisa Paredes, an actress in her perfect role, without forget to Antonia San Juan, `La Agrado' and Mr. Fernando Fernan Gomez.
Please, don't wait until someone tells you more about a film that puts melodrama, drama, comedy and how not: tragedy, in a eternal stream of harmony. It's a pity: cinema is more pretty than life.
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