6.6/10
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Shanghai Noon (2000)

PG-13 | | Action, Adventure, Comedy | 26 May 2000 (USA)
A Chinese man who travels to the Wild West to rescue a kidnapped princess. After teaming up with a train robber, the unlikely duo takes on a Chinese traitor and his corrupt boss.

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1 win & 7 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Imperial Guard (as Rong Guang Yu)
Ya Hi Cui ...
Imperial Guard (as Cui Ya Hi)
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Imperial Guard (as Eric Chi Cheng Chen)
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Blue (as P. Adrien Dorval)
Rafael Báez ...
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Storyline

A 19th century Western. Chon Wang is a clumsy Imperial Guard to the Emperor of China. When Princess Pei Pei is kidnapped from the Forbidden City, Wang feels personally responsible and insists on joining the guards sent to rescue the Princess, who has been whisked away to the United States. In Nevada and hot on the trail of the kidnappers, Wang is separated from the group and soon finds himself an unlikely partner with Roy O'Bannon, a small time robber with delusions of grandeur. Together, the two forge onto one misadventure after another. Written by <N2XFYLS@aol.com>

Plot Summary | Plot Synopsis

Taglines:

The old west meets the far east See more »


Motion Picture Rating (MPAA)

Rated PG-13 for action violence, some drug humor, language and sensuality | See all certifications »

Parents Guide:

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Details

Country:

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Language:

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Release Date:

26 May 2000 (USA)  »

Also Known As:

Shanghai Kid  »

Box Office

Budget:

$55,000,000 (estimated)

Opening Weekend:

$19,647,065 (USA) (26 May 2000)

Gross:

$56,932,305 (USA) (29 September 2000)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

During the scene where Roy and Chon are drunk in the hotel, director Tom Dey hoped to include a drunken kung fu scene, as an homage to The Legend of Drunken Master (1994). There was no time to choreograph such a scene, so Dey showed Chon blowing bubbles from his mouth, as Wong Fei-hung does in The Legend of Drunken Master (1994). See more »

Goofs

When the horse carriage knocks over the hanging gallows, Roy falls to the wagon below. Before he falls, his hands are tied behind his back; as he falls, you can see a piece of rope tied around each hand, which are separated (when he places his hands together, this gives the appearance that his hands are tied together). See more »

Quotes

Roy O'Bannon: Maybe we should let bygones be bygones. You got off some good shots, I got off some good ones. Let's call it a tie.
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Crazy Credits

Outtakes from the filming of the movie. See more »

Connections

References The Big Country (1958) See more »

Soundtracks

Back in the Saddle Again
Written by Steven Tyler, Joe Perry
Performed by Aerosmith
Produced by The Boneyard Boys (Joe Perry, Steven Tyler and Marti Frederiksen)
Engineered by Paul Caruso
Courtesy of Aerodisc Partnership
See more »

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User Reviews

Another great Chan comedy
29 October 2001 | by (United Kingdom) – See all my reviews

When Princess Pei Pei (Lucy Liu) is kidnapped and taken to American by Lo Fong (Roger Yuan), the honour guard of The Forbidden City is dispatched to deliver the ransom and bring her back. Chon Wang (Jackie Chan) accompanies the guards on their journey and finds himself entangled with Indians, cowboys and the greedy attentions of train robber Roy O'Brannon (Owen Wilson).

This is essentially a mismatched buddy movie transferred to the American West and in that respect it is not exact an original plot, there aren't any great twists to grab you and a lot of the plot drivers are forced or predictable. However let's be honest - we're not hear for the plot! As with the Rush Hour movies, the plot is secondary to the comedy and the fight scenes. Here Owen Wilson provides the comedy as the laid back train robber while Jackie Chan provides the action and the comedy. The strength here is that this is a little unassuming film that will take you by surprise. The chemistry between Wilson and Chan is effortless and is as comfortable as the Chan/Tucker combo. Wilson's character is hilarious in a very easy way - he is clearly so out of place in the West and partially accepts it but also wants to be more than he is, as one of the bad guys put it "you're terrible. How have it made it this long?"

Chan again shows that he is the closest we have to a modern day Chaplin, he is as good at interacting with Wilson as he is with the physical comedy that is his trademark. One complaint is that, as with Rush Hour, we could probably have done with a few more fight scenes. However the comedy more than fills any voids that are between fights.

Other cast members are little more than excuses for the action. Roger Yuan and Xander Berkeley provide good baddies (Berkeley especially) but Lucy Liu is almost in her own little 'serious' movie and doesn't have much to do except be rescued (although she does show some of her "Charlie's Angels" potential in a fight scene towards the end).

Overall a gentle enjoyable comedy that is made all the more enjoyable by the ease by which it succeeds at making you laugh. Chan's fights are a little less impressive than other films but he excels in the comedy stakes. One very good thing is the customary outtakes at the end - unlike Rush Hour 2 they are NOT funnier than the rest of the film.


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