| Uncredited cast: | |||
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Eduard Benes | ... |
Himself
(archive footage) (uncredited)
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Neville Chamberlain | ... |
Himself
(archive footage) (uncredited)
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Clementine Churchill | ... |
Herself
(archive footage) (uncredited)
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| Winston Churchill | ... |
Himself
(archive footage) (uncredited)
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Galeazzo Ciano | ... |
Himself
(archive footage) (uncredited)
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Édouard Daladier | ... |
Himself
(archive footage) (uncredited)
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Léon Degrelle | ... |
Himself - Leader: Rexist Party, Belgium
(archive footage) (uncredited)
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Anthony Eden | ... |
Himself
(archive footage) (uncredited)
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Josef Goebbels | ... |
Himself
(archive footage) (uncredited)
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Hermann Göring | ... |
Himself
(archive footage) (uncredited)
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Konrad Henlein | ... |
Himself
(archive footage) (uncredited)
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Rudolf Hess | ... |
Himself
(archive footage) (uncredited)
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Heinrich Himmler | ... |
Himself
(archive footage) (uncredited)
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| Adolf Hitler | ... |
Himself
(archive footage) (uncredited)
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| Walter Huston | ... |
Narrator
(uncredited)
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In this installment of the Why We Fight propaganda film series, we see the events of Nazi Germany's diplomatic and military acts of international aggression. One by one, we learn of the Nazi's consistently underhanded and relenting violation of every promise of peace and exploitation of their foes's attempts of appeasement until the invasion of Poland September of 1939 which led to Britain and France finally taking an armed stand against Hitler. Written by Kenneth Chisholm <kchishol@execulink.com>
Frank Capra did a masterful job taking the propaganda tool of the Nazis and turning it against them. He devised the simple but effective means of taking captured Nazi propaganda newsreels and showing them with new narration and with music. The result -- showing the Nazi horror for what it was.
The WHY WE FIGHT series of 7 films is still very powerful and moving. We can only imagine how rousing the material was in the dark days of World War II when it was shown to the US troops in battle zones.
The difference between Capra's propaganda and Hitler's is that Capra used the tool to teach ideals rather than to seduce and entrance the minds of people. Capra's films were just as strong ammunition as and tanks and planes, and they are remarkably durable after all these years. They still stand for the ideals of democracy. Such is the art of a master moviemaker.