Originally, "Ultra Seven" was not going to be related to the original Ultraman: A Special Effects Fantasy Series (1966) TV series, but was intended as an alternate version. Initially, months before that series ended production, Tsuburaya Productions pitched to Tokyo Broadcasting System (TBS) an idea for a new sci-fi adventure called "The Ultra Garrison" ("Urutora Keibitai"). The project then evolved into "Ultra Eye" ("Urutora Ai") about Dan Moroboshi, an esper alien from Planet R. He was born to an alien father and a human mother, whom he went to Earth in search for. Upon coming to Earth, Dan joined the Ultra Garrison, and became the driver of the Garrison's Supercar. But unbeknownst to anyone, in times of crisis, Dan transforms into his R-ian form, known on Earth as Redman. Almost identical to Ultra Seven, Redman's Capsule Monsters were to be monsters that were originally from Urutora Q (1965) and "Ultraman" (Red King, Antlar and Peguila). With several changes to the plot (including the hero's homeworld being the Land of Light in the Nebula M78, just like Ultraman), the show began production as "Redman" ("Reddoman"), the same working title that "Ultraman" had used. Casting auditions were held in June. Episodes 3, 2, 6 and 4, in that order, were produced in May of 1967. Just before Episode 1 next began production, the series title was ultimately changed to "Ultra Seven," with Episode 1 being the first to bear that title. All references to Redman in previous episodes were dubbed out. Post-production was completed in September, and the show finally premiered on October 1, 1967, competing with Johnny Sokko and His Flying Robot (1967) and Kaijû Ôji (1967), and earning a 30% rating. See more »
The main title credits begins with a backwards "crumbling sand" effect of the Japanese "Ultra Seven" title, in white with a colorful psychadelic background. In later episodes, a "paint-swirl" title almost identical to that of Ultraman: A Special Effects Fantasy Series (1966) was used. In either case, the subsequent opening credits (which usually start with the name of the weekly episode) are accompanied with black silhouettes of the Ultra Garrison mecha against a colorful looped liquid background. The last silhouette is of Dan Moroboshi (the show's hero, decked out in Ultra Garrison uniform and helmet), which transforms into a silhouette of Ultra Seven. See more »
The Theme Song of Ultra Seven
Main Title Theme for Hawaiian English dubbed version of the series in 1975
Music by Toru Fuyuki
Lyrics by Kyôichi Azuma
Lyrics Translated by Maya Taguchi
Sung by Masato Shimon See more »
"Ultra Seven" appears to be the overall best entry in the entire "Ultra" series, which began with "Ultra Q" and achieved massive popularity with "Ultraman." Fan coverage seems to confirm the belief that the third entry in the series, "Ultra Seven," is indeed the best. The stories often focused a lot more on characters and story than previous entries did; they also probed a number of social and ethical issues relevant to contemporary society - not just Japanese society but everywhere, with the overall intent being an introspective examination of who/what we are as a species. The entire "Ultra" series focused on the adventures of alien superheroes saving Earth from all threats, terrestrial and extraterrestrial. This incarnation finds the intergalactic space traveler Ultra Seven assuming the form of an injured mountain climber, and thus becomes the human Dan Moroboshi (Koji Moritsugu), the honorary seventh member of the Terrestrial Defense Force (TDF), which protects Earth from all forms of extraterrestrial menace (and whose ranks include two cast members from "Ultraman"). The focus of any of the various "Ultra" films were the creative kaiju/daikaiju monster designs and showdowns, courtesy of Eiji Tsuburaya (1901-1970) and his company Tsuburaya Productions (which was also behind the hugely popular Showa-era "Godzilla" film series).
Ultra Seven is now my second-favorite Japanese superhero, behind The Guyver.
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