IMDb > Who Is Henry Jaglom? (1997)

Who Is Henry Jaglom? (1997) More at IMDbPro »


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5.6/10   78 votes »
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Plot:
Henry Jaglom was hailed by some as a cinematic genius, a feminist voice and a true maverick of American cinema, dismissed by others as a voyeuristic, egomaniac fraud and the "world's worst director," | Add synopsis »
User Reviews:
The enigma of Jaglom is clearer to me after seeing this film. See more (3 total) »

Cast

 

Candice Bergen ... Herself

Karen Black ... Herself

Peter Bogdanovich ... Himself
Michael Emil ... Himself (as Michael Emil Jaglom)

Milos Forman ... Himself

Dennis Hopper ... Himself

Henry Jaglom ... Himself

Sally Kellerman ... Herself

John Landis ... Himself

Melissa Leo ... Herself

Andrea Marcovicci ... Herself

Zack Norman ... Himself

Martha Plimpton ... Herself

Bob Rafelson ... Himself

Ron Silver ... Himself

Brooke Smith ... Herself

Orson Welles ... Himself (archive footage)

Directed by
Henry Alex Rubin 
Jeremy Workman 
 
Produced by
Mark Apostolon .... associate producer
Richard C. Lunden .... executive producer
 
Film Editing by
Jeremy Workman 
 

Production CompaniesDistributors

Additional Details

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Runtime:
52 min
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Language:
Color:
Aspect Ratio:
1.33 : 1 See more »
Sound Mix:
Certification:

Did You Know?

Movie Connections:
Features Always (1985)See more »

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5 out of 5 people found the following review useful.
The enigma of Jaglom is clearer to me after seeing this film., 5 November 2006
Author: teri60-1 from United States

Having see a couple of Jaglom films in the past and having heard about him here & there, it was good to have those who have known & worked with him for years speak honestly. The footage of him working on various films and going about his life rounded out the picture of him very skillfully. I came away thinking that he is a very creative but exceptionally self-centered individual and that he is not particularly evolved in his attitudes towards women. He also seems quite abusive towards his actors generally. I only pray that the younger generation of filmmakers (particularly men)will not continue in his manner. Only thus will we begin to see 'experimental' films which have a humanized point of view which is inspiring without being sentimental.

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