Music agent Bernie Stein, his scientist nephew Frankie, and a drugged out roadie named Iggy team to create a superstar by putting together the remains of dead rockers. All goes according to... See full summary »
An old man that lives in an old house conducts a correctional institute for girls. But he does not realize that the date is the present as he is cooped up in the house. He is assisted my a ... See full summary »
Music agent Bernie Stein, his scientist nephew Frankie, and a drugged out roadie named Iggy team to create a superstar by putting together the remains of dead rockers. All goes according to plan until a mishap leads Iggy to steal Liberace's private parts instead of those of Jim Morrison. The monster is brought to life and is on the road to rock 'n' roll success when the Liberace side of the monster begins to assert itself, with tragic results. Written by
The first half of this film works pretty well for me, though I thought there was waaaay too much of Barry Feterman as the foul-mouthed Bernie Stein. Not that he didn't act the role capably, but there was so much more of him than the plot required that one started to wonder if he had been an investor in the film, and demanded extra screen time...
The musical numbers are fun, and Guggenheim tries hard as the "King". But once the monster's sexual confusion "comes up", the film devolves into an endless string of gerbil and "hershey highway" jokes. I'm not sure if these are intended as gay camp or gay bashing, but either way the film devotes far too much time to them, and not enough to the potential of an "assembled" rock star.
Many elements of this film work, and it looks pretty good for a low-budget production. But somewhere along the way the concept loses steam and chugs along slowly, relying on a very low grade of humor.
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