| Photos (See all 13 | slideshow) | Videos (see all 4) |
| Ed Harris | ... | Jackson Pollock | |
| Marcia Gay Harden | ... | Lee Krasner | |
| Tom Bower | ... | Dan Miller | |
| Jennifer Connelly | ... | Ruth Kligman | |
| Bud Cort | ... | Howard Putzel | |
| John Heard | ... | Tony Smith | |
| Val Kilmer | ... | Willem DeKooning | |
| Robert Knott | ... | Sande Pollock | |
| David Leary | ... | Charles Pollock | |
| Amy Madigan | ... | Peggy Guggenheim | |
| Sally Murphy | ... | Edith Metzger | |
| Molly Regan | ... | Arloie Pollock | |
| Stephanie Seymour | ... | Helen Frankenthaler | |
| Matthew Sussman | ... | Reuben Kadish | |
| Jeffrey Tambor | ... | Clem Greenberg | |
| Sada Thompson | ... | Stella Pollock | |
| Norbert Weisser | ... | Hans Namuth | |
| Eulala Scheel | ... | Arloie's Baby (as Eulala Grace Harden) | |
| Everett Quinton | ... | James Johnson Sweeney | |
| Annabelle Gurwitch | ... | May Rosenberg | |
| John Rothman | ... | Harold Rosenberg | |
| Kenny Scharf | ... | William Baziotes | |
| Tom McGuinness | ... | Franz Kline | |
| Katherine Wallach | ... | Barbara Kadish | |
| Cassandra Clewicki | ... | Kadish Child | |
| Sloane Shelton | ... | Dot Miller | |
| Eduardo Machado | ... | Alfonso Ossorio | |
| Moss Roberts | ... | Ted Dragon | |
| Robert O'Neill | ... | Herbert Matter | |
| Isabelle Townsend | ... | Mercedes Matter | |
| Jennifer Piech | ... | Young Redhead | |
| Rebecca Wisocky | ... | Dorothy Seiberling | |
| Linda Emond | ... | Martha Holmes | |
| Tony Palazzolo | ... | Delivery Man | |
| Barbara Garrick | ... | Betty Parsons | |
| Claire Beckman | ... | Vita Peterson | |
| David Cale | ... | William Wright | |
| Stephen Beach | ... | Jay Pollock | |
| Jill Jackson | ... | Alma Pollock | |
| Donna Mitchell | ... | Elizabeth Pollock | |
| Sondra Jablonski | ... | Jeremy Pollock | |
| Frank Wood | ... | Frank Pollock | |
| Julie Anna Rose | ... | Marie Pollock | |
| Kyle Timothy Smith | ... | Jonathan Pollock (as Kyle Smith) | |
| April Petroski | ... | Karen Pollock | |
| Nicholas Petroski | ... | Jason Pollock | |
| Noah Petroski | ... | Jason Pollock | |
| Bob L. Harris | ... | Veterinarian (as Bob Harris) | |
| John Madigan | ... | News Broadcaster (voice) | |
| rest of cast listed alphabetically: | |||
| Matthew Hart Landfield | ... | Newspaper Boy (uncredited) | |
| John Nesci | ... | East Hampton Police Officer (uncredited) | |
Directed by | |||
| Ed Harris | |||
Writing credits(WGA) | ||
| Steven Naifeh | (book "Jackson Pollock: An American Saga") and | |
| Gregory White Smith | (book "Jackson Pollock: An American Saga") | |
| Barbara Turner | (screenplay) and | |
| Susan Emshwiller | (screenplay) (as Susan J. Emshwiller) | |
Produced by | |||
| Joseph Allen | .... | executive producer | |
| Heiner Bastian | .... | associate producer | |
| Fred Berner | .... | producer | |
| Peter Brant | .... | executive producer (as Peter M. Brant) | |
| Ed Harris | .... | producer | |
| Jon Kilik | .... | producer | |
| Cecilia Kate Roque | .... | co-producer | |
| Candy Trabuco | .... | associate producer (as Candy Trabacco) | |
| James Francis Trezza | .... | producer | |
Original Music by | |||
| Jeff Beal | |||
Cinematography by | |||
| Lisa Rinzler | (director of photography) | ||
Film Editing by | |||
| Kathryn Himoff | |||
Casting by | |||
| Todd M. Thaler | (as Todd Thaler) | ||
Production Design by | |||
| Mark Friedberg | |||
Art Direction by | |||
| Teresa Mastropierro | |||
| Peter Rogness | |||
Set Decoration by | |||
| Carolyn Cartwright | |||
Costume Design by | |||
| David C. Robinson | |||
Makeup Department | |||
| Ma Kalaadevi Ananda | .... | makeup department head (as Marilyn Carbone) | |
| Michal Bigger | .... | makeup artist: August | |
| Mitch Ely | .... | hair stylist: August | |
| Kelly Gleason | .... | special effects makeup artist: Ms. Madigan | |
| Linda Grimes | .... | key makeup artist | |
| Lori Hicks | .... | additional makeup artist | |
| Paul Huntley | .... | hairpiece: Pollock | |
| Michele Paris | .... | makeup artist (as Michele Paris-Catanzarite) | |
| John Quaglia | .... | additional hair stylist (as John D. Quaglia) | |
| Jeffrey Sacino | .... | hair stylist | |
| James Sarzotti | .... | makeup artist: August | |
| Peggy Schierholz | .... | additional hair stylist (as Peg Schierholz) | |
Production Management | |||
| Julie Antonelli | .... | post-production supervisor | |
| Meryl Emmerton | .... | production manager | |
| Daniel Strol | .... | unit supervisor (as Daniel J. Strol) | |
Second Unit Director or Assistant Director | |||
| Cindy Craig | .... | second assistant director | |
| Jude Gorjanc | .... | first assistant director | |
| Jessica Piscitelli | .... | second second assistant director | |
Art Department | |||
| JoAnn Atwood | .... | on-set dresser | |
| Brian Becker | .... | carpenter | |
| Peter Blechman | .... | carpenter | |
| Doug Bowen | .... | construction coordinator: August | |
| Douglas Bowen | .... | carpenter | |
| Daniel Brandes | .... | carpenter | |
| Kelly Brant | .... | props production assistant | |
| Diana Burton | .... | property master | |
| Suzanne E. Cestare | .... | swing gang (as Sue Cestare) | |
| Tom Clark | .... | construction grip | |
| David Cooney | .... | storyboard artist | |
| Eva P. Davy | .... | scenic artist (as Eva Davy) | |
| Rena DeAngelo | .... | second props | |
| June DeCamp | .... | scenic artist | |
| Ruth Deleon | .... | additional on-set dresser | |
| Chris DesMarais | .... | property master: August (as Chris Des Marais) | |
| Ruth DiPasquale | .... | swing gang | |
| James C. Feng | .... | assistant art director (as Jim Feng) | |
| Stephen Finkin | .... | swing gang (as Steve Finkin) | |
| Ray Fisher | .... | lead man | |
| Elizabeth Gillen | .... | scenic artist | |
| Bill Gilleran | .... | construction grip | |
| Gregg Gilmartin | .... | carpenter | |
| Phil Goldstein | .... | scenic artist | |
| Jonathan Graham | .... | key construction grip | |
| Regina Graves | .... | assistant set decorator | |
| Jeremiah Greenblatt | .... | construction shop manager | |
| Thomas Gregory | .... | carpenter | |
| Peter Hackman | .... | scenic foreman | |
| Dana Hook | .... | construction grip | |
| Elizabeth Howard | .... | scenic artist | |
| Duncan Hoxworth | .... | carpenter | |
| Ross Huttick | .... | swing gang | |
| Miguel Jimenez | .... | shop electrician (as Miguel Jiminez) | |
| Chris Jordan | .... | third greensperson | |
| Tina Khayat | .... | art department coordinator: August | |
| Marion Kolsby | .... | assistant art director | |
| George Kousoulides | .... | scenic artist | |
| Gordon Krause | .... | construction foreman | |
| Richard Lamb | .... | scenic artist | |
| Laura Lambert | .... | swing gang | |
| Roger Lang | .... | carpenter | |
| Lisa Lawley | .... | painter: Jackson Pollock paintings through 1947 | |
| Richard Liebgold | .... | swing gang (as Richard Leibgold) | |
| Victor Littlejohn | .... | set dresser | |
| Lynn Maffessoli | .... | scenic artist | |
| Alan Mamet | .... | swing gang (as Allen Mamet) | |
| Teresa Mastropierro | .... | art director: August | |
| Michele Mayas | .... | scenic artist | |
| Robin McAllister | .... | props assistant (as Robin C. McAllister) | |
| Jean-Paul Menard | .... | second greensperson | |
| Ann Miller | .... | additional props | |
| Lou Miller | .... | carpenter | |
| Nick Miller | .... | construction coordinator | |
| Laraine Mills | .... | construction production assistant | |
| Charles A. Nastacio | .... | construction grip (as Charlie Nastacio) | |
| Mel Noped | .... | construction grip (as Melvin Noped) | |
| Thomas Nousias | .... | scenic artist | |
| Francis V. O'Connor | .... | art history consultant | |
| Nicole Paré | .... | art department intern | |
| Jesse Pelikan | .... | construction grip | |
| Janine Pesce | .... | second props | |
| Morgan Pitts | .... | second greensperson | |
| Walter Pluff | .... | additional on-set dresser | |
| Dave Reardon | .... | swing gang foreman | |
| Raymond Reddy | .... | carpenter | |
| Raymond Reddy | .... | construction foreman | |
| James A. Riley IV | .... | construction grip | |
| Jon Ringbom | .... | charge scenic | |
| Kevin Roach | .... | carpenter | |
| Bruno Robuti | .... | painting: "Summertime" | |
| Charles Romanello | .... | carpenter | |
| James Sadek | .... | carpenter | |
| Jeanne Sauger | .... | scenic artist | |
| Eric Schappach | .... | scenic artist | |
| Will Scheck | .... | lead greensperson | |
| Dianne Schlies | .... | painter: "Cotton Pickers" and "Going West" | |
| Elizabeth Schlitten | .... | additional props (as Liz Schlitten) | |
| Clarissa Shanahan | .... | charge scenic: August | |
| Richard A. Sirico | .... | carpenter (as Richard Sirico) | |
| Salvatore Sirico | .... | carpenter | |
| Julie Sloan | .... | scenic artist | |
| Jennifer Snoeyink | .... | scenic artist | |
| Nell Stifel | .... | camera scenic artist | |
| Alexandra Tager | .... | fine art coordinator | |
| Margaret von Biesen | .... | painter: Lee Krasner paintings through 1945 | |
| Sheri von Seeburg | .... | art department coordinator | |
| Kenneth Walshak | .... | carpenter | |
| Danielle Webb | .... | set dresser | |
| Eric Wheelis | .... | art department intern | |
| Josh Wingard | .... | construction grip | |
| Joan Winters | .... | graphic designer | |
| John Wolanczyk | .... | scenic artist | |
| Timothy Joliat | .... | swing gang (uncredited) | |
| Timothy Main | .... | special prop builder (uncredited) | |
Special Effects by | |||
| Mark Bero | .... | special effects | |
| Steven Kirshoff | .... | special effects (as Steve Kirschoff) | |
Visual Effects by | |||
| Martin Avitia | .... | optical supervisor: Title House Digital | |
| Blake Busby | .... | graphic designer: Title House Digital | |
| Scott David | .... | compositor | |
| David Hayes | .... | optical line-up: Title House Digital | |
| Julie Landholt | .... | graphic designer: Title House Digital | |
| Gary Miller | .... | camera operator: Title House Digital | |
| Jennifer Rae Smith | .... | title coordinator: Title House Digital | |
| Robert Beebe | .... | optical printer operator: Title House Digital (uncredited) | |
| Christopher Dusendschon | .... | in-show optical process and effects compositor: THDX (uncredited) | |
| Christopher Dusendschon | .... | optical element Hazeltine colorist: THDX (uncredited) | |
| Steven Emmert | .... | optical compositor: THDX (uncredited) | |
| Lloyd Hess | .... | technical support (uncredited) | |
| Thomas Rosseter | .... | visual effects supervisor: ILM (uncredited) | |
| George Sakellariou | .... | production engineering: ILM (uncredited) | |
Stunts | |||
| G.A. Aguilar | .... | stunt coordinator | |
| Stephanie Finochio | .... | stunts (as Stephanie Finnocchio) | |
| Jeffrey Lee Gibson | .... | stunts (as Jeff Gibson) | |
| Susan Trout | .... | stunts | |
Casting Department | |||
| Joe Alfano | .... | extras casting assistant | |
| Jonathan Strauss | .... | casting associate | |
| Grant Wilfley | .... | extras casting | |
Costume and Wardrobe Department | |||
| Frank L. Fleming | .... | costumer (as Frank Fleming) | |
| Joni M. Huth | .... | costume shop supervisor (as Joni Huth) | |
| Jeannie H. Kelly | .... | wardrobe supervisor (as Jeannie Kelly) | |
| Pamela Kezal | .... | wardrobe supervisor | |
| Anastasia Marano | .... | wardrobe intern | |
| Andrea Martin | .... | wardrobe intern | |
| Ingrid Price | .... | costumer | |
| Frankie Ritacco | .... | wardrobe supervisor | |
| Monica Russell | .... | set costumer | |
| Kim Wilcox | .... | assistant costume designer | |
Editorial Department | |||
| Catherine Anderson | .... | negative cutter: JG Films | |
| Franco Barbeite | .... | assistant editor | |
| Daniel Candib | .... | assistant editor (as Dan Candib) | |
| Robert J. Lemos | .... | assistant film editor | |
| Kent McGrew | .... | color timer | |
| Dan O'Grady | .... | negative conforming supervisor | |
| Linda Schubell-Sundlin | .... | first assistant film editor (as Linda Sundlin) | |
| Daniel F. Siskin | .... | post-production assistant | |
| Jamal A. Swinton | .... | post-production consultant | |
| Tim Wilson | .... | first assistant film editor | |
Music Department | |||
| Dondi Bastone | .... | music supervisor (as Don Bastone) | |
| Steve Miller | .... | music consultant | |
| Sharon Smith | .... | music editor | |
| Daniel Gaber | .... | music editor: temp music (uncredited) | |
Transportation Department | |||
| Bill Buckman | .... | driver | |
| Mike Buckman | .... | transportation co-captain | |
| William Curtin | .... | driver (as Billy Curtin) | |
| John Featherstone | .... | driver | |
| Michael Fennell | .... | driver (as Mickey Fennell) | |
| Kevin Flynn | .... | driver | |
| Roy Fortier | .... | driver | |
| Billy Junior | .... | driver | |
| Chris Kornack | .... | driver | |
| Harry J. Leavey | .... | driver (as Harry Leavey) | |
| Tom Leavey | .... | transportation captain | |
| William Leavey | .... | driver (as Bill Leavey) | |
| Larry Miele | .... | driver | |
| Erik W. Wickstrom | .... | driver (as Eric Wickstrom) | |
Other crew | |||
| Sam Adelman | .... | film apprentice | |
| Jade Allen | .... | office intern | |
| Nuri Bell | .... | production assistant | |
| Jean Bickley | .... | assistant: Peter Brant | |
| Ana Bielschowsky | .... | office intern | |
| Maria T. Bierniak | .... | facilities coordinator: East Hampton | |
| Steve Blakely | .... | laboratory operations: Duart | |
| Zoran Blazevic | .... | location assistant | |
| Casey Block | .... | accountant | |
| Maurice Cabrera | .... | parking coordinator | |
| Chi Yoon Chung | .... | avid apprentice | |
| Kathy Ciric | .... | location scout | |
| Wendy Cohen | .... | production resources | |
| Coleen Curtin | .... | location assistant: East Hampton | |
| Melissa De Waters | .... | set intern | |
| Philip Dixon | .... | set production assistant | |
| Michael Espinosa | .... | set production assistant | |
| Debora Fearon | .... | craft service (as Debbie Fearon) | |
| John Fedynich | .... | assistant location manager | |
| John B. Finn | .... | accountant (as John Finn) | |
| Lisa France | .... | stand-in | |
| John Franick | .... | film dailies supervisor: Du Art | |
| Leigh French | .... | group looping | |
| Mary Gambardella | .... | script supervisor: August | |
| Joe Guest | .... | set production assistant (as Joe C. Guest) | |
| Don Hartman | .... | stand-in | |
| Desmond Harvey | .... | additional craft service | |
| Sean Hogan | .... | first assistant accountant | |
| Mark Horowitz | .... | international sales: Alliance Atlantic Pictures International | |
| Paul Kostick | .... | assistant to director | |
| Al Lamberti | .... | location assistant | |
| Victoria Lang | .... | set production assistant | |
| Eric Richard Lasko | .... | set production assistant | |
| Lisa Lawley | .... | painting coach | |
| Steve McAuliff | .... | animal trainer | |
| Joe Monge | .... | video transfers supervisor: Duart | |
| David Moy | .... | location assistant | |
| Stuart Nicolai | .... | location assistant | |
| Tjamal Noni | .... | office production assistant (as Tjamal K. Noni) | |
| Suzanne O'Donnell | .... | assistant: Marcia Gay Harden | |
| Maria T. Pagano | .... | set production assistant | |
| Steven Planck | .... | office intern | |
| Audra Polk | .... | assistant coordinator | |
| Thomas R. Polleri | .... | set production assistant (as Tom Polleri) | |
| John Pompa | .... | set intern | |
| Jennifer Quesenbery | .... | location scout | |
| David Riedel | .... | film apprentice | |
| Spencer Riviera | .... | office intern | |
| Monica Ruiz-Ziegler | .... | assistant: Mr. Robinson | |
| Josh Schneider | .... | accountant | |
| Eric Schwarz | .... | production secretary | |
| George Sheanshang | .... | legal services | |
| Edward D. Sherrick | .... | financial advisor | |
| Birgit Staudt | .... | location scout | |
| Michael Ward Stout | .... | legal counsel: artwork | |
| Kristina Strang | .... | craft service | |
| Peggy Sutton | .... | script supervisor | |
| Jessica Tait | .... | office intern | |
| David Tambor | .... | set intern | |
| John Charles Thomas | .... | legal counsel: artwork | |
| Alfonso Trinidad | .... | key set production assistant | |
| Mark Van Holstein | .... | location assistant (as Mark von Holstein) | |
| George Walden | .... | insurance: AON/Albert G. Ruben | |
| Michael L. Walker | .... | set production assistant | |
| Annie Young Frisbie | .... | assistant to producers (as Annie Young) | |
| Gerry Ferrara | .... | projectionist (uncredited) | |
| Michael K. Reynolds | .... | chef (uncredited) | |
| Andrew Yeo | .... | location scout (uncredited) | |
Thanks | |||
| Charles Bergman | .... | special thanks: the Pollock-Krasner Foundation | |
| David Eric Brenner | .... | thanks (as David E. Brenner) | |
| Eric Clapton | .... | special thanks | |
| Robert De Niro | .... | special thanks: Tribeca Productions (as Robert DeNiro) | |
| Charles Haid | .... | thanks | |
| Helen A. Harrison | .... | special thanks: the Pollock-Krasner House and Study Center, East Hampton, New York | |
| Agnieszka Holland | .... | thanks | |
| Mark Isham | .... | special thanks | |
| Pepe Karmel | .... | special thanks: the Museum of Modern Art, New York City | |
| Neil Koenigsberg | .... | special thanks | |
| Graham Leggat | .... | special thanks: the Museum of Modern Art, New York City | |
| Carol Littleton | .... | special thanks | |
| Liz Manne | .... | special thanks | |
| Chris McNamara | .... | special thanks: the Pollock-Krasner House and Study Center, East Hampton, New York | |
| Walter Murch | .... | thanks | |
| Victor Nunez | .... | thanks | |
| Eugene V. Thaw | .... | special thanks: the Pollock-Krasner Foundation | |
| Kirk Varnedoe | .... | special thanks: the Museum of Modern Art, New York City | |
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| Introducing Dorothy Dandridge | Fur: An Imaginary Portrait of Diane Arbus | The Passion of Ayn Rand | Frida | Edvard Munch |
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| News articles | IMDb Biography section | IMDb USA section |
Although the film doesn't exactly startle us with its thesis that the life of an artist is rarely a happy one `Pollock' manages to skirt most of the clichés inherent in the `tortured-artist' biographical genre to provide us with a complex study not only of the man himself but also of the woman who stood beside him through most of his troubled life.
Jackson Pollock was, of course, the prototypical `struggling genius' neurotic, insecure, arrogant, self-absorbed and forever locked in an epic struggle with his own private demons (in Pollock's case, alcoholism). Out of this morass of personal weaknesses, the painter perfected his art which became a reflection and synthesis of the raw elements comprising the emotionally chaotic world in which he lived. The film introduces us to the man in 1941 when he is still a virtual unknown living in Greenwich Village, bellowing in an alcoholic rage against the success of Picasso, in whose shadow Pollock seems to be forever hidden away from public view. One day, into his life walks Lee Krasner, a similar, though less gifted, modern artist who detects Pollock's special genius and becomes the future art world celebrity's greatest champion and lover.
Much of the fascination of the film lies in the examination of the complexities of the almost love-hate relationship that develops between the two. On the one hand, we sense that Jackson and Lee provide just the right emotional complement for one another a shared symbiosis which lays the foundation for an environment in which Pollock's creativity and artistic experimentation can expand and flourish. Lee, for instance, wages a fierce battle to secure Pollock's acceptance among the crème de la crème of New York's art world elite, the result of which is eventual name recognition for Pollock the world over. Yet, Lee pays an ultimate price for her tenacious possessiveness: so all consumed does she become in the life and work of the man who will change the face of modern art that she begins to alienate him and eventually push him away. Unwilling to share him even with a child of their own, she ends up depriving Pollock of the chance of experiencing the joys of fatherhood. The final result is that he is truly left with nothing but his identity as a painter. Thus, as his reputation begins to become eclipsed by newer, younger artists, and as he retreats back into an alcoholic haze after a couple of years of productive sobriety, Pollock's life begins its inevitable spiral downwards into hopelessness and tragedy.
Ed Harris not only stars in the film but directed it as well. He does a superb job on both counts. As Pollock, he supplies the brooding sensitivity as well as the physical intensity that are reflected in the artist's paintings themselves. One never doubts the genuine love Pollock has for Lee, yet always there is the constant threat of physical violence lying latent beneath his placid surface. Marcia Gay Harden matches Harris' performance every step of the way. Beneath her determined, hard-edged exterior lies a woman capable of sincere attachment and a total devotion to both a person and the cause he represents.
Unlike so many films dealing with the lives of artists in which we see brief glimpses of paint-dabbing followed almost immediately by views of the finished products `Pollock' provides generous opportunities to see Pollock (i.e. Harris) in action. We sit spellbound as we watch him take a plain white canvas and, step by step, convert it into a work of beauty and art.
If for no other reason, the film is worth seeing just to whet one's appetite and renew one's appreciation for Pollock's work.