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Pollock (2000)

A film about the life and career of the American painter, Jackson Pollock.



(book), (book) | 2 more credits »

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Won 1 Oscar. Another 2 wins & 9 nominations. See more awards »





Cast overview, first billed only:
Sande Pollock
Molly Regan ...
Arloie Pollock
Stella Pollock
Arloie's Baby (as Eulala Grace Harden)
Matthew Sussman ...
Reuben Kadish
Howard Putzel
Peggy Guggenheim
Everett Quinton ...
James Johnson Sweeney
May Rosenberg
Harold Rosenberg
Tony Smith
Kenny Scharf ...
William Baziotes
Tom McGuinness ...
Franz Kline


At the end of the 1940's, abstract expressionist Jackson Pollock (1912-1956) is featured in Life magazine. Flashback to 1941, he's living with his brother in a tiny apartment in New York City, drinking too much, and exhibiting an occasional painting in group shows. That's when he meets artist Lee Krasner, who puts her career on hold to be his companion, lover, champion, wife, and, in essence, caretaker. To get him away from booze, insecurity, and the stress of city life, they move to the Hamptons where nature and sobriety help Pollock achieve a breakthrough in style: a critic praises, then Life magazine calls. But so do old demons: the end is nasty, brutish, and short. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis


A True Portrait of Life and Art.


Biography | Drama

Motion Picture Rating (MPAA)

Rated R for language and brief sexuality | See all certifications »

Parents Guide:



Official Sites:



Release Date:

23 March 2001 (USA)  »

Also Known As:

Pollock, o asymvivastos  »

Filming Locations:


Box Office


$6,000,000 (estimated)

Opening Weekend:

$44,244 (USA) (15 December 2000)


$8,596,914 (USA) (20 July 2001)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:


Aspect Ratio:

1.85 : 1
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Did You Know?


Debbie Reynolds appears briefly as herself in several shots; her face appears on the cover of the August 8th, 1949 issue of "Life" magazine seen in several scenes. The cover was her first for "Life". For the filming, the real cover of the "Life" issue was used, but the pages of the Jackson Pollock article inside are reproductions of the original, with Ed Harris's image substituted for Pollock's. See more »


When Jackson turns the radio on, it comes on instantly. Old valve (tube) radios needed several minutes to 'warm-up' before you could hear anything. See more »


[first lines]
Jackson Pollock: [drunk] Who's the greatest drummer in the world?
Sande Pollock: What?
Jackson Pollock: Crupa.
See more »


Referenced in A Beautiful Mind (2001) See more »


The Hut-Sut Song
Written by Leo Killion, Ted McMichael and Jack Owens
Performed by The King Sisters
Courtesy of The RCA Music Group
See more »

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User Reviews

Action Jackson
19 December 2000 | by (Los Angeles, California) – See all my reviews

While this film is flooded with holes in Pollacks short career, we do get a glimpse of his struggle and process. I was sorry that a few other notable artist that were a part of Pollacks art scene were not portrayed during this great period of time. Mark Rothko, Louise Nevelson and Robert Motherwell to name a few. Also, Pollack worked as a security guard at the Metropolitan Museum of Art in New York for a short time. This environment was partly responsible for exposing him to the dominant European invasion of art in America. I would have liked more in depth insights into why Pollack began painting and why he was so tortured. Ed Harris does a fine job with the material he was working with, but they could have covered more bases in Pollacks life and I know Harris would have stepped up to the plate.

In one scene Pollack is pacing back and forth in front of a large blank canvass. It is a stunning scene watching his shadow run along that large white surface waiting for the moment he would begin to paint. Another scene takes us to East Hampton where he is kneeling down out in the salt marshes staring into a tide pool. Just this pose alone suggests a precursor to removing the canvass from the wall and placing it on the floor.

There are a few quiet moments that capture the subtle Pollack and I wish they explored more in this direction. In so many of these artist portrayals the essence of the process and inspiration gets lost in the drama of their personalities.

However, this movie takes on an ambitious man and an ambitious time in American Art. I was grateful to have seen with my own eyes several Pollack shows over the years and to have studied and experimented myself with Abstract Expressionism.

I think Ed Harris and Marcia Gay Harden should be nominated for their incredible portrayals of these two great artists. Moreover, whether you know a great deal about Pollack, this film will allow you to glimpse into the life of Jackson, but it will also expose you to his wonderful partner, Lee Krasner.

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