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Pollock (2000)

 -  Biography | Drama  -  18 May 2001 (Poland)
7.0
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Ratings: 7.0/10 from 20,523 users   Metascore: 77/100
Reviews: 145 user | 108 critic | 31 from Metacritic.com

A film about the life and career of the American painter, Jackson Pollock.

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(book), (book), 2 more credits »
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Title: Pollock (2000)

Pollock (2000) on IMDb 7/10

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Won 1 Oscar. Another 3 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
...
Howard Putzel
...
Tony Smith
...
Willem DeKooning
...
Sande Pollock
...
Charles Pollock
...
Peggy Guggenheim
...
Edith Metzger
Molly Regan ...
Arloie Pollock
...
Helen Frankenthaler
Matthew Sussman ...
Reuben Kadish
...
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Storyline

At the end of the 1940's, abstract expressionist Jackson Pollock (1912-1956) is featured in Life magazine. Flashback to 1941, he's living with his brother in a tiny apartment in New York City, drinking too much, and exhibiting an occasional painting in group shows. That's when he meets artist Lee Krasner, who puts her career on hold to be his companion, lover, champion, wife, and, in essence, caretaker. To get him away from booze, insecurity, and the stress of city life, they move to the Hamptons where nature and sobriety help Pollock achieve a breakthrough in style: a critic praises, then Life magazine calls. But so do old demons: the end is nasty, brutish, and short. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

A True Portrait of Life and Art.

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated R for language and brief sexuality | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

18 May 2001 (Poland)  »

Also Known As:

Pollock, o asymvivastos  »

Filming Locations:

 »

Box Office

Budget:

$6,000,000 (estimated)

Opening Weekend:

$44,244 (USA) (15 December 2000)

Gross:

$8,596,914 (USA) (20 July 2001)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Ed Harris had to gain about 30 lbs. to do the later scenes in the movie when Jackson Pollock is an alcoholic. See more »

Goofs

In the 'love scene' between Jackson and Peggy Gugenheim, Jackson lays in between Peggy's legs. In the very next (reverse) shot, he is now outside (straddling) her legs. See more »

Quotes

[first lines]
Jackson Pollock: [drunk] Who's the greatest drummer in the world?
Sande Pollock: What?
Jackson Pollock: Crupa.
See more »

Connections

Referenced in Primetime Glick: Bill Maher/Steve Martin (2001) See more »

Soundtracks

Blues in the South
Written by William Johnstone
Performed by Louis Armstrong
Courtesy of The RCA Music Group
See more »

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User Reviews

 
Jackson Pollock: An illustrated study on how to really paint oneself into a corner

As heavy and darkly textured a film as any one of his masterpieces, director and star Ed Harris takes us into the tortured, inebriated world of abstract painter Jackson Pollock (1912-1956)and leaves us assured that Pollock is a certifiable candidate for the Hall of Fame "self-destructive genius" award, joining the illustrious, besotted ranks of Ernest Hemingway, Hank Williams, John Barrymore, Helen Morgan, et al. True, when has Hollywood ever bothered to put on cinematic display a gifted artist who wasn't a poster child for Betty Ford? We usually reserve well-adjusted geniuses for quieter, more tasteful retrospectives on cable TV.

Harris spares no time in letting us know that Pollock is a crude, mindless, gifted mess veering toward unmitigated disaster, taking everything and everyone down with him as he does. Amazingly, in his brutally brief 44 years, Pollock manages to find, with a man-child brilliance, his life's destiny as a master of artistic expression and interpretation and the accidental inventor of the drip-action technique. Harris painstakingly chronicles the little known details of this wretched genius who somehow learned how to free up his own artistic mind while confine the rest of his world to an absolute hell.

The actor/director wisely manages to avoid most of the pitfalls characteristic of these grand bios of agony and angst. In a stark, no-holds-barred performance, he lays the character out like it is -- unredeeming, hopeless, desperate, supremely gifted, yet intriguing. Its a daunting, fully etched performance that, in lesser hands, could have been one long cliche. He doesn't toy with the audience by thinking had the right circumstances come along for Pollock (and they DID come along with wife and caretaker, Lee Krasner) he could have somehow prevailed. Harris is quite believable, losing himself in the painter while showing off his researched skills with a brush. It's a true labor of love and it shows.

Marcia Gay Harden's self-sacrificing Krasner breathes life not only into Pollock but the film itself. Harden, in a rich, flashy portrayal, is mesmerizing as one artist compelled to save another, giving interesting dimension to a woman whose reasons are not totally pure and selfless. Amy Madigan (Harris' wife in real life) makes the most of her few scenes as the eccentric museum maven Peggy Guggenheim, while Val Kilmer appears in an odd, thankless cameo. Harris and Harden were both deservedly Oscar-nominated for their work here.

Yet, problems do creep into the film. While Harris pours his heart and soul into this show (a ten-year pet project, so they say), Pollock's "before life" is never set up to demonstrate why Pollock became such an inveterate drunk and monster. As such, little sympathy can be mustered, holding viewers at bay. Moreover, a couple of manipulative scenes also seem to be thrown in merely to punctuate the already well-worn theme of Pollock's misery and desolation. Less is more in this case. For the most parts, however, this little film succeeds.

Until now, little attention has been paid to the artist Jackson Pollock. Harris rectifies this injustice, as reprehensible as some of it is, with unsparing honesty, dedication and precision.


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