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Directed by | |||
| Joel Schumacher | |||
Writing credits(WGA) | ||
| Larry Cohen | (written by) | |
Produced by | |||
| Ted Kurdyla | .... | executive producer | |
| Gil Netter | .... | producer | |
| Eli Richbourg | .... | associate producer | |
| David Zucker | .... | producer | |
Original Music by | |||
| Harry Gregson-Williams | |||
Cinematography by | |||
| Matthew Libatique | (director of photography) | ||
Film Editing by | |||
| Mark Stevens | |||
Casting by | |||
| Mali Finn | |||
Production Design by | |||
| Andrew Laws | |||
Art Direction by | |||
| Martin Whist | |||
Set Decoration by | |||
| Don Diers | |||
| Al Durcan | (decorator) | ||
Costume Design by | |||
| Daniel Orlandi | |||
Makeup Department | |||
| Mary Aaron | .... | key makeup artist: New York | |
| Wendi Lynn Allison | .... | makeup artist | |
| Patricia Grande | .... | key hair stylist: New York | |
| Michael Mills | .... | makeup supervisor | |
| Greg Nelson | .... | assistant makeup artist | |
| Danny Valencia | .... | hair stylist supervisor | |
| Barbara Wilder | .... | assistant hair stylist (as Barbara Wilder-Pearlman) | |
Production Management | |||
| Dennis T. Benatar | .... | production supervisor (as Dennis Benatar) | |
| Ted Kurdyla | .... | unit production manager | |
| John A. Machione | .... | unit production manager (as John Machione) | |
| Judy Richter | .... | production supervisor: New York | |
Special Effects by | |||
| Chad Baalbergen | .... | special effects | |
| Bela Brozsek | .... | digital animation | |
| Trenton Driver | .... | special effects assistant | |
| James Fredburg | .... | special effects coordinator (as Jim Fredburg) | |
Visual Effects by | |||
| Blondel Aidoo | .... | executive visual effects producer | |
| Travis Baumann | .... | Inferno artist | |
| Bela Brozsek | .... | CG artist | |
| Lindsay Burnett | .... | visual effects producer: Asylum | |
| Steve Caldwell | .... | digital artist | |
| Brian Cuscino | .... | I/O technician | |
| Dennis Dorney | .... | digital lineup | |
| Mark Dornfeld | .... | visual effects supervisor: Custom Film Effects | |
| Adam Gass | .... | digital lineup | |
| Michael Hemschoot | .... | CG artist (as Michael 'Ffish' Hemschott) | |
| Shaina Holmes | .... | digital compositor | |
| Zach Justman | .... | visual effects assistant editor (as Zachary Justman) | |
| Kristopher Kasper | .... | editor: Asylum | |
| Mathew Lamb | .... | CG artist | |
| Bill Laverty | .... | visual effects engineer | |
| Erik Lee | .... | CG artist | |
| Emma McGuinness | .... | visual effects executive producer | |
| Nathan McGuinness | .... | visual effects designer | |
| Nathan McGuinness | .... | visual effects supervisor: Asylum | |
| Greg Mucino | .... | I/O technician (as Greg Muciño) | |
| Laurie Powers | .... | digital compositor | |
| Mark P. Renton | .... | digital artist | |
| Lee Robinson | .... | video | |
| Rob Salvage | .... | visual effects engineer | |
| Mark Sawicki | .... | optical camera | |
| Gunther Schatz | .... | CG artist | |
| Jason Schugardt | .... | CG artist (as Jason Shugardt) | |
| Susan Shin George | .... | visual effects producer | |
| Marty Taylor | .... | Inferno artist | |
| Jeff Werner | .... | CG producer | |
| Edward Helmers | .... | digital artist (uncredited) | |
Stunts | |||
| Ivan Bates | .... | utility stunts | |
| Jon H. Epstein | .... | utility stunts (as Jon Epstein) | |
| Dane Farwell | .... | stunt coordinator | |
| Troy Gilbert | .... | stunt coordinator | |
| John Robotham | .... | utility stunts | |
| Frank Torres | .... | stunts | |
| Michael Trisler | .... | utility stunts | |
Casting Department | |||
| Bill Dance | .... | extras casting | |
| Gary Davies | .... | extras casting associate | |
| Susie Farris | .... | additional casting: New York (as Susan Farris) | |
| Barbara Harris | .... | voice casting | |
| Lindsey Hayes Kroeger | .... | casting associate (as Lindsey Hayes) | |
| David Rapaport | .... | casting assistant | |
| Sharat Raju | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Javier Arrieta | .... | set costumer | |
| Jon Boyden | .... | set costumer | |
| Sandi Figueroa | .... | costumer: New York | |
| Darryl Levine | .... | key set costumer | |
| Susan Roberts | .... | costume supervisor | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| James Durante | .... | first assistant editor | |
| John Morrisey | .... | assistant editor | |
| Chris Regan | .... | color timer | |
| Lisa Shaw Phillips | .... | assistant editor | |
| Kristina Trirogoff | .... | assistant editor | |
| Adrian Colon | .... | assistant editor (uncredited) | |
Music Department | |||
| Michael Brook | .... | musician: guitar | |
| Justin Caine Burnett | .... | music programmer (as Justin Burnett) | |
| Toby Chu | .... | music programmer | |
| Peter DiStefano | .... | musician: guitar | |
| Harry Gregson-Williams | .... | music programmer | |
| Nathan Larson | .... | composer: additional music | |
| Alan Meyerson | .... | music mixer | |
| Denise Okimoto | .... | music editor | |
| Gretchen O'Neal | .... | music production supervisor | |
| Gretchen O'Neal | .... | score coordinator | |
| Del Spiva | .... | assistant music editor | |
| Marc Streitenfeld | .... | music editor | |
| Martin Tillman | .... | musician: electric cello | |
| Mel Wesson | .... | music programmer | |
| Mark Jan Wlodarkiewicz | .... | music editor | |
| Toby Chu | .... | composer: additional music (uncredited) | |
Transportation Department | |||
| Steve Boyd | .... | transportation coordinator | |
| Jerry F. Johnson | .... | transportation captain | |
| Ralph Volpe | .... | transportation captain: New York | |
Thanks | |||
| James D. Brubaker | .... | special thanks (as Jim Brubaker) | |
| Gino Colbert | .... | special thanks | |
| Clayton Rohner | .... | special thanks | |
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I saw the premiere of "Phone Booth" at the 2002 Toronto International Film Festival, and I LOVED IT! It's unusual for a feature like this to even show at the TIFF, which should say something about it. I know it sounds like a hard sell. The whole thing takes place outside a phone booth in Manhattan, and it was shot in 10 days for less than 2 million dollars. But this movie is electric. It BLEW ME AWAY! Stuart `Stu' Shepard (Colin Farrell), a sleazy publicist, uses this phone booth to call his girlfriend, because his wife checks his cell phone bills. The phone rings, and when he picks it up, all hell breaks loose. The voice on the other end (Kiefer Sutherland is just terrifying) warns him that if he leaves the booth he will be killed. At first Stu doesn't believe him, but we find out pretty quick that his life is in real danger, and the stranger on the other end of the line knows EVERYTHING about Stu and his life. Then the police show up, (Forest Whitaker is wonderful as always as the cop in charge) and order Stu out of the booth. I spent the next hour on the edge of my seat. I don't want to give anything more away, but it is one of the most suspenseful movies I've seen in a very long time! You should go see this movie! I don't think it's going to get a very big release, even though it's directed by Joel Schumacher (St. Elmo's Fire, Flatliners, Batman and Robin, 8mm, Tigerland). Schumacher was at the screening, and he talked about how a number of different actors (including Mel Gibson) and directors had been attached to the script, and it had taken years to get it to the screen. He was able to do it with Colin Farrell after 20th Century Fox exec's saw him in `Tigerland' and decided to take a chance. But he's still not considered a `big' star. And Kiefer only came to the project at the end (though Schumacher said he was the only guy for the role, and I agree), and you don't see him much. So the movie may not get much of a push when it comes out. Don't let that dissuade you. If you like a good ride, you should go see this movie.