| Photos (See all 57 | slideshow) | Videos (see all 3) |
Directed by | |||
| Joel Schumacher | |||
Writing credits(WGA) | ||
| Larry Cohen | (written by) | |
Produced by | |||
| Ted Kurdyla | .... | executive producer | |
| Gil Netter | .... | producer | |
| Eli Richbourg | .... | associate producer | |
| David Zucker | .... | producer | |
Original Music by | |||
| Harry Gregson-Williams | (music by) | ||
Cinematography by | |||
| Matthew Libatique | (director of photography) | ||
Film Editing by | |||
| Mark Stevens | (film editor) | ||
Casting by | |||
| Mali Finn | |||
Production Design by | |||
| Andrew Laws | |||
Art Direction by | |||
| Martin Whist | |||
Set Decoration by | |||
| Don Diers | |||
| Al Durcan | (decorator) | ||
Costume Design by | |||
| Daniel Orlandi | |||
Makeup Department | |||
| Mary Aaron | .... | key make-up: New York | |
| Patricia Grande | .... | key hair: New York (as Particia Grande) | |
| Michael Mills | .... | make-up supervisor | |
| Greg Nelson | .... | assistant make-up | |
| Danny Valencia | .... | hair supervisor | |
| Barbara Wilder | .... | assistant hair (as Barbara Wilder-Pearlman) | |
| Wendi Lynn Allison | .... | makeup artist (uncredited) | |
| Anna Harasimiak | .... | make-up: Kiefer Sutherland (uncredited) | |
Production Management | |||
| Dennis T. Benatar | .... | production supervisor (as Dennis Benatar) | |
| Ted Kurdyla | .... | unit production manager | |
| John A. Machione | .... | unit production manager (as John Machione) | |
| Judy Richter | .... | production supervisor: New York | |
Second Unit Director or Assistant Director | |||
| Timothy Donohue | .... | second second assistant director: New York (as Tim Donohue) | |
| Dean Garvin | .... | second assistant director | |
| Stephen V. Johnson | .... | second second assistant director | |
| Glen Trotiner | .... | first assistant director | |
| Eli Richbourg | .... | second unit director (uncredited) | |
Art Department | |||
| John W. Baldwin | .... | propmaker foreman | |
| James R. Bilz | .... | assistant property master: New York (as James Bilz) | |
| Rob Blackwell | .... | paint gang boss | |
| Christopher R. Codon | .... | propmaker | |
| Michael D'Imperio | .... | assistant property master (as Michael Dimperio) | |
| Chris Davis | .... | swing | |
| Todd Ellis | .... | property master | |
| Edward Espinoza | .... | drapery | |
| Norman Lee Fils | .... | construction coordinator | |
| Joshua Foster | .... | leadman (as Joshua Dean Foster) | |
| Austin Gorg | .... | assistant art director | |
| Mariana Grubbs | .... | scenic artist | |
| Craig Handberg | .... | propmaker | |
| Mark Hill | .... | swing | |
| Gail Kerlagen | .... | paint foreman (as Gail R. Kerlagon) | |
| Larry Lee | .... | propmaker foreman | |
| Paul J. Lindsay | .... | paint gang boss | |
| Scot A. McKay | .... | assistant property master (as Scot McKay) | |
| David Melito | .... | art department coordinator | |
| Richard 'Rocky' Nichols | .... | swing (as Richard Nichols) | |
| Fred O'Connor | .... | propmaker | |
| José A. Ochoa | .... | labor foreman | |
| Stephen Pietropaolo | .... | swing | |
| David Ronan | .... | on-set dresser | |
| Thomas Saccio | .... | property master: New York (as Tom Saccio) | |
| Justin Scoppa Jr. | .... | set decorator: New York (as Justin Scoppa) | |
| Bruce Valdes | .... | scenic artist | |
| Paul C. Valdes | .... | scenic artist | |
| Scott B. Valdes | .... | paint gang boss | |
| Tim Y. Wetzel | .... | assistant property master | |
| Gaston Wurth | .... | swing | |
| Guy Hietala | .... | set painter (uncredited) | |
| Jonas Kirk | .... | construction coordinator (uncredited) | |
| Ronnie Lombard | .... | set dresser (uncredited) | |
| Joe Monaco | .... | swing gang (uncredited) | |
| David Scott | .... | graphic designer (uncredited) | |
| Gary Tuers | .... | weapons and props (uncredited) | |
Special Effects by | |||
| Chad Baalbergen | .... | assistant special effects | |
| Trenton Driver | .... | assistant special effects | |
| James Fredburg | .... | special effects coordinator (as Jim Fredburg) | |
| Bela Brozsek | .... | digital animation (uncredited) | |
Visual Effects by | |||
| Blondel Aidoo | .... | visual effects executive producer: Asylum | |
| Travis Baumann | .... | inferno operator: Asylum | |
| Christopher Bonnstetter | .... | cg artist: Asylum (as Pink) | |
| Bela Brozsek | .... | cg artist | |
| Steve Caldwell | .... | digital artist: Custom Film Effects | |
| Brian Cuscino | .... | i/o technician: Asylum (as Brian Cuscion) | |
| Dennis Dorney | .... | digital and optical lineup: Custom Film Effects | |
| Mark Dornfeld | .... | visual effects supervisor: Custom Film Effects | |
| Adam Gass | .... | digital and optical lineup: Custom Film Effects | |
| Lindsay Hallett | .... | visual effects producer: Asylum (as Lindsay Burnett) | |
| Michael Hemschoot | .... | cg artist: Asylum (as Michael 'Ffish' Hemschott) | |
| Shaina Holmes | .... | digital artist: Custom Film Effects | |
| Tommy Hooper | .... | head of technology: Asylum | |
| Zach Justman | .... | visual effects assistant editor: Asylum (as Zachary Justman) | |
| Kristopher Kasper | .... | visual effects editor: Asylum | |
| Mathew Lamb | .... | cg artist: Asylum | |
| Bill Laverty | .... | visual effects engineering: Asylum | |
| Erik Lee | .... | cg artist: Asylum | |
| Emma McGuinness | .... | visual effects executive producer: Asylum | |
| Nathan McGuinness | .... | visual effects designer: Asylum | |
| Nathan McGuinness | .... | visual effects supervisor: Asylum | |
| Greg Mucino | .... | i/o technician: Asylum (as Greg Muciño) | |
| L. Elizabeth Powers | .... | digital artist: Custom Film Effects (as Laurie Powers) | |
| Mark P. Renton | .... | inferno operator: Asylum | |
| Lee Robinson | .... | video: Asylum | |
| Rob Salvage | .... | visual effects engineering: Asylum | |
| Mark Sawicki | .... | optical camera: Custom Film Effects | |
| Gunther Schatz | .... | cg artist: Asylum | |
| Jason Schugardt | .... | cg artist: Asylum (as Jason Shugardt) | |
| Susan Shin George | .... | visual effects producer: Custom Film Effects | |
| Marty Taylor | .... | inferno operator: Asylum | |
| Jeff Werner | .... | cg producer: Asylum | |
| Edward Helmers | .... | digital artist (uncredited) | |
Stunts | |||
| Ivan Bates | .... | utility stunts (as Ivan L. Bates) | |
| Jon H. Epstein | .... | utility stunts (as Jon Epstein) | |
| Troy Gilbert | .... | stunt coordinator | |
| John Robotham | .... | utility stunts | |
| Frank Torres | .... | utility stunts | |
| Michael Trisler | .... | utility stunts (as Mike Trisler) | |
| Dane Farwell | .... | stunt coordinator (uncredited) | |
Camera and Electrical Department | |||
| Michael J. Allison | .... | rigging grip | |
| Danny Andres | .... | rigging grip (as Dan Andres) | |
| Jeff Andrus | .... | night crew sub-foreman: billboards | |
| K.C. Bailey | .... | film loader: New York | |
| Eric Barginear | .... | set electrician | |
| Scott Barnes | .... | set electrician | |
| James Bartolomeo | .... | first assistant camera: "b" camera, New York (as Jim Bartolomeo) | |
| Michael Bauman | .... | gaffer | |
| Miguel Benavides | .... | key crane operator | |
| Eric Betts | .... | rigging grip | |
| Rick Boomhower | .... | rigging grip technician | |
| Kevin Brown | .... | set electrician | |
| Robin Bursey | .... | film loader | |
| Anthony Cady | .... | rigging grip | |
| Steve Carmer | .... | rigging grip (as Steven Wayne Carmer) | |
| Jesse Cartwright | .... | generator operator | |
| Andrew Clarke | .... | electrician: New York | |
| James Coffin | .... | grip | |
| Chris Culliton | .... | set electrician | |
| Thomas M. Dangcil | .... | set electrician (as Tommy Dangcil) | |
| David C. Darrow | .... | rigging grip (as David Darrow) | |
| Matthew Devitt | .... | best boy rigging grip (as Matthew B. Devitt III) | |
| Mark Dimitrov | .... | rigging grip | |
| Jim 'Tomcat' Downing | .... | best boy grip | |
| Tana Dubbe | .... | grip | |
| Christopher Duskin | .... | camera operator: "d" camera (as Chris Duskin) | |
| Matt Floyd | .... | rigging grip technician | |
| Michael Foster | .... | rigging grip | |
| Nicholas Franchot | .... | rigging grip | |
| John Gilgar | .... | best boy electric: New York | |
| Paul Gonsoulin | .... | second assistant camera: "b" camera | |
| Dennis Green | .... | video playback: New York | |
| Zoli Hajdu | .... | rigging grip (as Zoli J. Hajdu) | |
| William Hayes | .... | camera operator: "a" camera, New York | |
| Mark Hubatsek | .... | camera operator: "b" camera, New York | |
| James J. Hughes | .... | grip (as James Hughes) | |
| Bruce Jagoda | .... | best boy rigging set lighting | |
| Jason Jurica | .... | rigging grip (as Jason Ray Jurica) | |
| Alan Kaneshiro | .... | best boy rigging set lighting | |
| Stan Keitt | .... | first assistant camera: "a" camera, New York | |
| Osorio Kerwin | .... | grip | |
| Ashley Kimmet | .... | set electrician | |
| Derek Kleindolph | .... | grip | |
| Dan Kneece | .... | camera operator: "a" camera | |
| Dan Kneece | .... | steadi-cam operator | |
| Michael Koepke | .... | grip | |
| Randy Kutche | .... | rigging grip pusher | |
| Eric Kutner | .... | electrician: New York | |
| Michael L. Lewin | .... | rigging grip | |
| Mike Linn | .... | rigging grip | |
| Matthew Livingston | .... | rigging grip | |
| Christine M. Loss | .... | still photographer (as Christine Loss) | |
| Joe Luther | .... | best boy rigging set lighting | |
| Michael Manzoni | .... | rigging grip | |
| John Mazzola | .... | key grip: New York | |
| Ron Mazzola | .... | grip: New York (as Ronald Mazzola Jr.) | |
| Brian McEachen | .... | best boy rigging set lighting | |
| Greg McEachen | .... | best boy rigging set lighting (as Gregory E. McEachen) | |
| Paul Meehan | .... | dolly grip | |
| Chaddon E. Merrick | .... | generator operator (as Chaddon Edward Merrick) | |
| Mike Murray | .... | grip | |
| Jeffrey Norvet | .... | camera operator: "c" camera | |
| Martin Nowlan | .... | electrician: New York | |
| Dave O'Brien | .... | film loader | |
| Tommy 'Hammer' O'Connell | .... | dolly grip (as Tommy O'Connell) | |
| Norman Parker | .... | first assistant camera: "a" camera | |
| Dean C. Peppler | .... | rigging grip | |
| Brad Peterman | .... | first assistant camera: "c" camera | |
| Paul Plannette | .... | first assistant camera: "b" camera | |
| Darrin C. Porter | .... | best boy rigging set lighting | |
| Ann Rabin | .... | second assistant camera: "c" camera | |
| Mike Reyes | .... | key grip (as Michael J. Reyes) | |
| Jason Rez | .... | rigging grip | |
| Kory Salomone | .... | second assistant camera: "a" camera, New York | |
| David Schreiber | .... | second assistant camera: "d" camera (as Dave Schreiber) | |
| Duncan M. Sobel | .... | set electrician (as Duncan Sobel) | |
| Jeffrey P. Soderberg | .... | best boy electric (as Jeffrey P. Söderberg) | |
| Chris Soronen | .... | rigging grip | |
| Penny Sprague | .... | first assistant camera: "d" camera | |
| Robert J. Studenny | .... | dolly grip (as Robert Studenny) | |
| Larissa Supplitt | .... | second assistant camera: "a" camera | |
| Joe Susfolk | .... | generator operator | |
| Victor Svimonoff | .... | rigging gaffer (as Vic Svimonoff) | |
| Jason Talbert | .... | rigging grip | |
| Felix Teitlebaum | .... | second assistant camera: "b" camera, second unit | |
| Phil Testa | .... | gaffer: New York (as Philip Testa) | |
| John Theveny | .... | rigging grip | |
| Don Tomich | .... | rigging electrician | |
| David Tumblety | .... | genny operator: New York | |
| Uriel Uribe | .... | set electrician | |
| Richard Walden | .... | additional director of photography (as Richard S. Walden) | |
| Richard Walden | .... | camera operator: "b" camera (as Richard S. Walden) | |
| John 'JW' Warner | .... | rigging key grip | |
| Brett M. Welch | .... | rigging grip sub-foreman: billboards | |
| Brett Cody | .... | video playback supervisor (uncredited) | |
| Michael Condro | .... | camera operator: news camera (uncredited) | |
| Michael Herron | .... | video assist operator (uncredited) | |
| Jacqui Howell | .... | assistant camera (uncredited) | |
| Andy C. Huber | .... | gaffer: alternate ending (uncredited) | |
| Michael Kennedy | .... | electrician (uncredited) | |
| Aaron Knoke | .... | rigging grip (uncredited) | |
| Ben Krout | .... | additional rigging grip (uncredited) | |
| Josh Kuykendall | .... | electrician (uncredited) | |
| Tom Lembcke | .... | rigging grip (uncredited) | |
| Todd Liggitt | .... | rigging grip (uncredited) | |
| Lance Mayer | .... | second assistant camera (uncredited) | |
| Greg Mitchell | .... | camera operator: video camera (uncredited) | |
| Robert Reid | .... | rigging grip (uncredited) | |
| Richard Rutkowski | .... | camera operator: New York (uncredited) | |
| Kirk Tedeski | .... | video playback coordinator (uncredited) | |
| Paul Toomey | .... | additional camera loader (uncredited) | |
| Mark Wineman | .... | 24 frame video engineer (uncredited) | |
Casting Department | |||
| Bill Dance | .... | extra's casting | |
| Gary Davies | .... | extra's casting associate | |
| Susie Farris | .... | additional casting: New York (as Susan Farris) | |
| Barbara Harris | .... | voice casting | |
| Lindsey Hayes Kroeger | .... | casting associate (as Lindsey Hayes) | |
| David Rapaport | .... | casting assistant | |
| Sharat Raju | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Javier Arrieta | .... | set costumer | |
| Jon Boyden | .... | set costumer | |
| Sandi Figueroa | .... | costumes: New York | |
| Darryl Levine | .... | key set costumer | |
| Susan Roberts | .... | costume supervisor (as Susan M. Roberts) | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| James Durante | .... | first assistant editor | |
| John Morrisey | .... | assistant editor | |
| Chris Regan | .... | color timer | |
| Lisa Shaw Phillips | .... | assistant editor | |
| Kristina Trirogoff | .... | assistant editor | |
| Adrian Colon | .... | assistant editor (uncredited) | |
| Adrian Colon | .... | apprentice editor (uncredited) | |
Music Department | |||
| Michael Brook | .... | musician: guitar | |
| Justin Caine Burnett | .... | music programmer (as Justin Burnett) | |
| Toby Chu | .... | music programmer | |
| Peter DiStefano | .... | musician: guitar (as Peter Distefano) | |
| Harry Gregson-Williams | .... | music programmer | |
| Nathan Larson | .... | composer: additional music | |
| Gretchen O'Neal | .... | score coordinator | |
| Marc Streitenfeld | .... | music editor | |
| Martin Tillman | .... | musician: electric cello | |
| Mel Wesson | .... | music programmer | |
| Mark Jan Wlodarkiewicz | .... | music editor | |
| Celeste Chada | .... | music licensing (uncredited) | |
| Toby Chu | .... | composer: additional music (uncredited) | |
| Shiro Gutzie | .... | soundtrack producer (uncredited) | |
| Alan Meyerson | .... | music mixer (uncredited) | |
| Gretchen O'Neal | .... | music production supervisor (uncredited) | |
| Denise Okimoto | .... | music editor (uncredited) | |
| Del Spiva | .... | assistant music editor (uncredited) | |
Transportation Department | |||
| Steve Boyd | .... | transportation coordinator | |
| Jerry F. Johnson | .... | transportation captain | |
| Ralph Volpe | .... | transportation captain: New York | |
Other crew | |||
| Mike Ades | .... | assistant: to Mr. Netter and Mr. Zucker | |
| Bill Ahern | .... | set production assistant: New York | |
| Steve Alterman | .... | voiceover: actor | |
| Jeffrey Angel | .... | assistant location manager: New York | |
| Kimberly Bailey | .... | voiceover: actor | |
| Claire Baker | .... | assistant: to Mr. Schumacher | |
| Jennifer 'Jenx' Barnes | .... | office production assistant | |
| Elizabeth Bolden | .... | night pusher | |
| Jason Broad | .... | voiceover: actor | |
| Michael Buster | .... | dialect consultant | |
| Lanai Chapman | .... | voiceover: actor | |
| Laura Christy | .... | accounting assistant | |
| Eddy Collyns | .... | location manager: New York (as Eddy Collins) | |
| Amy Comstock | .... | production accountant: New York | |
| Kim Crabb | .... | assistant production coordinator | |
| Nicky Craft | .... | payroll accountant | |
| Django Craig | .... | voiceover: actor | |
| Kerry Da Silva | .... | set production assistant: New York | |
| Chic Daniel | .... | police technical advisor | |
| Randy Davison | .... | office production assistant | |
| Phil Dornfeld | .... | assistant: to Mr. Netter and Mr. Zucker | |
| Douglas Dresser | .... | location manager | |
| Greg Dunn | .... | set production assistant: New York | |
| Judi M. Durand | .... | voiceover: actor (as Judith Durand) | |
| Gregg Edler | .... | production coordinator | |
| Greg Finley | .... | voiceover: actor | |
| Nicholas Fitzgerald | .... | set production assistant | |
| Corinne Fixmer | .... | second assistant accountant | |
| Peggy Flood | .... | voiceover: actor | |
| Sean Garrett Fogel | .... | production coordinator: New York (as Sean Fogel) | |
| Aaron D. Forste | .... | set production assistant: New York (as Aaron David Forste) | |
| Jeremy Garelick | .... | assistant: to Mr. Schumacher | |
| Meri Gavin | .... | assistant: to Mr. Gregson-Williams | |
| Anneliese Goldman | .... | voiceover: actor | |
| Jennifer Gonzales | .... | first assistant accountant | |
| Joe Gonzalez | .... | set production assistant: New York | |
| Matthew Gordon | .... | set production assistant: New York (as Matt Gordon) | |
| Nancy Haecker | .... | key assistant location manager | |
| Sam Hutchins | .... | location manager: New York (as Samuel Hutchins) | |
| Christopher Jones | .... | utility | |
| Monica Kenyon | .... | key set production assistant (as Monica M. Kenyon) | |
| Merle Kessler | .... | dialogue consultant | |
| Howard Kreft | .... | office production assistant: New York | |
| Scott Lazar | .... | set production assistant | |
| Scott Lazar | .... | set production assistant: New York | |
| Jack LeVangia | .... | office production assistant: New York | |
| David Liebshardt | .... | location production assistant | |
| Seth William Meier | .... | set production assistant (as Seth Meier) | |
| Tracy Metro | .... | voiceover: actor | |
| Eddie Micallef | .... | key set production assistant | |
| Julia Morgan | .... | set production assistant: New York | |
| Mary Ann Newfield | .... | additional script supervisor (as Mary Ann Newfield-Bowser) | |
| Jennifer O'Rourke | .... | location production assistant | |
| Kyle Oliver | .... | assistant location manager (as Kyle 'Snappy' Oliver) | |
| Jeffrey Craig Owens | .... | office production assistant | |
| Jason Pace | .... | voiceover: actor | |
| John Parker | .... | production accountant (as John H. Parker) | |
| William Pellegrini II | .... | set production assistant (as William Pellegrini III) | |
| Juan Pope | .... | voiceover: actor | |
| Nicole Prescott | .... | voiceover: actor | |
| Sharron Reynolds | .... | script supervisor (as Sharron Reynolds-Enriquez) | |
| Erika Roberts | .... | assistant: to Mr. Schumacher | |
| Kevin Thomas Roy | .... | set production assistant | |
| James Joseph Sabat | .... | utility: New York | |
| Steve Salazar | .... | location production assistant | |
| Janell M. Sammelman | .... | key set production assistant (as Janell Sammelman) | |
| Cheryl Tyre Smith | .... | voiceover: actor (as Cheryl Tyre-Smith) | |
| Anthony St. Martin | .... | set production assistant | |
| Ross Stasik | .... | set production assistant | |
| John Vargas | .... | voiceover: actor | |
| Tanya Vidal | .... | voiceover: actor | |
| Lisa R. Wasierski | .... | assistant: to Mr. Kurdyla (as Lisa A. Wasierski) | |
| Kimberlina E. Whettam | .... | location production assistant | |
| J. Wilfrid White | .... | set production assistant | |
| Willard Wilder | .... | location scout: New York | |
| Billy 'Sly' Williams | .... | voiceover: actor | |
| Jason Wintz | .... | office production assistant | |
| Dawn Wolf | .... | craft services: New York | |
| Ruth Zalduondo | .... | voiceover: actor (as Rugh Zalduondo) | |
| Ivan Zivkovic | .... | set production assistant | |
| Mikayla Abromowitz | .... | script supervisor (uncredited) | |
| Kimberly Cooper | .... | production executive: Fox (uncredited) | |
| Clay Duncan | .... | synthesizer and drum programmer (uncredited) | |
| Adam Finmann | .... | location scout: New York (uncredited) | |
| Alfonso Gomez-Rejon | .... | on-set writer's assistant (uncredited) | |
| Rena Hanover | .... | production assistant (uncredited) | |
| Beth Howe | .... | clearance coordinator (uncredited) | |
| Michael Kurdyla | .... | production assistant (uncredited) | |
| Phillip Kurdyla | .... | clearance coordinator (uncredited) | |
| Graham Kurzner | .... | assistant location manager (uncredited) | |
| Richard Mailman | .... | production assistant (uncredited) | |
| Robert W. Morgenroth | .... | video effects supervisor (uncredited) | |
| Mike Reilly | .... | production assistant (uncredited) | |
| Andrew Saxe | .... | location scout (uncredited) | |
| Mark Scott | .... | supervising 24 frame engineer (uncredited) | |
Thanks | |||
| James D. Brubaker | .... | the producers wish to thank: for their assistance (as James Brubaker) | |
| Gino Colbert | .... | the producers wish to thank: for their assistance | |
| Clayton Rohner | .... | the producers wish to thank: for their assistance (as Clayton Townsend) | |
| Patricia Scott | .... | the producers wish to thank: for their assistance | |
|
|
|
|
|
| The Professional: Golgo 13 | So Sweet, So Dead | The Interpreter | Mr. & Mrs. Smith | Thank You for Smoking |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Mystery section | IMDb USA section |
Anyone who doubts that people are as easily programmable as Pavlov's pets need look no further Graham Bell's little box. While most of us generally don't start salivating at the sound of a ringing phone, few people (unless they work for a software help desk) can resist the urge to answer one. Pray that the darkest force that dials your number is a telemarketer.
For Stu Shephard, sincerity is little more than a fuzzy concept. A shady publicist, his life consists of spinning interconnecting webs of lies to further the careers of clients and raise his stature. In his spare time he enjoys abusing his assistant, and ignoring his wife. Stu is, is also determined to give an impressionable young actress a test run on the casting couch. When he enters the one functioning pay phone in a ten-block radius in the hopes of setting up a liaison, the phone rings. It turns out to be Stu's conscience on the line. With a sniper rifle aimed at Stu's head.
When you take into account that `Phone Booth' was filmed in just ten days, on a limited budget with a dearth of special effects, one principle actor and a single venue you could be forgiven for questioning the potential success of this film. The original November 2001 release date might give one pause - films that sit on the shelf usually do so for a reason - read `straight to video'. In this instance the studio wanted to wait until Farrell was more familiar to moviegoers. He achieved this with a little film called `Minority Report' (the name of his co-star escapes me at the moment...). `Phone Booth's' new release date had to be pushed back once again after the sniping episodes in Washington. Some things are worth the wait.
While he stole the spotlight as the maniacal hit man in `Daredevil', Farrell is faced with a different animal in `Phone Booth', an 80-minute soliloquy which lives or dies on his performance (several A-list stars walked away from the project for this very reason). Reminiscent of his much-lauded turn in `Tigerland', Farrell confirms that he isn't a one trick pony, proffering a wide-ranging display of emotions, from cocky to cathartic without straying into soap opera or comic territory. He delivers his lines with a solid fluidity rare among his peers, no simple feat when one takes into account that he's suppressing a harsh brogue. Farrell also demonstrates a presence, beyond mere charisma - his good looks can only inspire interest for so long - that draw the viewer into the story.
While the supporting cast - Katie Holmes as the naive ingenue and Forrest Whitaker as the good cop - fulfill their purpose, it is Keifer Sutherland who takes up what little slack there is. While the audience doesn't get to see Sutherland, he is amply menacing as the cold, otherworldly voice on the other end of the phone. The audience is never privy to who he is (`Just call me Bob') or what his motives are, but it is inconsequential - he sees all, knows all, and is clearly in charge. Unlike S&M, there are no safe words. And for a control freak like Stu nothing could be more terrifying.
Although tied to a static location, deft camera work provides action, perspective and mood with such techniques as quick pans, compressed zooming, and picture in picture sequences, while careful not to cross the gimmickry line . Enhanced sound editing bolsters the visuals: ringing phones are jarring, Bob's quietly booming voice is unsettling, and the sound of a round being chambered is deafening.
`Phone Booth' could easily have been a quirky novelty flick that played well amongst the art house set. Thanks to Farrell's performance it makes for good mainstream cinema (normally an oxymoron) and may actually make a few top ten lists.