Jerry and Rachel are two strangers thrown together by a mysterious phone call from a woman they have never met. Threatening their lives and family, she pushes Jerry and Rachel into a series of increasingly dangerous situations, using the technology of everyday life to track and control their every move.
In order to foil an extortion plot, an FBI agent undergoes a face-transplant surgery and assumes the identity and physical appearance of a ruthless terrorist, but the plan turns from bad to worse when the same criminal impersonates the cop.
Stu Shepard is a fast talking and wise cracking New York City publicist who gets out of trouble and lies with his clever charm, connections, and charisma. Stu's greatest lie is to his wife Kelly, who he is cheating on with his girlfriend, Pam. Upon answering a call in a phone booth in belief it is Pam, Stu is on the line with a dangerous yet intelligent psychopath with a sniper rifle. When realizing it is not a joke, Stu is placed in a powerful mind game of wits and corruption. The New York City Police eventually arrive thereafter and demand Stu comes out of the phone booth- but how can he when if he hangs up or leaves the booth he will die? Written by
In one shot when Captain Ramey is talking to Stu, the other negotiator is behind him as he is telling him about his "lawyer". The negotiator's badge chain tangles and untangles between shots. See more »
Colin Farrell is a self-professed star publicist with an attitude to boot. Watch 81 minutes of gut-wrenching nerve-wracking dialog reduce a pretentious "kiss my ass" punk into an enervated and regretful reprobate. Farrell is simply awesome in portraying the gravity of the situation. "The Caller"'s voice is absolutely worth a mention. Calm, creepy and authoritative! Something different and the movie would have fallen flat on its 'flab less' anterior. Sutherland plays 'The Caller', manning a high profile sniper rifle, while he thrusts honesty upon Stu Shephard (Colin Farrell). Frankly, I couldn't keep my eyes off the screen for a second.
Ebert himself was marvelled by the creativity of "Phone Booth". Why! It wasn't without good reason! A gaudy character stuck inside a phone booth in a busy locale, some good camera work, bunch of apartment windows, a psycho sniper and 10 days of excellent filming supported by a 'worth a mention' cast easily will manage to get into a good bundle of "top ten" lists. Fabulous entertainment and a good display of creativity. Graham Bell is still aiding marvels, I guess!
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