A murder inside the Louvre and clues in Da Vinci paintings lead to the discovery of a religious mystery protected by a secret society for two thousand years -- which could shake the foundations of Christianity.
A slick New York publicist who picks up a ringing receiver in a phone booth is told that if he hangs up, he'll be killed... and the little red light from a laser rifle sight is proof that the caller isn't kidding. Written by
Ryan McIntosh <Ryanmcintosh01@hotmail.com>
Colin Farrell is a self-professed star publicist with an attitude to boot. Watch 81 minutes of gut-wrenching nerve-wracking dialog reduce a pretentious "kiss my ass" punk into an enervated and regretful reprobate. Farrell is simply awesome in portraying the gravity of the situation. "The Caller"'s voice is absolutely worth a mention. Calm, creepy and authoritative! Something different and the movie would have fallen flat on its 'flab less' anterior. Sutherland plays 'The Caller', manning a high profile sniper rifle, while he thrusts honesty upon Stu Shephard (Colin Farrell). Frankly, I couldn't keep my eyes off the screen for a second.
Ebert himself was marvelled by the creativity of "Phone Booth". Why! It wasn't without good reason! A gaudy character stuck inside a phone booth in a busy locale, some good camera work, bunch of apartment windows, a psycho sniper and 10 days of excellent filming supported by a 'worth a mention' cast easily will manage to get into a good bundle of "top ten" lists. Fabulous entertainment and a good display of creativity. Graham Bell is still aiding marvels, I guess!
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