A murder inside the Louvre and clues in Da Vinci paintings lead to the discovery of a religious mystery protected by a secret society for two thousand years -- which could shake the foundations of Christianity.
A slick New York publicist who picks up a ringing receiver in a phone booth is told that if he hangs up, he'll be killed... and the little red light from a laser rifle sight is proof that the caller isn't kidding. Written by
Ryan McIntosh <Ryanmcintosh01@hotmail.com>
When Stu is being told to "hang up the ****ing phone" by the prostitute played by Paula Jai Parker, she calls him the 'N' word. This was ad-libbed, so the who-do-you-think-you're-talking-to look that Colin Farrell gives her after she says it is genuine. See more »
When Stu is pulled out of the booth by Leon he knocks off the pieces of glass with his arm on top of the phone but, towards the end of the film the pieces of glass at sitting back on top of the phone. See more »
You shoot the guy, and I'm responsible?
It looked that way from up here.
I don't know what I did to you, but whatever it was I'm glad. Alright, I wish it had been worse, I wish you had fucking died.
Yes! Finally some honesty.
See more »
The 20th Century Fox logo blends into the white clouds that open the film. See more »
Small scale and slightly flawed but gripping and very enjoyable thriller
Stu Shepherd is in public relations and uses lies and deceit everyday in his job to get things moving. When calling a client from a phone booth in the hope of getting her to a hotel. When he hangs up the phone rings and he answers to what he assumes is a prank call. However the caller reveals more and more about Stu exposing his lies. When Stu tries to leave the caller reveals that he has Stu pinned down with a sniper rifle and the death of a man by the booth proves it. The police arrive and surround Stu while the caller continues his game.
Everyone knows that it had a small budget, a shooting window of just over a week and that it was made years ago and shelved as Farrell's star power increased and real life terrorist attacks and snipers came and went in the media and the mind of the American public. So I'll not dwell on that and instead talk of the film! The pitch was enough to get me interested `man is held in phone box by sniper' sounds great! I really wanted to see this film but was put off by the trailer, but not of the films I saw wrong in the trailer were to the detriment of the film as over 80-odd minutes it really runs like a race horse.
Starting with humour and a free-flowing pace it turns sinister early on but keeps the pace. In terms of plot it has many good twists and turns that will keep you interested and on the edge of your seat. The only issue for me was accepting why the sniper was doing it and how he was able to get access to the equipment he would have needed as well as the information not to mention the WILL to do it! Also little things bugged me, but the film carries itself over these obstacles well enough and reservations are soon forgotten. It sounds simple but the simple ideas work best and, although low on action (sorry, teen boys!) it is driven by dialogue and simply not knowing what will come next.
The direction helps the film by constantly moving and using split screens etc to give the impression that a lot is going on at once again making the film feel like it has a fast pace. It feels a little gimmicky (especially now that we've had 2 series of 24 doing the same thing) but it works regardless. I wrote in an old review (8mm I think) that I would never pay to see a Joel Schumacher film ever again, and I DIDN'T pay to see Phone Booth! However I was surprised because he didn't ruin it! He did a good job yes, you heard me! His usual excesses seem to have been controlled by a good producer and editing team and the film works much to my surprise and relief!
Farrell may not be a bona-fide Hollywood star yet but he takes the task of being onscreen for almost the whole film and runs with it. He makes a comically cruel character someone that reveals himself to be a loser but never loses the audience and that takes talent. Sutherland's voice on the trailer didn't work for me (too normal and slow) but in the film he is excellent, like the director said, no-one else could have done the role, he is right for it. Whitaker makes up the third lead and he holds his corner well.
It may not be without the odd flaw but this film manages to be simple, gripping and very effective. Well worth a look.
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