A murder inside the Louvre and clues in Da Vinci paintings lead to the discovery of a religious mystery protected by a secret society for two thousand years -- which could shake the foundations of Christianity.
A slick New York publicist who picks up a ringing receiver in a phone booth is told that if he hangs up, he'll be killed... and the little red light from a laser rifle sight is proof that the caller isn't kidding. Written by
Ryan McIntosh <Ryanmcintosh01@hotmail.com>
Larry Cohen worked on the script for the movie Cellular (2004) while he tried to get his screenplay "Phone Booth" sold. In a New Yorker article, he says he wrote "Cellular" with the intention that it would be the direct opposite to "Phone Booth" ("Phone Booth" is about a man trapped on a phone in a booth, while "Cellular" is about a man who is still trapped on a phone but can go anywhere). However, his friends told him that he had written the same screenplay twice. See more »
During the first couple of scenes inside the booth, the sticker on the receiver is worn out and barely readable. After the first close-up the worn out section of the sticker is replaced with a new part, boasting clearly the name of the phone company. See more »
[the Caller cocks his gun]
Now doesn't that just torque your jaws? I love that. You know like in the movies just as the good guy is about to kill the bad guy, he cocks his gun. Now why didn't he have it cocked? Because that sound is scary. It's cool, isn't it?
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The 20th Century Fox logo blends into the white clouds that open the film. See more »
I only looked at this because a friend loaned it to me so, at zero cost, what could I lose? Well, it was a lot better than I anticipated. Oddly, even though it's only 80 minutes long, I think this could have been better with about 10 minutes chopped off. It starts to repeat itself too much near the end. You have to remember, almost the whole film takes place within a phone booth!
Colin Farrell does a super job playing a sleazy guy held captive in the phone booth by a threatening sniper-caller. The story, although simple, holds your attention because there is great suspense, innovative camera-work, an involving story that hooks you in pretty fast and some great sound. I hope you have a surround sound system because the caller's (Keifer Sutherland) voice on the other end of the line is something to hear!
There is a big moral message in this film, too, about doing the right thing and paying for your sins, which Farrell sure did. It was really refreshing to hear that message, effectively told. Maybe some of us need a sniper to get the message across, but I hope not!
Are there holes in this story? Sure, but it's still good and has a cool ending. The only warning I would give readers here is the language: this is a very profane film with Farrell going overboard on the f-word. If that offends you, then stay out of this phone booth; otherwise, it's pretty entertaining
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