A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family's killers free. He targets not only the killer but also the district attorney and others involved in the deal.
A slick New York publicist who picks up a ringing receiver in a phone booth is told that if he hangs up, he'll be killed... and the little red light from a laser rifle sight is proof that the caller isn't kidding. Written by
Ryan McIntosh <Ryanmcintosh01@hotmail.com>
The phone actually worked, and there was someone on the other line talking to Colin Farrell speaking as the caller, but Kiefer Sutherland's voice was added in during post-production. See more »
When Stu is walking outside Mario's restaurant, his cigarette appears and disappears between shots. See more »
You shoot a gun here, there'll be pandemonium, cops will be swarming all over the block.
Think so? Let's see. One...
Two. That won't help you. Three!
[fires gun and shoots a toy robot next to the phone booth - no one notices]
Oh Stu, look at everybody. Look at all the people yelling, Stu. Here come the cops, sniper on the roof. Gunfire. Hit the deck.
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The 20th Century Fox logo blends into the white clouds that open the film. See more »
At first I thought the film was going to be just a normal thriller but it turned out to be a thousand times better than I expected. The film is truly original and was so dark & sinister that gives the tensive mood also it is emotionally & psychologically thrilling, the whole movie is charged with pulse pounding suspense and seems like it's really happening. It's amazing that how they managed to make an 80 minute movie with just a guy in a phone booth but the full credit goes to Colin Farrell and Larry Cohen the writer not Joel Schumacher because he is a crappy director. Joel Schumacher's films are rubbish especially The Number 23, Phone Booth was shot in 10 days with a budget of $10 million so it wasn't a hard job to make it, that's why Joel doesn't get any credit but the cast & crew did a fantastic job. I also really liked the raspberry coloured shirt Colin was wearing and it was an excellent choice of clothing because the viewers are going to watch him throughout the whole film. When I first saw the movie I fell in love with it and I bought it on DVD the next day and I've seen it about 20 times and I'm still not fed up with it. Phone Booth is and always will be Colin Farrell's best film! Overall it is simply one of my favourite films and I even argued over my friend because he didn't like it.
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