A murder inside the Louvre and clues in Da Vinci paintings lead to the discovery of a religious mystery protected by a secret society for two thousand years -- which could shake the foundations of Christianity.
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
A slick New York publicist who picks up a ringing receiver in a phone booth is told that if he hangs up, he'll be killed... and the little red light from a laser rifle sight is proof that the caller isn't kidding. Written by
Ryan McIntosh <Ryanmcintosh01@hotmail.com>
The events of the film occur in real time. See more »
When the caller/sniper gets a bit twitchy, threatening to shoot Stu's wife and the police officers, we hear him cocking the rifle five separate times. At no point do we hear him un-cocking the rifle between those moments, but he would have to physically cock and load the rifle every time he needs to fire a round. But since there are two rifles in play (one left with the dead pizza guy, and one the Caller carries in the final scene), the Caller could easily have had an empty rifle that he cocked, seeing how he uses the sound to intimidate Stu. See more »
Well, there is someone I'd like you to call.
Try the number you dialed when you first got into the booth.
[Stu laughs nervously]
I don't know what you're talking about, pal.
No? Lucky you then, because I wrote it down. I can see every number you pressed. Let's see if Pam is still at work.
Then I guess I'll have to do it.
Too late. It's already ringing. I'll put her on speaker so you can hear.
[...] See more »
The 20th Century Fox logo blends into the white clouds that open the film. See more »
I only looked at this because a friend loaned it to me so, at zero cost, what could I lose? Well, it was a lot better than I anticipated. Oddly, even though it's only 80 minutes long, I think this could have been better with about 10 minutes chopped off. It starts to repeat itself too much near the end. You have to remember, almost the whole film takes place within a phone booth!
Colin Farrell does a super job playing a sleazy guy held captive in the phone booth by a threatening sniper-caller. The story, although simple, holds your attention because there is great suspense, innovative camera-work, an involving story that hooks you in pretty fast and some great sound. I hope you have a surround sound system because the caller's (Keifer Sutherland) voice on the other end of the line is something to hear!
There is a big moral message in this film, too, about doing the right thing and paying for your sins, which Farrell sure did. It was really refreshing to hear that message, effectively told. Maybe some of us need a sniper to get the message across, but I hope not!
Are there holes in this story? Sure, but it's still good and has a cool ending. The only warning I would give readers here is the language: this is a very profane film with Farrell going overboard on the f-word. If that offends you, then stay out of this phone booth; otherwise, it's pretty entertaining
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