Carl Fitzgerald is down-on-his-luck until he meets Sophie, a beautiful Greek girl. He gets a job as a cook, but accidentally kills fellow worker Mustafa. He turns to his unscrupulous best ... See full summary »
Adaptation of Chekhov's "Uncle Vanya" set in rural Australia in the 1920's. Jack Dickens and his niece Sally run the family farm to support brother-in-law Alexander as a (supposedly ... See full summary »
Angie and Davie, are having a conversation, they are in love. However, the mood is tainted by their conversation about death. We see Davie's perspective of Angie's death and blames himself.... See full summary »
When a meddlesome mother enrolls in university with her son, old and new worlds collide. As the dust settles, Frank (Frances Regina Aileen Nano Kennedy) finds herself, David finds love and those around them find their lives changed forever. Written by
It's Jenny. I want her and she wants Mick. I'm Georgie Burke and Mick's Dad. Now go.
You are not George Burke. You are not your father. You are your father's son. I can't find words to express how proud I am of you. You're great. If she can't see that, she's not worthy of you. And if she can, she'll come around.
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I can't see how a film of this quality only gets an average of 5.7 from IMDb voters. It's a classic Australian production that resembles recent efforts such as LOVE AND OTHER CATASTROPHES, THE SUGAR FACTORY, OCCASIONAL COARSE LANGUAGE, RUSSIAN DOLL, SAMPLE PEOPLE, THE SECRET LIFE OF US, LA SPAGNOLA, STRANGE PLANET, FRESH AIR, DUST OFF THE WINGS, DOING TIME FOR PATSY CLINE, etc..., as a 19-year-old uni student (Newton, in perhaps his best role yet, on par with CHANGI at least) with a bored, over-religious mother gets the shock of his life when she decides to enrol in the same course as him - and before you go thinking ANOTHER GOOFY MOVIE, it's not, there's some real substance here. Sure, it's a simplistic view of life in general and arts students in particular (but then they are rather simplistic under all that philosophical mumbo-jumbo aren't they?), and maybe the study of Sinead Cusack's character is a little muddled at times, but the film is bright, funny, and has some important messages. The principle cast is terrific: Cusack and Newton are wonderful, and Rose Byrne (see her also in THE GODDESS OF 1967) is so underrated it's not funny. She's a beautiful, fresh, confident actor who deserves every accolade she receives. I gave MY MOTHER FRANK 8/10.
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