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The Lost Platoon (1990)

R | | Action, Horror, War | June 1990 (USA)
An American reporter covering a civil war in Nicaragua discovers that four soldiers that he used to know during World War II are there and they are actual vampires fighting their own ... See full summary »



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Cast overview, first billed only:
William Knight ...
Jonathan Hancock
Colonel Jack Crawford (as Lew Pipes)
Roger Bayless ...
Michi McGee ...
Tara (as Michiko)
Jack Vogel ...
Paul Bruno ...
Walt Woodson ...
Soldier #1 (as Walt S. Woodson)
Sean Holton ...
Soldier #2
Genie Lindsey ...
Spanish woman
Mark Andrew Shelse ...
Young Hollander
Tim Lutz ...


An American reporter covering a civil war in Nicaragua discovers that four soldiers that he used to know during World War II are there and they are actual vampires fighting their own personal war against an evil Nicaraguan general and his own personal army of vampires terrorizing the country. Written by Anonymous

Plot Summary | Add Synopsis


They have been soldiers for centuries. They never lose... and they never die.


Action | Horror | War


R | See all certifications »




Release Date:

June 1990 (USA)  »

Also Known As:

Dimoiria athanaton  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs


Sound Mix:


Aspect Ratio:

1.33 : 1
See  »

Did You Know?


In the flashback scenes that take place during the Korean War, soldiers are shown using M-16 rifles. The Korean War ended in 1953, but the M-16 wasn't developed until at least 10 years later. See more »


Featured in That's Action (1990) See more »


Read My Lips
Written by Steve McClintock and Tim James
Performed by Steve McClintock
See more »

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User Reviews

"You don't want to live forever, do you?"
15 March 2008 | by (the Mad Hatter's tea party.) – See all my reviews

This very cheap, no frills action-horror hybrid is something in the vein of "Platoon (1986)" crossed "The Lost Boys (1987)". Also a touch of "Near Dark (1987)". Now that's got to be something… hey? Ah, no. It's inferior film-making, but despite its shortcomings (being plenty) on the technical side. The unusual concept (of vampiric soldiers moving from war to war) might be slight, but it's rather inventive, sincere and downright ambitious. I was only thinking about this film a couple weeks ago, and was hoping to come by it again. I've got fond memories of watching it when I was young. Lucky enough I found a shop selling their ex-rentals with it being one. Watching it again, it wasn't as fun (why did I have to spoil my memories), however it stays interesting and of course is unintentionally humorous. Not to say it doesn't chip in with its own sense of laconic humour.

War correspondent David Hollander heads to Nicaragua to cover the Civil war, and while there encounters four soldiers who he has in photographs going back through the last century of warfare. The thing is they haven't aged, and he believes these immortals to be vampires.

Sounds good, but it's limitations do hold it back. It opens up with kinetic camera-work straight out of "The Evil Dead (1981)", and sets the mood early on with a vivid music score and WW2 flashback sequence. Now here comes the good stuff. Director David Prior has his heart in it, despite the static and sloppy feel of his clammy direction. Action set- pieces are ridiculously goofy, as it's got that sense of; "You stand there, while you go over there. Now stop posing with the guns… shoot… and hide behind whatever is in front of you! When you are shot go out in a blaze of glory ". Well, it goes something like that, as he tries to do too much with very little. At least they're lively, and fruitful. Nearly everything takes place in a humid looking woodland backdrop, but towards the end the climax is wrapped around a Gothic castle. On a whole it gives the atmosphere a raw, gritty and claustrophobic strangle hold.

The performances range from outrageously hammy to plain stiff. David Parry's enigmatic performance is perfectly understated as the vampire leader Jonathan Hancock, donning a civil war coat, hat and sword. A bland William Knight is lousy as David Hollander, and truly living his part with aplomb is Stephen Quadros' as a wild-solider boy Walker lifted off Bill Paxton's turn in "Near Dark (1987)". Roger Bayless' cheesy bad guy impression reeks of lethal politeness, and screwed-up facials. At his right hand is the seductive, but deadly Tara played with utter coldness by Michiko. The screenplay does have some glaring holes of bafflement and an obvious ideology undercurrent to the text, and the script is generically macho with many bad lines. The vampire folklore, has one exception that they aren't effected by the sunlight, but a wooden stake does go a long way here.

In the end it's the unique idea of this supernatural hybrid that holds the shoddy production together.

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