| Ed Lauter | ... | Harry Koslow | |
| Peter Greene | ... | Manny Breen | |
| Justine Miceli | ... | Maria DeRazio | |
| Charlie Mattera | ... | Nick Vincent | |
| Ryan O'Neal | ... | Phil - Bank Manager | |
| Kristina Malota | ... | Ally | |
| Todd Newman | ... | Michael | |
| Maria Cina | ... | Female Cop | |
| Johnny B. Barounis | ... | Johnny B. | |
| Ari Madger | ... | Young Nick | |
| Natasha Melnick | ... | Young Maria | |
| Bryan Neal | ... | Young Manny | |
| Greg Lewis | ... | Paulie | |
| Sarah Carson | ... | Jewelry store owner | |
| Alina Phelan | ... | Queens Restaurant Girl | |
| Alan Mendelson | ... | Newscaster (as Alan Mendleson) | |
| Aaron Grim | ... | N. Y. Restaurant Valet | |
| Art Levinson | ... | Pawn Broker | |
| Andrew James Jones | ... | Zeke - drug dealer (as Andy Jones) | |
| Rainbow Borden | ... | Tow Truck Driver | |
| Russell Stiverson | ... | Man with Dog | |
| Patrick Tuzzolino | ... | Foreman | |
| Mark Moss | ... | Perry | |
| Patrick Meeks | ... | King | |
| Davide Allesandrini | ... | N. Y. Restaurant Maitre D' | |
| Alexander Martin | ... | ATM Man | |
| Dawn Joyal | ... | ATM Woman | |
| Maria Louisa Figura | ... | Seedy Motel Woman | |
| Phil Fondacaro | ... | Seedy Hotel Manager | |
| Andreas Angelopolous | ... | Andreas | |
| Boris Galavaty | ... | Tailor | |
| Stacy Ferguson | ... | Zeke's Girlfriend | |
| Teresa Hill | ... | Jewelry store customer #1 | |
| Ally Schweiger | ... | Jewelry store customer #2 | |
| Robert Cait | ... | Banker | |
| Larry DiGioia | ... | Banker | |
| Suzanne Turner | ... | Female Journalist (voice) | |
| Natasha Espledra | ... | Female Journalist (voice) | |
| rest of cast listed alphabetically: | |||
| Elle Alexander | ... | Police officer | |
| Zack Rau | ... | Delivery Boy | |
| Patric Stillman | ... | Rabbi | |
| Jim Pascoe | ... | Rogue Violin Player (uncredited) | |
| Trieu Tran | ... | Bank Employee (uncredited) | |
Directed by | |||
| Jordan Alan | |||
Writing credits | ||
| Charlie Mattera | (written by) & | |
| Mark J. Petracca | (written by) (as Mark Pettraca) | |
Produced by | |||
| Jordan Alan | .... | producer | |
| Christian Clarke | .... | producer | |
| David Dee | .... | executive producer in charge of production | |
| Douglas Hunter | .... | producer | |
| Fred Joyal | .... | executive producer (as Alfred Joyal) | |
| Beth Lobel | .... | associate producer | |
| Charlie Mattera | .... | producer | |
| Justine Miceli | .... | associate producer | |
| Amanda Righetti | .... | co-producer | |
| Jeremy Rubin | .... | line producer | |
| Gary St. Denis | .... | co-executive producer | |
| Meta Valentic | .... | producer (as Meta A. Puttkammer) | |
Original Music by | |||
| Larry Groupé | (as Lawrence Nash Groupé) | ||
Cinematography by | |||
| Jordan Alan | |||
Film Editing by | |||
| Paul O'Bryan | |||
| Brett Smith | |||
Casting by | |||
| Ferne Cassel | |||
| David Glanzer | |||
Production Design by | |||
| Naython Vane | |||
Costume Design by | |||
| Billy Ray McKenna | |||
Makeup Department | |||
| Sabine Rohrman | .... | makeup department head | |
Art Department | |||
| Zack J. Moros Jr. | .... | assistant art director | |
| Glen Diller | .... | sketch artist (uncredited) | |
Sound Department | |||
| Matt Temple | .... | sound designer | |
Stunts | |||
| Elle Alexander | .... | stunt coordinator | |
| Elle Alexander | .... | stunts | |
| Kevin Beard | .... | stunts | |
| Marla Casey | .... | stunts | |
| Rosine 'Ace' Hatem | .... | stunts | |
| Thomas John Jr. | .... | stunts | |
| Maria R. Kelly | .... | stunt coordinator | |
| Mike Kelly | .... | stunts | |
| Mark Mitchell | .... | stunts | |
| Nick Plantico | .... | stunts | |
| Ted Prappas | .... | stunts | |
| Lee Waddell | .... | stunts | |
| Mark Aaron Wagner | .... | stunts | |
Casting Department | |||
| Wizzard Elliott | .... | extras casting | |
| Bill Timoney | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Mila Hermanovski | .... | costume supervisor | |
Editorial Department | |||
| Mike Mertens | .... | color timer | |
Music Department | |||
| Rita M. Johnson | .... | music supervisor | |
| Jay Sweet | .... | music supervisor | |
Transportation Department | |||
| Joseph E. Jones | .... | transportation coordinator | |
| Greagrey Waldrop | .... | transportation coordinator (as Greag Waldrop) | |
Other crew | |||
| John H. Brister | .... | consultant | |
| Luis De Vega | .... | production assistant | |
| Ramon Gorospe | .... | helicopter co-pilot: L.A. | |
| L. Matt Hill | .... | location scout | |
| Robert Hummel | .... | locations | |
| Jennifer S. Jackson | .... | script supervisor (as Jennifer Helmuth) | |
| Sylvie Madore | .... | production coordinator | |
| Lauren Kristine Mitte | .... | production coordinator | |
| Robin Petgrave | .... | helicopter pilot: L. A. | |
| Laura C. Sherman | .... | production coordinator | |
| Mike Tristano | .... | weapons handler | |
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| Rush Hour | The Stray | Lethal Weapon 4 | The Manitou | Anatomy of a Psycho |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Thriller section | IMDb USA section |
When Nick Vincent (Charlie Mattera) returns to his former New York City haunts after serving an eight-year sentence at Riker's Island for robbery, he learns that regaining a place in society is not easy to accomplish and additionally discovers that his erstwhile girl friend Maria (Justine Miceli) has relocated to Los Angeles, so westward he goes to find her, however, when he does, he must face that she has married his crime partner Manny (Peter Greene) who had treacherously caused Nick's arrest but nonetheless has somehow become an officer of the Los Angeles Police Department. Scripted and produced by convicted ex-real life bank robber Mattera, this work is effective primarily when it is focused upon the renewed relationship between Nick and Maria, with the latter's eight year old daughter Ally (Kristina Malota) as seasoning, but improbable ancillary activities of Manny, now a rogue cop who can apparently evade Departmental oversight, are so fraught with foolish fabrication that the film's main theme becomes diluted. Yet, believability of narrative unfortunately becomes moot because of director/cinematographer Jordan Alan's absorption with technical capabilities of his cameras, with a result that speed changes and a fetish for montage, when linked with a raucous sound track, causes a sensorially weary viewer to periodically forget about the primary storyline, erratic in quality as it may be. During the film's quieter moments, good playing may be enjoyed, with Ed Lauter noteworthy as a "retired" felon, and self-styled guardian of Maria and Ally, who transforms the shabby Nick into a sartorially splendid "Gentleman Bandit", while Miceli, Mattera, along with young Malota, all demonstrate solid skills, and Greene, as is customary, dominates his scenes; all minified by Alan's bias for camera pyrotechnics, and a grotesque climax.