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IMDb > Esther Kahn (2000)

Esther Kahn (2000) More at IMDbPro »

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Overview

User Rating:
6.6/10   474 votes
MOVIEmeter: ?
Down 12% in popularity this week. See rank & trends on IMDbPro.
Director:
Arnaud Desplechin
Writers:
Emmanuel Bourdieu (writer)
Arnaud Desplechin (writer)
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Contact:
View company contact information for Esther Kahn on IMDbPro.
Release Date:
4 October 2000 (France) more
Genre:
Drama more
Plot:
A Jewish girl in 19th century London dreams of becoming a stage actress. | add synopsis
Awards:
1 win & 1 nomination more
NewsDesk:
A Christmas Tale
 (From The AV Club. 13 November 2008, 1:04 PM, PST)

User Comments:
Sleepwalking through life more

Cast

  (Cast overview, first billed only)

Summer Phoenix ... Esther Kahn

Ian Holm ... Nathan Quellen
Fabrice Desplechin ... Philippe Haygard

Akbar Kurtha ... Samuel Kahn
Frances Barber ... Rivka Kahn
László Szabó ... Ytzhok Kahn
Hilary Sesta ... Buba
Claudia Solti ... Mina Kahn
Berna Raif ... Becky Kahn
Paul Regan ... Joel
Arnold Brown ... Rabbi
Leon Lissek ... Theatre manager
Ian Bartholomew ... Norton
Samantha Lavelle ... Christel
Paul Ritter ... Alman, the photographer
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Additional Details

Also Known As:
eSTheR KaHN (France) (poster title)
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Runtime:
USA:142 min
Country:
France | UK
Language:
English
Color:
Color
Sound Mix:
DTS | Dolby Digital
Certification:
Australia:M | France:U | Portugal:M/12 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud)
Filming Locations:
London, England, UK

Fun Stuff

Trivia:
Chosen by "Les Cahiers du cinéma" (France) as one of the 10 best pictures of 2000 (#01) more

FAQ

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8 out of 13 people found the following comment useful:-
Sleepwalking through life, 19 April 2002
Author: Peegee-3 (poetsrx@webtv.net) from Santa Monica, CA

I kept hoping this dispirited young woman would bring some life not only to her own, but to mine. Alas...that never happened.

Esther Kahn, a young Jewish woman, falls inwardly in love with the theatre, strives to become an actress...but no amount of help, even from the wonderful Ian Holm as tutor, brings her out of her flat, unresponsive stupor. Why she is eventually given the lead in "Hedda Gabler" stands as the most unconvincing development I think I've ever seen in a film.

The only plus I can offer for this movie are the lovely filmic moments with intimate still life images that say more than all the rest. Life stilled to near-death. What does that add to the viewers experience? Nothing in the evidence given accounts for her early alienation and therefore we can't truly go with it.

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