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This movie is completely inept, but I love it. I think it's hilariously
bad. I usually don't post positive reviews, preferring to use IMDB as a
grouchy outlet for complaints. But I want to show my support for this
When DGITW attained "bottom 100" status, I was happy for it. It had finally been accepted by its peers!
As you may have read, a maniac is killing anonymous campers in the woods- hence the cautionary title of the movie. Most of the acting is horrid, usually providing chuckles. The music alters between generic upbeat country guitar and cheap early-eighties casio keyboard. And the gore looks fake, but that's really the least humorous aspect of the movie. The acting and bad script are what really makes DGITW special. I have seen many bad horror flicks, and DGITW easily makes my top five so-bad-it's-good list.
If you're looking for a more detailed description, there are several reviews floating around the web. Check 'em out.
Watching it the first time I was a little disappointed, but I fully appreciated this movie on the second viewing. If you like bad movies, I highly recommend this one.
"Don't Go in the Woods" is often regarded as the worst slasher movie ever made.I can honestly say that I have seen worse slasher flicks like "Hollow Gate","The Last Slumber Party" or "The Newlydeads".A crazy killer stalks and kills tourists and campers in the woods.Anyway,this film is without a doubt beyond horrible.The acting is incredibly awful and both female leads are uglier than hell.The music is abysmal,the script makes no sense and the cinematography is really weak.The killer is just an old bearded guy who doesn't even have a motive or reason for killing campers.Fortunately this slasher flick is never boring and it contains many gory murders(for example a photographer guy gets his arm ripped off,a crippled guy is decapitated).So if you are a fan of trashy and mindless Z-grade slasher flicks give this one a look.
...but that's like saying being kicked in the groin isn't as bad as being punched in the throat. They both hurt like crazy, it's just that one probably isn't as painful as the other. DON'T GO IN THE WOODS appears to be the retarded, illegitimate offspring of James C.Wasson's quietly unsettling NIGHT OF THE DEMON and the underrated JUST BEFORE DAWN. It's the simple story of a group of happy campers (including a bunch of whiny teens, a birdwatcher who looks like an old silent movie actor, a cripple who looks like Franklin from THE Texas CHAINSAW MASSACRE, a female artist and her baby daughter, two bone-chillingly unattractive newlyweds and...you get the idea) whose weekend in the Utah wilderness is rudely interrupted by a bloodthirsty maniac who looks and sounds like Long John Silver gone native and kills people for kicks. And that's it. There's no real plot, not a scrap of characterization, no structure, no dynamic, in fact nothing to compel or even mildly interest the viewer, just endless scenes of these hapless non-actors wandering through the forest and getting killed in various unlikely ways, with blood-drenched murder scenes that resemble Monty Python's memorable spoof of Sam Peckinpah, only done on a smaller budget. As a substitute for any on-screen suspense or drama, the belching, clanking, burbling synthesizer score by H.Kingsley Thurber (love that name!) plays throughout the entire film with no let-up. I'm not joking, it doesn't stop until the end credits when we get to hear him sing an inane ditty about the murderer to the tune of 'The Teddy Bear's Picnic'! Most of the dialogue seems to have been endlessly redubbed and rearranged, which gives the proceedings a surreal, ethereal feel, and the direction and editing are not so much undisciplined as wilfully perverse - it's as if Bryan tore up the entry-level director's handbook on day one, set out to break all the rules and succeeded unequivocally. It would be churlish to point out that the budget was obviously miniscule, since wonders can be worked for a handful of change - see LAST HOUSE ON THE LEFT, for example - but the budget for this Z-grade splatterfest would appear to have come from the pockets of sleeping gutterbums. As a further point of interest, this film remains banned in the UK, though I can't imagine any sensible distributor paying the censors to watch this nonsense in order to receive an 18 certificate. It's a shame the old X-rating was phased out, because it would suit this film perfectly - it's X-crement from start to finish.
*** This review may contain spoilers ***
Two couples on a weekend backpacking trip through dense mountain ranges
turns into a bloody and horrifying nightmare of a journey. When they
come across a maniac who lives in the woods and who's knocking off
everyone that it comes across in many gory ways. Now they're trying to
get to civilization to report this carnage before they became dead meat
Incompetently made? Oh boy, definitely! But hold on it wasn't as bad as I thought it might be. I see other comments that label it the worst slasher, but IMHO there's far worst (and boring slashers) that deserves that tag. It's gritty, shocking, repellent and hardly memorable and nor it should be. But for the odd 80mins of schlock, I was reasonably entertained and I was amused by its badness. I couldn't help but raise a smile or crack a laugh from time to time. Sure, this basically rips off the likes of the Friday the 13th films and even to a extend - The Hills Have Eyes, but really it's nothing much out of the ordinary from your routine/predictable slasher of the 80's. Meaning a pointless/no nonsense bloodbath that fails logic and doesn't make much sense. But the plot is not the reason why people really watch these films; I hope not!
Now onto... the plot, well there's not much of one, really. They're so many gaping holes and how can that be scenarios. The central focus of the young backpackers is to make it look like there is an actual plot to round it off, but really it's nothing more than watching people getting knocked off in the backwoods by some primitive killer. You don't even get any explanation about our scruffy maniac's origin and his makeup was fairly lacklustre. Everything is pretty much telegraphed, with one attack set up after another, in one continuous loop. Stupid characters doing stupid actions, but hey that added to the fun because of its unintentionally (I think?) humorous moments - or for those who aren't used to this trash it might be excruciating to comprehend. The deaths are not particularly spaced out, but reasonably confined. I lost count of how many people actually died in the opening half hour! But when it came to the final 20mins it felt incredibly drawn out and flat. Although, the climax is fairly brutal. So, you pretty much get what you expect - poor narration replaced with cheesy/graphic blood splattering and nasty moments. Although, one thing you can't shake is that atmosphere of horror and that damn electronic score! Jeez it couldn't make its mind up. It would go from a light hearted tone, which at times it was incredibly out of place and then it would go all jerky with a real pounding score. This moment your heart is either throbbing or your thinking when is it going to stop, as my headache is getting worse. It felt like overkill and takes away from the tension, hmm, actually there's no real tension to begin with. What might make your headache worse, would be the terribly shaky and obscure camera-work. It's incredibly nauseating, with the sheer amount of bumpy movement, but it seemed to settle down in the latter half of the film. Sometimes you don't even know if the POV shot was the killer's or not? Loved the panning of the stunning background features, though. I'm a sucker for films set in mountainous woodlands and open fields. The lovely scenery was a marvel to look at. Also the terrain really added to the creepy and forbidding vibe.
Lets move onto the acting - amateurish/or dreadful is the best way to describe it. But were they acting, I ask? I just don't know if they're mocking themselves, or are they playing it... for real? We even get the usual dim-witted sheriff and a real pansy of a deputy. His particular performance was ridiculous and so was most of his dialogue. There's even a moment involving two lovers in a car, which was awfully funny and at the same time cringe worthy. The two teenage couples that are backpacking might be annoying and obnoxious brats, but I tell you they know how to pull a terrifying facial. Sadly, there's no hot women in the film. The script is pretty crumby and so was the supposed humour. The inept direction is quite bland and clumsy, but there are enough well designed shocks and horrendously, bloody kills. There's a pretty good set up when we see the killer for the first time. Also Just wait around for the ending credits to hear a wailer of a song ;).
It might be a stinker and I wouldn't really recommend it, but overall it kept my interest no matter how awful it was. If you just want pointless and joyous spree of blood and mayhem, maybe this trash is right up your alley.
Sidenote: I felt a bit conned by plot outline on my video case, which claims an axe-wielding maniac is on the loose in the woods. The killer is far from an axe-wielding maniac!
Yet another of the films that languishes in the hell that is 'Banned by the
BBFC'. My only question being 'did you watch a different film to
I cannot even begin to think why this was considered banworthy (is that a
word?) unless it was 'cos they didn't want to subject us to
This is definitely another one of those 'So Bad they're good' contenders
that I love so much
I also think that an average mark of 2.2 out of 10 seems a bit harsh for
this film I would give it at least a 3!!
Basically this film consists of a 'Crazy Man' running around in the most densely populated 'middle of nowhere' that I have ever seen and killing people with a large Machete on a stick
It really is that SIMPLE
There isn't that much to say about "Don't Go in the Woods". It is
basically the most uninspired slasher film I've seen, and that's saying
something from a guy who has seen every sequel, prequel, remake, and
knock-off, and who in particular loves early 80's slasher gold. This is
fool's gold. So what makes this movie worse than flicks like "Madman",
"The Burning", "Prom Night", "The Prowler", and "Graduation Day"?
For starters, "Don't Go in the Woods" has absolutely no originality to it. The movie is basically a complete knock-off of the previous year's "Just Before Dawn", only "Woods" has more characters and deaths but lacks the atmosphere, suspense, and twist of "Dawn". This film is absolutely amateur in its making. It has a great atmosphere to use and doesn't use it. It doesn't allow any room for character development. Rather than creating suspense it jumps right to the kill. There is simply no use of artistic film-making or creativity in this entire flick.
Earlier in the week I finally was able to see another infamous B-movie slasher, "Graduation Day", which I thought was missing something. Compared to "Woods", "Graduation Day" looks like a masterpiece. "Graduation Day", along with "Friday the 13th", "The Burning", "Madman", "The Prowler", "Happy Birthday to Me", "Prom Night", "Halloween", "A Nightmare on Elm Street", "House on Sorority Row", "Just Before Dawn", "My Bloody Valentine", and others may follow a simple formula but it knows how to make that formula entertaining. Those movies have a rhythm. "Don't Go in the Woods" has no rhythm, but seems more like a bunch of footage of random, annoying people we don't care about or like getting killed in uneventful ways.
Watching this movie felt like it was taking hours, even though it was only 85 minutes. So why would I continue watching "Don't Go in the Woods"? It is a movie from a time period that will never return. Movies like "Woods" will never be released again. This is a grindhouse picture - a low-budget, cheesy movie that played in limited cinemas and never went mainstream. It has earned a large cult fanbase over the past thirty years, and the title has become infamously famous for being a bad movie. For a horror fan, "Woods" is a sort of time capsule, a look back in time to when anyone could make a slasher movie as long as you had a camera. This time has come and gone, and has been forgotten about. For over twenty years, no one thought about "Woods", but the internet and DVD sales have helped bring it back.
The cult horror film "Don't Go in the Woods" is only a popular movie because it is so bad and at one point so unpopular. As a slasher film fan, I am glad to have seen it. The acting is atrocious, the writing is wretched, the effects and laughable, and the plot is absent. But with a few cool shots of the scenery, "Don't Go in the Woods" somehow can keep the audience's minds off its lack of substance. And does this movie really need any substance? That's a debatable question.
Definitely only a movie for hardcore slasher fans. Regular genre fans will most probably get bored and turn it off, and if you don't like horror movies or bad b-movies than steer clear and don't enter "the Woods".
*** This review may contain spoilers ***
Wacko in the woods body count splatter slaughterfests became all the
rage in the early 80's after "Friday the 13th" hit it big at the
almighty box office. This staggeringly sloppy'n'slipshod shot-in-Utah
no-budget atrocity could very well be the most unbelievably inept and
unintentionally sidesplitting entry in this frequently pretty pathetic
A grimy, husky, deranged, murderously misanthropic survivalist mountain man maniac nastily butchers assorted hideously obnoxious and unappealing chowderheads who unwisely venture into his lethal section of the forest. A nerdy ornithologist has his arm yanked out of its socket; hilariously fake-looking blood squirts out of the even more hilariously phony stump. A fat jerk gets tossed off a cliff so he can be turned into a mushy pulp when he lands on the jagged rocks below. The fat jerk's equally rotund whiny mom likewise buys it in a similarly gruesome fashion. A jarringly ugly middle-aged couple who are trying to do just what you think in their RV have their would-be sexual encounter rudely disrupted by Mr. Nutso. A painter erupts with a virtual geyser of the red sauce when she's repeatedly stabbed by our sanguinary sicko. A backwoodsman accidentally impales a luckless hick on a tree branch and tries to make amends by blubbering "I'm sorry!" three times in a row. Four insufferably irritating backpackers gripe, moan, bicker and generally get on each other's nerves while aimlessly ambling through the woods. A girl who stumbles into the killer's lair eats some machete. Two folks dozing in their sleeping bags are savagely offed. In arguably the most mean-spirited scene a helpless cripple in a wheelchair gets decapitated! Meanwhile a plodding, obscenely oafish and obese hillbilly sheriff investigates various disappearances to no avail.
The slackly plotted narrative meanders from gory kill scene to gory kill scene sans reason or rhythm. The unlistenably abominable score alternates between eardrum-rupturing high-pitched synthesizer blaring and s**t-kickin', banjo-pluckin', dung-a-dung-dung hayseed bluegrass music. The shaky 16 mm cinematography features lots of nauseating whiplash pans and unsteady hand-held camera-work. The dreadful post-sync sound makes the whole shoddy shebang seem like a poorly dubbed foreign flick. The rambling direction suffers from a crucial lack of both focus and finesse. The acting by the no-name rank amateur cast is absolutely abysmal. None of the astonishingly irksome characters are even remotely likable. The gore effects are uproariously cheesy and unconvincing. And the incredibly asinine ending credits theme song concludes the marvelously messed-up merriment on a properly pitiful note.
Don't Go in the Woods terrified me when I saw it as a 15 year-old. Now,
20 years later, I honestly don't remember why. While the music can be
nice and ominous when needed, the acting is beyond terrible. The actors
literally appear to be doing nothing more than reciting lines.
It really makes me think that if these people, awful actors they were, can be in a movie, anybody can.
The only thing that truly surprised me about this movie is that it didn't have any nudity in it. Generally, the worse a horror flick is, the more likelihood of seeing skin. It's what directors probably do when they know the film can't be sold on its own merits.
I rented DON'T GO IN THE WOODS 20 years ago and I still remember how
it was. No redeeming qualities whatsoever. It's stunningly amateurish.
though it's only 82 minutes long, DGITW feels like 3 hours. Every inch of
the movie is terrible. Some parts are good in a 'it's so bad it's good'
but the film is too awful to endure and nullifies any fun to be had from
Whoever was involved with this film, my hat's off to you because you made one of the worst films ever!!!!
James Bryan's brilliant cinematic masterpiece, Don't Go In the Woods, is a triumph of modern-day film-making. Through a carefully selected shot structure, well-developed characters, and a script filled with plot twist leading up to one of the most memorable climaxes in cinema history, the director develops a framework of how films of this particular genre should be constructed. This classic coming-of-age story features show-stopping performances by Dick-n-Cherry, Dr. Twersky, and of course the frightening, yet forgivable mass murderer, "The Birdman". These performances, coupled with the overall beauty of the film's leading ladies, Ingie and Joanie, take the audience on a journey to each one of these character's inner spirit and soul. Bryan over-comes tough challenges such as Ingrid's inquisitive mind dealing with her "rabid and unrabid" theory, Peter's struggle with the comfort found with modern-day life and life in the rugged wilderness, Craig's uneasyness on how much trail mix to put under the trap, and of course Joanie's discomfort with her physical appearance and her worth in the whole of the crew. The film also is highly symbolic, denoting a sense of community with the stars the crew displays proudly on their shirts, along with some social conflicts apparent in 1981, such as inter-racial couples. The film-maker also makes it obviously clear through his narrative style what struggles "The Birdman" is personally dealing with, and how he handles this control/release aspect of his violent nature. The director uses this idea of struggle as an over-all theme in the film by incorporating it into most of the characters (Dale's longing desire to get a shot of the train pulling in, the helicopter pilots financial struggle charging only a nickel a ride, Dr. Maggie's expectations of moving on from a RN to an experienced surgeon). Bryan's careful construction and presentation of mise-en-scene (the one-sock-up, one-sock-down technique during the first murder) along with a wonderful musical score by Sir H. Kingsly Thurber makes Don't Go In the Woods one of the most important features of the horror genre, if not American film-making.
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