Columbo: Season 13, Episode 4

Murder with Too Many Notes (12 Mar. 2001)

TV Episode  -   -  Crime | Drama | Mystery
6.7
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Ratings: 6.7/10 from 737 users  
Reviews: 13 user | 3 critic

Findlay Crawford, a Hollywood film composer and conductor, murders a talented composer/musician who has been ghostwriting most of Crawford's work in recent years, including the entire score... See full summary »

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Title: Murder with Too Many Notes (12 Mar 2001)

Murder with Too Many Notes (12 Mar 2001) on IMDb 6.7/10

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Cast

Episode cast overview, first billed only:
...
...
...
Charles Cioffi ...
Hillary Danner ...
Rebecca
...
...
Tony
Obi Ndefo ...
Nathaniel Murphy
...
Joshua Vinten
...
Antonio
Harry Danner ...
Fitch
Anne McGoohan ...
Marcia
Herschel Sparber ...
Priestly
Steve O'Connor ...
Throve
Larry Gilman ...
Tomblin
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Storyline

Findlay Crawford, a Hollywood film composer and conductor, murders a talented composer/musician who has been ghostwriting most of Crawford's work in recent years, including the entire score for the last film, which won an Oscar. Crawford is jealous of the young musician whose talent outshines his own. Will Columbo find out who did it? It's just one more thing. Written by Sally 4th

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12 March 2001 (USA)  »

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Did You Know?

Trivia

Although produced in the US, this TV-movie was broadcast first in France, dubbed into French. See more »

Goofs

Shadow of camera on van of locksmith at apartment murder victim. See more »

Quotes

Lt. Columbo: Just one more thing, sir.
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Soundtracks

The Murder from Psycho
Music by Bernard Herrmann
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User Reviews

 
One of the most confusing and disappointing Columbo episodes ever made.
14 May 2014 | by (United States) – See all my reviews

The murder plot is actually pretty ingenious, and the murderer, actor Billy Connoly, is quite interesting as Columbo's foil. But the writing is dreadful, as it leaves tons of stuff unexplained and puts in tons of stuff for no seeming purpose or connection to the plot. Early on, when Columbo drives the killer home in an endlessly long scene, it is obviously for some purpose, but that purpose is never explained. An extended focus on a certain aspect of the victim's clothing is likewise endlessly extended, but leaves it very unclear as to what Columbo is seeking to prove with it. Finally, in the final scene, he re-enacts the murder in a staged childlike manner, bringing up issues that seemingly have no connection to his proof, and offers a final "proof" that is one of the least convincing in Columbo history, yet the murderer smilingly gives up w/o any argument. And the final big clue is obtained after the medical examiner overlooked an obvious piece of evidence that would have cost any ME his job. What is most frustrating is that for long stretches of this movie, it is actually highly enjoyable, and with the fine acting of the murderer and the directing of the great Columbo contributor Patrick McGoohan, it could easily have been turned into a dandy episode, if only the writing was at more than a B-movie level.


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