A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
He was a writer. He thought he wrote about the future but it really was the past. In his novel, a mysterious train left for 2046 every once in a while. Everyone who went there had the same ... See full summary »
A lonely doctor who once occupied an unusual lakeside home begins exchanging love letters with its former resident, a frustrated architect. They must try to unravel the mystery behind their extraordinary romance before it's too late.
Two siblings begin to develop special talents after they find a mysterious box of toys. Soon the kids, their parents, and even their teacher are drawn into a strange new world and find a task ahead of them that is far more important than any of them could imagine!
This film follows the 'life' and times of the lead character, an android who is purchased as a household robot programmed to perform menial tasks. Within a few days the Martin family realizes that they don't have an ordinary droid as Andrew begins to experience emotions and creative thought. In a story that spans two centuries, Andrew learns the intricacies of humanity while trying to stop those who created him from destroying him. Written by
In the original "Bicentennial Man" story by Isaac Asimov, the robot manufacturer was named "U.S. Robots and Mechanical Men". Around 1971, a new modem-manufacturing company took the name "U.S. Robotics", partly to honor Asimov. Unfortunately, since in the movie the robot manufacturing company is not portrayed positively, the real-world company asked the filmmakers to use a different name. Hence, "NorthAm Robotics". There are a few places in the film where you can see the old name and logo. See more »
When Andrew first arrives in San Francisco and watches Galatea at the market the couple walking behind him shows up multiple times in the same position as the view switches back and forth. See more »
A fable, beyond the myth of HAL 2000 -- a film for mature consumption and appreciation
Isaac Asimov, scientist, anthropologist, and philosopher all in one, thought of this Robotic subject beyond the mere joy of fantastic possibilities of computer technology -- it's a more encompassing inquiry to what if a Robot thinks, feels, loves, and yes, wants to be accepted as a human, the imperfections and all!
This Chris Columbus directed movie, with the ever-eloquent Robin Williams, and radiant double deliveries (two character portrayals) by Embeth Davidtz, is not the usual Robin Williams comedy fare. It's not "Flubber" or "Mrs. Doubtfire"; it's a philosophical fable at best. It's the reverse of John Boorman's "Zardoz" (1973), where man wanting to be eternally youthful -- here, Robot Andrew (Robin Williams) does not want to be immortal. He wants to experience and feel life, and with a beloved human companion.
This Robotic journey spanning decades, gives us life lessons, prompts us to think reflectively on questions of life and living, growing old and resignation to death. The point filtered through Portia (Embeth Davidtz) that being human is to risk and make mistakes/wrong decisions, hearkens to a quote by John Cage: "Computers are always right, but life isn't about being right."
Film score is by James Horner ("Legends of the Fall", "Braveheart", "Titanic"). Location shots include San Francisco landmarks with added air transport images (likened to "The Fifth Element") in a futuristic sky. There are no explosive actions or flying bullets, it's an immortal tale about the acceptance of being a mortal human.
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