Kids show host Rainbow Randolph is fired in disgrace while his replacement, Sheldon Mopes, aka Smoochy the Rhino, finds himself a rising star. Unfortunately for Sheldon, the kid's TV business isn't all child's play.
In 1944 Poland, a Jewish shop keeper named Jakob is summoned to ghetto headquarters after being caught out near curfew. While waiting for the German Kommondant, Jakob overhears a German ... See full summary »
Hannah Taylor Gordon,
This film follows the 'life' and times of the lead character, an android who is purchased as a household robot programmed to perform menial tasks. Within a few days the Martin family realizes that they don't have an ordinary droid as Andrew begins to experience emotions and creative thought. In a story that spans two centuries, Andrew learns the intricacies of humanity while trying to stop those who created him from destroying him. Written by
The story that inspired this (Isaac Asimov's "The Bicentennial Man") was originally a novelette that was published in 1976 as a part of Asimov's "Robot" series and won both a Hugo Award and the Nebula Award that year. It formed the basis for the novel "The Positronic Man" which was written by Asimov and Robert Silverberg and published in 1993. See more »
The final scene in which the nurse robot stops life support systems on request is invalid; the First Law of Robotics would have prevented it. No amount of begging would result in a positronic robot assisting in suicide or euthanasia. In fact, according to Asimov's stories, even witnessing a human being hurt might destroy a robot's positronic brain and the movie acknowledges the Three Laws of Robotics. See more »
[Andrew has transfused blood into his system]
Galatea, my dear, where are we?
The transfusion is almost complete.
Is that so?
Just goes to show you, Andrew - somebody becomes a human being, sooner or later, they do something monumentally stupid.
You've been a great example, Rupert. How quickly will the blood degrade my system?
Oh, I don't know. You exercise, eat right, I'd say 30, 40 years.
That's a little vague, chief. You don't know exactly how long I'll last?
[...] See more »
A fable, beyond the myth of HAL 2000 -- a film for mature consumption and appreciation
Isaac Asimov, scientist, anthropologist, and philosopher all in one, thought of this Robotic subject beyond the mere joy of fantastic possibilities of computer technology -- it's a more encompassing inquiry to what if a Robot thinks, feels, loves, and yes, wants to be accepted as a human, the imperfections and all!
This Chris Columbus directed movie, with the ever-eloquent Robin Williams, and radiant double deliveries (two character portrayals) by Embeth Davidtz, is not the usual Robin Williams comedy fare. It's not "Flubber" or "Mrs. Doubtfire"; it's a philosophical fable at best. It's the reverse of John Boorman's "Zardoz" (1973), where man wanting to be eternally youthful -- here, Robot Andrew (Robin Williams) does not want to be immortal. He wants to experience and feel life, and with a beloved human companion.
This Robotic journey spanning decades, gives us life lessons, prompts us to think reflectively on questions of life and living, growing old and resignation to death. The point filtered through Portia (Embeth Davidtz) that being human is to risk and make mistakes/wrong decisions, hearkens to a quote by John Cage: "Computers are always right, but life isn't about being right."
Film score is by James Horner ("Legends of the Fall", "Braveheart", "Titanic"). Location shots include San Francisco landmarks with added air transport images (likened to "The Fifth Element") in a futuristic sky. There are no explosive actions or flying bullets, it's an immortal tale about the acceptance of being a mortal human.
40 of 49 people found this review helpful.
Was this review helpful to you?