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Bicentennial Man (1999)

6.7
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Ratings: 6.7/10 from 65,812 users   Metascore: 42/100
Reviews: 340 user | 97 critic | 31 from Metacritic.com

An android endeavors to become human as he gradually acquires emotions.

Director:

Writers:

(short story "The Bicentennial Man"), (novel), 2 more credits »
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Title: Bicentennial Man (1999)

Bicentennial Man (1999) on IMDb 6.7/10

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Nominated for 1 Oscar. Another 1 win & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Joe Bellan ...
Robot Delivery Man #1
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Robot Delivery Man #2
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Dennis Mansky - Head of NorthAm Robotics
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Storyline

This film follows the 'life' and times of the lead character, an android who is purchased as a household robot programmed to perform menial tasks. Within a few days the Martin family realizes that they don't have an ordinary droid as Andrew begins to experience emotions and creative thought. In a story that spans two centuries, Andrew learns the intricacies of humanity while trying to stop those who created him from destroying him. Written by <N2XFYLS@aol.com>

Plot Summary | Plot Synopsis

Taglines:

One robot's 200 year journey to become an ordinary man.


Motion Picture Rating (MPAA)

Rated PG for language and some sexual content | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

17 December 1999 (USA)  »

Also Known As:

Andrew Martin  »

Filming Locations:

 »

Box Office

Budget:

$100,000,000 (estimated)

Opening Weekend:

£453,512 (UK) (21 January 2000)

Gross:

$58,220,776 (USA) (26 May 2000)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Andrew is a NDR-114. This may be a tribute to Stanley Kubrick, who used the number 114 in multiple films (such as A Clockwork Orange (1971) and Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)). See more »

Goofs

During the conversation between Andrew and 'Sir' after Andrew jumped out the window, a clump of grass caught in Andrew's neck joint appears and disappears. See more »

Quotes

Rupert Burns: What do they say?
Andrew Martin: That you can lose yourself. Everything. All boundaries. All time. That two bodies can become so mixed up, that you don't know who's who or what's what. And just when the sweet confusion is so intense you think you're gonna die... you kind of do. Leaving you alone in your separate body, but the one you love is still there. That's a miracle. You can go to heaven and come back alive. You can go back anytime you want with the one you love.
Rupert Burns: And you want to experience that?
Andrew Martin: Oh, yes,...
[...]
See more »

Connections

Referenced in The Sci-Fi Boys (2006) See more »

Soundtracks

(Sweet Sweet Baby) Since You've Been Gone
Written by Aretha Franklin and Ted White
Performed by Aretha Franklin
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Special Products
See more »

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User Reviews

 
A fable, beyond the myth of HAL 2000 -- a film for mature consumption and appreciation
2 January 2000 | by (sf, usa) – See all my reviews

Isaac Asimov, scientist, anthropologist, and philosopher all in one, thought of this Robotic subject beyond the mere joy of fantastic possibilities of computer technology -- it's a more encompassing inquiry to what if a Robot thinks, feels, loves, and yes, wants to be accepted as a human, the imperfections and all!

This Chris Columbus directed movie, with the ever-eloquent Robin Williams, and radiant double deliveries (two character portrayals) by Embeth Davidtz, is not the usual Robin Williams comedy fare. It's not "Flubber" or "Mrs. Doubtfire"; it's a philosophical fable at best. It's the reverse of John Boorman's "Zardoz" (1973), where man wanting to be eternally youthful -- here, Robot Andrew (Robin Williams) does not want to be immortal. He wants to experience and feel life, and with a beloved human companion.

This Robotic journey spanning decades, gives us life lessons, prompts us to think reflectively on questions of life and living, growing old and resignation to death. The point filtered through Portia (Embeth Davidtz) that being human is to risk and make mistakes/wrong decisions, hearkens to a quote by John Cage: "Computers are always right, but life isn't about being right."

Film score is by James Horner ("Legends of the Fall", "Braveheart", "Titanic"). Location shots include San Francisco landmarks with added air transport images (likened to "The Fifth Element") in a futuristic sky. There are no explosive actions or flying bullets, it's an immortal tale about the acceptance of being a mortal human.


36 of 44 people found this review helpful.  Was this review helpful to you?

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