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Alin yazisi (1972) More at IMDbPro »


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Cast

  (in credits order)
Cüneyt Arkin ... Haydar
Fatma Belgen ... Fatma
Sükriye Atav ... Haydar'in Annesi
Mümtaz Ener ... Haydar'in Dayisi
Erol Tas ... Osman
Erdogan Seren ... Fatma's brother
Ülkü Ülker ... Aynur
Hülya Sengül ... Zeynep
Nimet Tezel ... Ayse Nine
Istemi Betil ... Sehmus
Ihsan Gedik ... Binali
Kamran Usluer ... Besir
Turgut Savas ... Police
Muammer Gözalan ... Doktor
Muzaffer Civan ... Kahveci
Kamer Baba ... Hastanedeki Yasli Adam (as Kamer Sadik)

Directed by
Orhan Aksoy 
 
Writing credits
(in alphabetical order)
Orhan Aksoy 

Produced by
Hürrem Erman .... producer
 
Cinematography by
Gani Turanli 
 
Second Unit Director or Assistant Director
Erdogan Avci .... assistant director
 


Additional Details

Also Known As:
"The Destiny -Turkey" - International (English title) (literal title)
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Runtime:
90 min
Country:
Language:
Color:
Filming Locations:

1 out of 4 people found the following review useful.
Cult Film..., 1 April 2010
Author: yasin sen from Niksar, Turkey

*** This review may contain spoilers ***

Post dated received 1972 films from the stage to another cues memory is etched, especially early in the film Haydar (cüneyt Arkin) 's family of his brother and sister's blood on the ground will not leave the scene, explained that "I alone will have a job, as I only work three jobs; Şeyhmuz, Bashir, Binali "cue has exactly a cult ...

Alin Yazisi Cuneyt Arkin's the film's animated characters that the attitude of Haydar and clothing style of the film important element among, press haydar heel shoes in black jackets and coats with a great charisma and a complete bully samples were exhibiting their natural outside Haydar finish the most important articles are not well separated from the sometimes plug into a pocket handkerchief of the wrist sometimes put a jacket ... praise haydar character that was virtually a hymn were like limbs ...

Get Posts films undoubtedly the most cult scenes of Haydar (cüneyt arkin) adversaries find after you or replace after learning his shoe heel of the draw were the scenes in the film these scenes begin as soon as the audience of haydar their executions would begin mark was received, this shoe scenes movie has so much like the community in classical recovered an important role elements were playing, haydar; binali, Bashir, and the cult itself Seyhmus'u scenes at the bottom while the scenes were marked with shoes ...

Erol Taş received in writing a brief but effective role in our face out, Tas's film Haydar (cüneyt arkin) brother Osman to revive the character, professional butcher who repent osman an old bully, sister to the head after the swearing disrupts the Seyhmus's Osman has pursued Seyhmus 's popularity in the film increased with Laz Ziya Istemi Betil revives this reckoning brothers in Seyhmus Bashir and binali (Kamuran Usluer,Ihsan Gedik) osman is then stabbed to death, of course, to Gaziantep haydar field is going for the sale of those unaware of Erol Taş The scene was very interesting and striking knife cue''Haydar Ökkeş haydar son, growing, your brother were shot below the belt''... Tas's has become a cult in exactly these words ... Tas performance in the role of Osman Erol received Post fills in the eye ...

Alin Yazisi film a scene with the Turkish cinema history of the past a great crime and drama is above slaughterhouse scenes haydar of the adversary (Bashir) died before the heel press, the public by Carsamba called shoe with music in the heel pull while hard facial expressions with the enemy to follow has become a cult full, Bashir, a knife cut the scene at the same time images of animals has led to the highest level of audience tension ..

Cuneyt Arkin's Haydar character of the Turkish cinema mark that the 1972 Alin Yazisi movie audiences grasp the scene One of the baths in the last are, Haydar's Bashir wall hanging from the mirror tracking and mirror-razor opaque face and took Peshtemal hide Bashir behind the shower go, and as a result Bashir showers stabbed the classics became one, although Iran received a letter making the 1969 film remake of the Gheisar's said to be similar if the Iranians do not think you can affect the audience as the Alin Yazisi ..

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