Thurgood Stubbs lives with his wife Muriel in the housing project where he is the chief superintendent. The show, created by Eddie Murphy (who provides Stubbs' voice), follows the ... See full summary »
Maximillian is the only survivor from a race of vampires on a Caribbean Island, and as a vampire, he must find a mate to keep the line from ending. He knows that a child had been born to a ... See full summary »
"Sugar" Ray is the owner of an illegal casino, who contend with the pressures of vicious gangster and corrupt policemen who want to see him go out of business. In the world of organized ... See full summary »
Thurgood Stubbs lives with his wife Muriel in the housing project where he is the chief superintendent. The show, created by Eddie Murphy (who provides Stubbs' voice), follows the adventures of the Stubbs family and the others in the building, animated through a process called 'Foamation.' Written by
Principle animation/photography was done at the now-defunct Will Vinton Productions in Portland, Oregon. Although injection molded foam characters had been in use for some time, this was the first time it was used for a series television show. This choice was an easy one, since character turnover and the less likelihood of damage to them if they were clay, as well as the tight production schedule made the production run smoother and more budget friendly. Will Vinton Prod. pioneered the Claymation and colored foam molding techniques. Like the Plasticine clay still used, the foam color is throughout, making repairs easier and less noticeable than in clay. If damage was severe to clay characters, a replacement was almost certainly needed, causing costly production delays and down-time. Foam core character could be made in quantities and various poses/facial expressions, so scene changes were fast and easier. See more »
THE PJs is not PC. It is a staggeringly funny claymation masterpiece on every level: written, acted (as in radio acting), visual and animated. The consistency and literacy of Eddie Murphy and his gang's "vision" needs an appreciative, knowing audience that can follow the shotgun blast of references in every line. It's also rather a loving look at Murphy's Brooklyn from inside the tube, as opposed to the saccharine veneer one is drugged with whenever he flicks on the remote. Not a show for morons, hence its failure. Murphy's realized his great potential with this one. No compromises, just awesomely funny brilliance. He should be proud. Miss this and you've missed a great one. Now when will it be avail. on DVD, Eddie?
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