Tom and Perri are a successful couple residing in New York City with their dog, a Golden Retriever named Sophie. Tom is crushed when Sophie is hit and killed by a car while Perri is walking... See full summary »
Compilation of 4 short films from different directors all with a common theme of gay identity - "Crush" by Philip Bartell, "The Mountain King" by Duncan Tucker, "...lost" by Dan Castle & "The Confession" by Carl Phirman.
After his gay cousin dies from hepatitis, young Laurent, who lives with his best friend Carole, falls in love with Cedric, a plant scientist. He's afraid to inform his conservative parents that he is gay.
As Michael and Robert, a gay couple in New York, prepare for Robert's departure for a two-year work assignment in Africa, Michael must face Robert's true motives for leaving while dealing ... See full summary »
Set in the Queens neighborhood known as "Little Athens", ASTORIA centers around a blue-collar Greek-American family and its struggle to hold on to the American Dream. It follows the journey... See full summary »
She's Kathy, a comix cartoonist; he's David, teaching English to new immigrants. It's New York City, with 29 shopping days left until Christmas, and they're in love. Or are they? Their ... See full summary »
Charlie takes an odyssey through grief during a fall weekend in New York City. His encounters are planned and chance: with a homeless man who sleeps by his building, with a friend who's dying, with the couple who lives (and noisily loves) in the flat above him, with a bartender and a one-night-stand he follows home, and with a tattooed stranger whom he seeks out and befriends. Along the way, Charlie inhabits a city full of moments of violence and of stories and legends: a kidney thief, a microwaved poodle, a rat in a hot dog bun, a baby left on a car top, a tourist's toothbrush, needles in public-phone change slots. Charlie lives and tells his own stories. What caused his melancholy? Written by
I recently saw this movie and let me say this, WOW. I was blown away by the whole thing! I was shocked at the end especially. Director Jon Shear did a terrific job, and i am appauled that he recieved little or no recognition for this movie. It was powerful, totally redeeming the silly and love-stricken gay films of recent memory, (Beautiful Thing, Get Real and the like,). It gave the gay film industry and not to mention society a new face. Dan Futterman, (Bless him,) did an about-face on his career with this movie, as did Samuel Ball, Matt Keeslar, and Alan Cumming. If i could, id award ALL of those in this film. The depth, power and heat of Urbania are its real stunning feats. It plays as a hetero-flick, (at the beginning, i thought Charlie was straight,) and engulfs us in heart-warming and loving flash-backs. But towards the climax, the film reveals its true colors. Gay characters have never been played with such villanous or sinister-esque qualities. It is a slap in the face for those who think the homosexual community is weak and "sissified." Futterman's brilliance for villany upheld the main idea and the motive behind Charlie's actions. I was shaken when the movie was over, shaken in a good way. If this movie had gone through mainstream release,(which it should have,) homosexuals would be seen in another light. A more darker light which would bring heterosexuals closer to accepting the gay community as the people they are. ****, (four stars out of four) -a shocking, brilliant, and redeeming work of art-
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