Meet Myles and Brody, best friends and total opposites. Myles is a hopeless romantic looking for Mr. Right. Brody is a sexy player on the hunt for Mr. Right Now. These two friends make a ... See full summary »
Michael Adam Hamilton
This coming-of-age drama deals with a young man, realizing who he really is and which things he will never do. Loic, 18 years old, being annoyed by his work in a chocolate factory, cruises ... See full summary »
Rui Pedro Alves
A 16-year old Icelandic boy's first kiss with another boy gives him "jitters"--feelings he can't deny. This is a well-written film that captures the confusion and excitement of being a ... See full summary »
Atli Oskar Fjalarsson,
Gísli Örn Garðarsson
Fifteen-year-old Beni falls in love with Fögi, a singer in a Rock band. As Fögi seduces him, Beni is willing to follow him where ever he takes him. But Fögi is a drug addict and pulls Beni ... See full summary »
Urs Peter Halter
Charlie takes an odyssey through grief during a fall weekend in New York City. His encounters are planned and chance: with a homeless man who sleeps by his building, with a friend who's dying, with the couple who lives (and noisily loves) in the flat above him, with a bartender and a one-night-stand he follows home, and with a tattooed stranger whom he seeks out and befriends. Along the way, Charlie inhabits a city full of moments of violence and of stories and legends: a kidney thief, a microwaved poodle, a rat in a hot dog bun, a baby left on a car top, a tourist's toothbrush, needles in public-phone change slots. Charlie lives and tells his own stories. What caused his melancholy? Written by
I recently saw this movie and let me say this, WOW. I was blown away by the whole thing! I was shocked at the end especially. Director Jon Shear did a terrific job, and i am appauled that he recieved little or no recognition for this movie. It was powerful, totally redeeming the silly and love-stricken gay films of recent memory, (Beautiful Thing, Get Real and the like,). It gave the gay film industry and not to mention society a new face. Dan Futterman, (Bless him,) did an about-face on his career with this movie, as did Samuel Ball, Matt Keeslar, and Alan Cumming. If i could, id award ALL of those in this film. The depth, power and heat of Urbania are its real stunning feats. It plays as a hetero-flick, (at the beginning, i thought Charlie was straight,) and engulfs us in heart-warming and loving flash-backs. But towards the climax, the film reveals its true colors. Gay characters have never been played with such villanous or sinister-esque qualities. It is a slap in the face for those who think the homosexual community is weak and "sissified." Futterman's brilliance for villany upheld the main idea and the motive behind Charlie's actions. I was shaken when the movie was over, shaken in a good way. If this movie had gone through mainstream release,(which it should have,) homosexuals would be seen in another light. A more darker light which would bring heterosexuals closer to accepting the gay community as the people they are. ****, (four stars out of four) -a shocking, brilliant, and redeeming work of art-
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