Percy's disinterest in science and chemistry takes a sudden turn when he learns that a French scientist is being imprisoned in France under threat of the guillotine until he can develop a bomb that ...
During the French Revolution, a mysterious English nobleman known only as The Scarlet Pimpernel (a humble wayside flower), snatches French aristos from the jaws of the guillotine, while ... See full summary »
This is a remake of Walter Scott's Ivanhoe. Ivanhoe, a worthy and noble knight, the champion of justice returns to England after the holy wars. He finds England under the reign of Prince ... See full summary »
The year is 1816, and NAPOLEON, held prisoner by the British on the island of St. Helena, is telling the young English girl BETSY his life story. His meteoric rise to military prominence ... See full summary »
Paris is Burning! Under the Iron Fist of Robespierre hundreds are executed, by the swift and bloodstained guillotine. Through these acts of injustice a new heroism is born - The League of The Scarlet Pimpernel.
Barry K. Barnes,
Queen Victoria is deeply depressed after the death of her husband, disappearing from public. Her servant Brown, who adores her, through caress and admiration brings her back to life, but ... See full summary »
18th-century England and Ireland viewed through the eyes of four beautiful high-born sisters - Caroline, Emily, Louisa, and Sarah Lennox, great-granddaughters of a king, daughters of a cabinet minister, and wives of politicians and peers.
Horatio Hornblower: The Duel (1998) and Vanity Fair (1998) were both in production at the same time as series one, which made it a challenge for the costume department to locate enough boots and clothing to outfit all the extras. See more »
I am not quite sure I agree with the director of this version of The Scarlet Pimpernel. I imagined Sir Percy Blakeney a very calm, seemingly lazy aristocrat. This particular Sir Percy Blakeney appears to be teeming with overwhelming energy and volatility. I did not appreciate the Houdini, James Bond, Mission Impossible style escapes that Sir Percy engineered either. In the previous versions, wit was the tool for escape, not technology. Neither were the characters of Marguerite and Chauvelin adequately portrayed. There seemed to be little energy or chemistry in the interaction between the characters.
I do not wish to assign any blame, for perhaps the reason for my dislike of this movie might simply be a matter of difference in interpretation. Had the director's interpretation coincided with mine, perhaps I might not have been irritated by what seemed to me bad character portrayals.
I much preferred the version from 1982. Anthony Andrews was quite efficient as the imperturbable, calm fop. So were Jane Seymour and Ian McKellen. In my opinion, the style of this period piece seems to have been lost with this latest adaption. I recommend sticking with the previous versions, either the one from 1934 or the one from 1982.
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