During the turmoil of the French Revolution, English aristocrat Percy Blakeney, often aided by his League of friends, secretly undertakes various daring missions as the Scarlet Pimpernel.
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2   1  
2000   1999  
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Drama

A masked avenger, known as The Scarlet Pimpernel, leads an effort to save the innocent from the guillotine at the height of the French Revolution while pursued by the ruthless Chauvelin, who vows to discover his identity and destroy him.

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Cast

Series cast summary:
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 Sir Percy Blakeney / ... (6 episodes, 1999-2000)
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 Robespierre (6 episodes, 1999-2000)
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 Planchet (5 episodes, 1999-2000)
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 Prince of Wales / ... (4 episodes, 1999-2000)
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 Arturo Mazarini / ... (4 episodes, 1999-2000)
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 Fisher (4 episodes, 1999-2000)
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 Sir William Wetherby (3 episodes, 2000)
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 Lady Suzanne Ffoulkes / ... (3 episodes, 1999)
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 Sir Andrew Ffoulkes (3 episodes, 1999)
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 Chauvelin (3 episodes, 1999)
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 Lady Marguerite Blakeney (3 episodes, 1999)
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 Fumier (3 episodes, 1999)
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Storyline

During the turmoil of the French Revolution, English aristocrat Percy Blakeney, often aided by his League of friends, secretly undertakes various daring missions as the Scarlet Pimpernel.

Plot Summary | Add Synopsis

Genres:

Adventure | Drama

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Details

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Release Date:

24 January 1999 (UK)  »

Also Known As:

A vörös Pimpernel  »

Box Office

Budget:

£5,000,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

| (DVD)

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Color:

Aspect Ratio:

4:3
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Did You Know?

Trivia

As of 2014, none of the episodes from the second season have ever been released for purchase in North America. See more »

Quotes

Chauvelin: I want his name.
Danby: The Scarlet...Pimpernel.
Chauvelin: I was beginning to think you'd lost your tongue along with your toenails.
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User Reviews

 
Not very faithful
2 March 2001 | by (Ottawa, Canada) – See all my reviews

I am not quite sure I agree with the director of this version of The Scarlet Pimpernel. I imagined Sir Percy Blakeney a very calm, seemingly lazy aristocrat. This particular Sir Percy Blakeney appears to be teeming with overwhelming energy and volatility. I did not appreciate the Houdini, James Bond, Mission Impossible style escapes that Sir Percy engineered either. In the previous versions, wit was the tool for escape, not technology. Neither were the characters of Marguerite and Chauvelin adequately portrayed. There seemed to be little energy or chemistry in the interaction between the characters.

I do not wish to assign any blame, for perhaps the reason for my dislike of this movie might simply be a matter of difference in interpretation. Had the director's interpretation coincided with mine, perhaps I might not have been irritated by what seemed to me bad character portrayals.

I much preferred the version from 1982. Anthony Andrews was quite efficient as the imperturbable, calm fop. So were Jane Seymour and Ian McKellen. In my opinion, the style of this period piece seems to have been lost with this latest adaption. I recommend sticking with the previous versions, either the one from 1934 or the one from 1982.


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