With his rumpled raincoat, ever-present cigar, bumbling demeanour and Sherlock Holmesian powers of deduction, disarmingly polite homicide detective Lieutenant Columbo took on some of the most cunning murderers in Los Angeles, most of whom made one fatal, irrevocable mistake: underestimating his investigative genius.
Dr. Cal Lightman teaches a course in body language and makes an honest fortune exploiting it. He's employed by various public authorities in various investigations, doing more when the ... See full summary »
The show follows a crime, usually adapted from current headlines, from two separate vantage points. The first half of the show concentrates on the investigation of the crime by the police, the second half follows the prosecution of the crime in court.
Jesse L. Martin,
While enjoying a vacation at an exclusive resort on the Cornish coast, Poirot and Hastings meet beautiful young heiress Magdala Buckley. Known to her friends as Nick, she confides to them that she has recently survived several events that might have taken her life: a heavy-framed picture dropping on her head, a boulder falling off a cliff, and failed brakes. When Poirot notices a bullet hole in her hat, they put her under their protection and discover that her dead fiance, a noted aviator killed in a tragic accident, had named her as heir in his will. In the interim, his wealthy uncle is found to have died, making her the unexpected beneficiary of a great fortune. Poirot realizes this inheritance is the motive for continued attempts on her life, and in his quest for the the truth, he uncovers a tangled web of greed, forgery, drug addiction, fraud, poison, and murder. Written by
G. Taverney (email@example.com)
Towards the beginning, Nick mentions that there is only one bedroom usable in the house and that visitors stay at the Hotel Majestic. However, when Maggie goes back into the house to fetch a coat on fireworks night, Freddie calls after her to ask if she could bring her coat which is in her room. See more »
Hercule Poirot and Captain Hastings travel to a small seaside English town for some "restful vacation". But that is not exactly what they get, when they meet a young woman who owns a large house near their hotel, and whose life seems to be in danger.
This is a 100-minute-long episode of the Poirot series, and I'd be lying if I said that the pacing never lags - it does. At the same time, I wish the post-climax had gone on a bit longer, to allow Poirot to make some further explanations. As it stands, the plot has some unclear points (the bullet....the poisoned chocolates....the cousin that was invited upon the insistence of Poirot....obviously I can't go any further without spoiling things), and it is possible that it doesn't stand up 100% under scrutiny. On the other hand, there's plenty to like here: the wonderful locations and production design, the exceptional acting, the cinematic direction, the small clues planted here and there ("Oh, how I like them!", says Poirot), some laugh-out-loud moments (the scene where Hastings tries to explain who Poirot is to Nick is a small masterpiece of writing and acting, as is the one of Inspector Japp on the beach).
As for another reviewer's remark, "how beautiful is Polly Walker!", the answer is: more beautiful than words can explain. (***)
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