While enjoying a vacation at an exclusive resort on the Cornish coast, Poirot and Hastings meet beautiful young heiress Magdala Buckley. Known to her friends as Nick, she confides to them that she has recently survived several events that might have taken her life: a heavy-framed picture dropping on her head, a boulder falling off a cliff, and failed brakes. When Poirot notices a bullet hole in her hat, they put her under their protection and discover that her dead fiance, a noted aviator killed in a tragic accident, had named her as heir in his will. In the interim, his wealthy uncle is found to have died, making her the unexpected beneficiary of a great fortune. Poirot realizes this inheritance is the motive for continued attempts on her life, and in his quest for the the truth, he uncovers a tangled web of greed, forgery, drug addiction, fraud, poison, and murder. Written by
G. Taverney (firstname.lastname@example.org)
Towards the beginning, Nick mentions that there is only one bedroom usable in the house and that visitors stay at the Hotel Majestic. However, when Maggie goes back into the house to fetch a coat on fireworks night, Freddie calls after her to ask if she could bring her coat which is in her room. See more »
I really liked this adaptation of Peril At End House, actually it's one of my favourites. In fact, my only complaints are some slow moments, and they seemed to have left out the character of Frederica Rice's husband. Although the latter is forgivable, seeming as in the book Frederica's husband is only treated as a suspect, and you don't meet him properly until the denouncement. That said, this is one of the more faithful adaptations of the Queen of Crime's brilliant books. Visually it is a marvel to look at, the Cornish coast was like looking at a work of art, and the music is absolutely beautiful. The script and plot are both solid and complex in construction, and so is the acting, with David Suchet impeccable as Poirot and Hugh Fraser and Phillip Jackson sterling as Hastings and Japp. Everyone else was fine as well, but I have to mention the debut of Polly Walker. What a debut it was! Polly looked stunning beyond words, and was a revelation as Mademoiselle Nick Buckley. The part when Nick "comes back from the dead" was one of the most dramatic scenes in the entire adaptation, perhaps even the most dramatic, and it was such an effective scene. Here, there are plenty of poignant moments and some laugh out loud ones too, making this along with Five Little Pigs and Sad Cypress one of the better Poirot adaptations. 9/10 Bethany Cox
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