Out of work actor Joe volunteers to help try and save his sister's local church for the community by putting on a Christmas production of Hamlet, somewhat against the advice of his agent ... See full summary »
Rosalind, the daughter of Duke Senior (the banished duke), is raised at the court of Duke Frederick (who is younger brother to Duke Senior and took over his dukedom), with her cousin Celia ... See full summary »
During World War I, in an unnamed country, a soldier named Tamino is sent by the Queen of the Night to rescue her daughter Pamina from the clutches of the supposedly evil Sarastro. But all is not as it seems.
An imaginative teenage girl, living in a mystical and dangerous community built on a deserted drive-in movie lot along the Texas/Oklahoma border, struggles to realize her potential, and escape the world she was born into.
William Robert Carey
The King of Navarre and his three companions swear a very public oath to study together and to renounce women for three years. Their honour is immediately put to the test by the arrival of the Princess of France and her three lovely companions. It's love at first sight for all concerned followed by the men's highly entertaining but hopeless efforts to disguise their feelings. Written by
While the movie's concentrating on what is obviously WW2, one of the paper shown announces the end of the war on November 11, which is in fact the date of the end of WW1 in 1918 (the end of WW2 being on May 8, 1945 in Europe and August 15 in Asia). See more »
Thanks heaven for Kenneth Branagh; without him, cinema would be far less interesting and rewarding. His adaptations of Shakespeare will undoubtedly be his lasting contribution to the history of film, and this is no exception.
Having never read the play, I was quite pleased that Love's Labour's Lost was as easy to follow as it was. This has a fair amount in common with Branagh's earlier Much Ado About Nothing; mainly the highs, lows and plain ridiculousness of love. That film also featured Hollywood star casting (Keanu Reeves among others), but like that film, does not suffer from it. Indeed, it only seems to boost the feel-good nature of this film, as the actors joyfully get their collective teeth stuck into some of Shakespeare's wonderful dialogue.
What really makes this a must-see though is how the text is broken up into easily digestible chunks, interspersed with classic musical numbers from the 1930s. I wasn't prepared for how much of a joy it was to see some wonderfully romantic songs (sung pretty well actually) being put to some great dance numbers - Adrian Lester in particular was good. If, like me, you're too young to feel particularly nostalgic towards a time and genre of film that has long since gone, then I urge you to watch this and learn. And if you are old enough to yearn for those days, then do yourself a favour and go see!
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