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Love's Labour's Lost (2000)

6.1
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Ratings: 6.1/10 from 3,487 users   Metascore: 35/100
Reviews: 98 user | 62 critic | 29 from Metacritic.com

An update of the classic Shakespeare story, director Kenneth Branagh shot this movie like a classic 30s musical. Love's Labour's Lost tells the story of four best friends who swear off love.

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Cast

Cast overview, first billed only:
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The Princess
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Maria
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Katherine
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Jimmy Yuill ...
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Anthony O'Donnell ...
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Storyline

The King of Navarre and his three companions swear a very public oath to study together and to renounce women for three years. Their honour is immediately put to the test by the arrival of the Princess of France and her three lovely companions. It's love at first sight for all concerned followed by the men's highly entertaining but hopeless efforts to disguise their feelings. Written by Tender Branson

Plot Summary | Add Synopsis

Plot Keywords:

love | oath | france | king | navarre | See more »

Taglines:

Koi wa hito wo baka ni suru [Japan] See more »


Motion Picture Rating (MPAA)

Rated PG for sensuality and a brief drug reference | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

Release Date:

31 March 2000 (UK)  »

Also Known As:

Peines d'amour perdues  »

Box Office

Budget:

$13,000,000 (estimated)

Opening Weekend:

$24,496 (USA) (9 June 2000)

Gross:

$284,291 (USA) (7 July 2000)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Kenneth Branagh's role of Berowne is believed to have been played by William Shakespeare when the play was first performed in the late 1500s. See more »

Goofs

During the tearing of the contract, Kenneth Branagh mouths Matthew Lillard's lines along with him. See more »

Quotes

Longaville: Pray you sir, whose daughters?
Boyet: Their mothers', I have heard.
See more »

Connections

References Annie Hall (1977) See more »

Soundtracks

I'd Rather Charleston
by George Gershwin and Desmond Carter
Performed by Kenneth Branagh, Alessandro Nivola, Matthew Lillard and Adrian Lester
See more »

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User Reviews

 
Triple dedication besides Shakespeare: it also celebrates romantic musicals, lavish revues, and Movietone newsreels
10 July 2000 | by (sf, usa) – See all my reviews

So it is, right at the first frame next to the title, "a romantic musical comedy" is the tagline -- up front with no misconception whatsoever for everyone to see. The entrance is grand in Patrick Doyle's scoring style, along with the credit treatment on red satin and all. What an invitation! 'Like it already. Shakespeare would approve and applaud.

It's truly "there's no business like show business like no business I know." Here Shakespeare and his comedy of errors, a-mixing and a-matching love signals at play again. This common "love bug" (literally so) theme is ever present: in "A Midsummer Night's Dream", in "Much Ado About Nothing", it's all love wires a-blindly and mistaken assumptions a-crisscrossing. 'Tis all seeds of "Love's Labour's Lost."

The outstanding ensemble cast, the charming pairings of the lovers, the song and dance numbers (including a sizzling "Let's face the music and dance"), the costumes and sets, Branagh's script and the "Cinetone News" segments, his impeccable direction, and Patrick Doyle, a vital collaborator who provided the attractive score -- collectively made this romantic musical comedy most entertaining.

Branagh's passion in showing off Shakespeare in film media for all to enjoy is beyond evident. It all seem so facile, yet obviously there's plenty of love in nourishing this dream, lots of labour unrelenting from all involved in this production, and the lost would be Branagh's total steadfast lost in realizing this project -- love, labour, 'lost' shiningly shows. He's out done himself!

If you like musicals, romantic comedies, light-hearted Shakespeare -- go for it. The only special effect here is Branagh's magic.


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