Love's Labour's Lost (2000)

User Rating:

5.9/10   

Director:

Kenneth Branagh

Writers:

William Shakespeare (play)
Kenneth Branagh (screenplay)

Release Date:

24 March 2000 (Norway)

Genre:

Romance | Comedy | Musical

Tagline:

A New Spin on the Old Song and Dance

Plot:

An update of the classic Shakespeare story, director Kenneth Branagh shot this movie like a classic 30s musical. Love's Labour's Lost tells the story of four best friends who swear off love.

Plot Keywords:

Love | Princess | Bet | Directed By Star | Male Female Relationship

Awards:

2 nominations

Cast

Alessandro Nivola	...	King Ferdinand of Navarre
Alicia Silverstone	...	The Princess of France
Natascha McElhone	...	Rosaline
Kenneth Branagh	...	Berowne
Carmen Ejogo	...	Maria
Matthew Lillard	...	Longaville
Adrian Lester	...	Dumaine
Emily Mortimer	...	Katherine
Richard Briers	...	Nathaniel
Geraldine McEwan	...	Holofernia
Stefania Rocca	...	Jacquanetta
Jimmy Yuill	...	Dull
Nathan Lane	...	Costard
Timothy Spall	...	Don Armado
Anthony O'Donnell	...	Moth (as Tony O'Donnell)

Also Known As:

Peines d'amour perdues (Canada: French title) (France)

MPAA:

Rated PG for sensuality and a brief drug reference.

Runtime:

93 min

Country:

France | UK | Canada

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital

Certification:

Canada:PG (Ontario) | Iceland:L | Netherlands:6 | Finland:S | France:U | Germany:6 | Hong Kong:IIB | Norway:7 | Portugal:M/12 | Singapore:PG | Spain:T | Sweden:Btl | Switzerland:7 (canton of Geneva) | Switzerland:7 (canton of Vaud) | UK:U | USA:PG

Filming Locations:

Shepperton Studios, Shepperton, Surrey, England, UK

Company:

Arts Council of England

Trivia:

This is the second time Kenneth Branagh has used "The Way You Look Tonight" in a movie - the first was in Peter's Friends (1992).

Goofs:

Miscellaneous: During the tearing of the contract, you can see Kenneth Branagh mouthing Matthew Lillard's lines as he is saying them.

Quotes:

Katherine: Come when the king doth to my lady come. And if I have much love... I'll give you some.

Movie Connections:

Version of "BBC Play of the Month: Love's Labour's Lost (#11.3)" (1975)

Soundtrack:

No Strings (I'm Fancy Free)

Darn the critics, full speed ahead!

Something about Love's Labour's Lost is causing critics to sniff and huff and puff like never before. The dance numbers aren't perfectly in sync and the music isn't perfectly performed, they sneer. Shakespeare and Gershwin don't mix. It's sheer fluff. It's bizarre.

Thus saith the critics. The forest that they're missing with their shrubs of discontentment is the overwhelming charm and infectuous fun of this silly little film. Yes, when Branagh and his cronies do a dance number it isn't lock-step choreography (one arm a little high, perhaps, one foot off the beat a bit). When Alicia Silverstone and her ladies-in-waiting cavort and giggle in a pool, they're not quite Esther Williams and company. Instead of picture-perfect Fred & Ginger, they look like real people dancing and singing because dancing and singing are fun. And unless you're Ebenezer Scrooge, The Grinch, or a movie critic, you'll have fun, too.

That's not to say the movie is just sloppy silliness. Branagh stages some gorgeous set pieces, including gondolas lit by Japanese lanterns, a prop-plane goodbye straight out of Casablanca, and a production number in which the film's silliest character kicks the moon like a big silver soccer ball. It's about a third Shakespeare, a third 30's musical, and a third Looney Tunes. What's odd is that the styles mix so well under Branagh's direction.

If you want a picture-perfect musical, rent "The Unsinkable Molly Brown" or some other dull thing. If you want perfect Shakespeare, rent Branagh's "Hamlet." If, however, you want a movie to make you believe in movies again -- if you want to kick up your heels, laugh out loud, and float out of a movie theater humming Cole Porter -- see this movie.