Rosalind, the daughter of Duke Senior (the banished duke), is raised at the court of Duke Frederick (who is younger brother to Duke Senior and took over his dukedom), with her cousin Celia ... See full summary »
Emily has always been the rich brat who tries to pull every imaginable stunt to get attention. But one day, as she fakes her own kidnapping and locks herself in the trunk of a car, a thief ... See full summary »
Benicio Del Toro,
Born in 1943 during German occupation of their French town, Patrick and Marie-José have been best friends; now teens, they experiment with sex, which doesn't seem to bring them closer. ... See full summary »
Mary Giordano is a bright, intelligent student who goes to a catholic school. She also has a addiction to mystery novels and detective magazines (hence the title of the movie), which ... See full summary »
Hatch Harrison had a traffic accident with his car. At first the doctors said he was dead but then they succeeded to bring him back to life after two hours. But Hatch starts to have strange... See full summary »
The King of Navarre and his three companions swear a very public oath to study together and to renounce women for three years. Their honour is immediately put to the test by the arrival of the Princess of France and her three lovely companions. It's love at first sight for all concerned followed by the men's highly entertaining but hopeless efforts to disguise their feelings. Written by
While the movie's concentrating on what is obviously WW2, one of the paper shown announces the end of the war on November 11, which is in fact the date of the end of WW1 (the end of WW2 being on August 15). See more »
Beautiful words, delightful music, great acting! What could ruin such a mix. The answer, the ego of Kenneth Branagh. He is much too old for the part of a young student. His direction is absurdly literal. For example: probably the best use of the song "Heaven, I'm in heaven..." is sung by Angel Islington in Neil Gaiman's Neverwhere. Here the song is ruined by literally yanking the singers up on wires to a ceiling painted to resemble heaven. If a song mentions a hat, the director shows us a hat, and so on. The camera is always doing things that are distracting and annoying. The choreography is nothing but a string of literal quotes, from Busby Berkley to Fred Astaire to Gene Kelly to Bob Fosse. It never flows, just jerks from quote to quote. And while the older actors are superb, there does not seem to be an actor under 25 who can do Shakespeare...they all sound as if they are mouthing words that are not a part of their vocabulary. And the slapstick -- 'taint funny Magee. After all this, I still recommend watching the film. It is much kinder to the clowns than most productions of LLL. Branagh's great speech in praise of love is worth the price of admission. He acts sincerity so well it is almost enough to make us forget what he did to Emma Thompson. And the music is ... heaven.
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