Born in 1943 during German occupation of their French town, Patrick and Marie-José have been best friends; now teens, they experiment with sex, which doesn't seem to bring them closer. ... See full summary »
Emily has always been the rich brat who tries to pull every imaginable stunt to get attention. But one day, as she fakes her own kidnapping and locks herself in the trunk of a car, a thief ... See full summary »
Benicio Del Toro,
Mary Giordano is a bright, intelligent student who goes to a catholic school. She also has a addiction to mystery novels and detective magazines (hence the title of the movie), which ... See full summary »
The King of Navarre and his three companions swear a very public oath to study together and to renounce women for three years. Their honour is immediately put to the test by the arrival of the Princess of France and her three lovely companions. It's love at first sight for all concerned followed by the men's highly entertaining but hopeless efforts to disguise their feelings. Written by
While the movie's concentrating on what is obviously WW2, one of the paper shown announces the end of the war on November 11, which is in fact the date of the end of WW1 (the end of WW2 being on August 15). See more »
Pray you, who is the head lady?
Thou shalt know her, fellow, by the rest that have no heads.
But what is the greatest lady, the highest?
The thickest and the tallest.
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Thanks heaven for Kenneth Branagh; without him, cinema would be far less interesting and rewarding. His adaptations of Shakespeare will undoubtedly be his lasting contribution to the history of film, and this is no exception.
Having never read the play, I was quite pleased that Love's Labour's Lost was as easy to follow as it was. This has a fair amount in common with Branagh's earlier Much Ado About Nothing; mainly the highs, lows and plain ridiculousness of love. That film also featured Hollywood star casting (Keanu Reeves among others), but like that film, does not suffer from it. Indeed, it only seems to boost the feel-good nature of this film, as the actors joyfully get their collective teeth stuck into some of Shakespeare's wonderful dialogue.
What really makes this a must-see though is how the text is broken up into easily digestible chunks, interspersed with classic musical numbers from the 1930s. I wasn't prepared for how much of a joy it was to see some wonderfully romantic songs (sung pretty well actually) being put to some great dance numbers - Adrian Lester in particular was good. If, like me, you're too young to feel particularly nostalgic towards a time and genre of film that has long since gone, then I urge you to watch this and learn. And if you are old enough to yearn for those days, then do yourself a favour and go see!
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