A college dropout, attempting to win back his father's high standards he gets a job as a broker for a suburban investment firm, which puts him on the fast track to success, but the job might not be as legitimate as it once appeared to be.
Seth Davis is a college dropout running an illegal casino from his rented apartment. Driven by his domineering fathers disapproval at his illegitimate existence and his desire for serious wealth, Seth suddenly finds himself seduced by the opportunity to interview as a trainee stock broker from recent acquaintance Greg (Nicky Katt). Walking into the offices of JT Marlin, a small time brokerage firm on the outskirts of New York - Seth gets an aggressive cameo performance from Jay (Ben Affleck) that sets the tone for a firm clearly placing money above all else. Seth's fractured relationship with his father and flirtatious glances from love interest Abbie (Nia Long) are enough to keep Seth motivated in his new found career. As he begins to excel and develop a love for the hard sale and high commission, a few chance encounters leads Seth to question the legitimacy of the firm's operations - placing him once again at odds with his father and what remains of his morality. With homages to ... Written by
Seth complains to Abby that he has no more income because his casino dealer Jeff took his goldmine which was the casino when in fact Seth closed the casino himself. See more »
Why are you calling me here?
[referring to Seth]
Time's running out I need to know what his doing
I'm getting tired of this you have nothing on me I'm going to hang up this phone now
You're putting all the deals through, your signature is on every sell ticket, so go ahead, and hang up
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At the start of the film, the New Line Cinema studio logo features the faces from various U.S. Dollar bills, and the studio fanfare music uses a hip-hop "scratch" sound effect. See more »
The large and well-selected cast turned in very powerful performances. They crafted a convincing range of emotions, from cunning cut-throat manipulators of their clients' personal wealth during office hours, to brief examples of their "boys will be boys" shenanigans after hours. The story line is built completely around their personal financial greed, the hapless victims they scammed to realize it (with the greatest focus on one of them), and a well-sustained sense of mystery that plants seeds of possibilities along the way. The ending was not at all predictable; it could have gone in any of several directions. The viewer gets the impression that if these predators could yank even the last remaining penny out of a client on his (they targeted males) deathbed, they'd gleefully do so and view it as a major coup giving them full bragging rights. There's a hint of information about how legitimate stockbrokers earn their credentials and that was enlightening. The romantic angles are minimalized and that serves to benefit the film. The language is consistently coarse, but certainly seemed realistic for the characters' ages, their business sector and their work ethic. For everyone who enjoyed "Glengarry Glen Ross," "Wall Street" (both of which are alluded to in the film), or even more appropriately "The Crooked E: The Unshredded Truth About Enron," this feature will really score a bulls-eye.
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