A group of Swedish scientists led by Anna Rosenberg have developed an environmentally friendly car engine. Just before they sign the deal with the big European motor company the test ... See full summary »
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A group of Swedish scientists led by Anna Rosenberg have developed an environmentally friendly car engine. Just before they sign the deal with the big European motor company the test results leak into the wrong hands after a violent intrusion. There seems to be a mole in the team - but who and to whom is he/she really working for? While the research team faces the threat of bankruptcy, Anna Rosenberg has also her private life to sort out. Written by
T.J.A.
Okay- here we go again. Here is another one of those overlong unthrilling thrillers from SVT Drama and scriptwriters Lars Bill Lundholm and Thomas Borgström. The ingredients are all the same as the others, a plot that going nowhere, ideas stolen from much better productions, lines written on some weird version of the swedish language, actors that don't act, they just standing around like statues and talks like parrots, a director that don't doing anything and a photographer who works very hard to take nice pictures but don't cares what's in them. The so called story this time are about industrial espionage and a "green" car engine, but because the scriptwriters have a zero research approach to the whole subject, it desintegrates wery fast to a confusing mess. Characters and plot points appears from nowhere and then disappears whitout a trace. All the characters, from the irritating main character Anna (A wery anoying Gunilla Johansson.) to the stone faced hitman Brockman, are more or less stupid and they are doing stupid things like letting top secret information laying around in the wide open so it can be stolen by some other stupid character. I don't know why they keeping on doing those completely hopeless series (This time it looked like they decided to film the content of the scriptwriters garbage can.) but i hope they one day will learn what a thriller is. The ideas in the story was this time stolen from: Aliens, The Terminator, Universal Soldiers, The Godfather and some others.
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Okay- here we go again. Here is another one of those overlong unthrilling thrillers from SVT Drama and scriptwriters Lars Bill Lundholm and Thomas Borgström. The ingredients are all the same as the others, a plot that going nowhere, ideas stolen from much better productions, lines written on some weird version of the swedish language, actors that don't act, they just standing around like statues and talks like parrots, a director that don't doing anything and a photographer who works very hard to take nice pictures but don't cares what's in them. The so called story this time are about industrial espionage and a "green" car engine, but because the scriptwriters have a zero research approach to the whole subject, it desintegrates wery fast to a confusing mess. Characters and plot points appears from nowhere and then disappears whitout a trace. All the characters, from the irritating main character Anna (A wery anoying Gunilla Johansson.) to the stone faced hitman Brockman, are more or less stupid and they are doing stupid things like letting top secret information laying around in the wide open so it can be stolen by some other stupid character. I don't know why they keeping on doing those completely hopeless series (This time it looked like they decided to film the content of the scriptwriters garbage can.) but i hope they one day will learn what a thriller is. The ideas in the story was this time stolen from: Aliens, The Terminator, Universal Soldiers, The Godfather and some others.