In part one there is talk of a project on the subject of love, with the example of three couples, one young, one mature and the other elderly. At this point the author comes into contact ...
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A symphony in three movements. Things such as a Mediterranean cruise, numerous conversations, in numerous languages, between the passengers, almost all of whom are on holiday... Our Europe.... See full summary »
Jean-Luc Godard's densely packed rumination on the need to create order and beauty in a world ruled by chaos is divided into four distinct but tangentially related stories, including the ... See full summary »
Carmen is a member of a terrorist gang who falls in love with a young police officer guarding a bank that she and her cohorts try to rob. She leads him on while dragging the two of them ... See full summary »
In this modern retelling of the Virgin birth, Mary is a student who plays basketball and works at her father's petrol station; Joseph is an earnest dropout who drives a cab. The angel ... See full summary »
On a movie set, in a factory, and at a hotel, Godard explores the nature of work, love and film making. While Solidarity takes on the Polish government, a Polish film director, Jerzy, is ... See full summary »
Characterized by deconstructivism and philosophical references and by briefly exposing the good, bad, and ugly periods of the country's history, this post-modern film portrays the abstract ... See full summary »
Composed entirely by literary quotations from many different sources and from several historical periods, Godard's film works as an allegory on film. The loose narrative tells about a ... See full summary »
In a palace of Paris. Two detectives are investigating a two-year-old murder. Emile and Francoise Chenal are putting pressure on Jim Fox Warner, a boxing manager, who owes them a huge ... See full summary »
In part one there is talk of a project on the subject of love, with the example of three couples, one young, one mature and the other elderly. At this point the author comes into contact with a young woman he had already met three years earlier. Just as the project is about to become reality, all problems of an artistic or financial nature having been resolved, the author learns that the young woman has died. Part two concerns the events of three years earlier. While interviewing an historian, the future author meets for the first time the young woman, who is training as a lawyer. She has been asked by her own grandparents, formerly of the French resistance, to examine a contract offered to them by Americans who want to make a film about their activities during the Nazi occupation of France. Written by
Jean Luc-Goddard's film is so unlike a conventional plot-driven movie that it is hard to imagine how he conceived it. You almost imagine that he started out by making a conventional movie, got stuck, and so chopped up the footage into a thousand pieces, which he then redistributed at random. In fact, the mood of the piece is far too carefully controlled for the film to have been made in this way, but it is a confusing mix: half shot in black-and-white, half in a vivid colour (altohugh it's hard to correlate the style of cinematography to a time-frame within the story), the face of some of the characters is deliberately not shown, and a fragmentary story about Catholics in the French resistance and the attempts, sixty years later, to make a film about this, is interspersed with lengthy philosophical meditations from the characters. What can be said is that the images and music are tied in perfectly, the words hold a certain interest (although there is a degree of pretension in them), but the narrative as a whole never coalesces. What's left is like a master's primer in how to create an atmosphere in film; intriguing, but not wholly satisfying as an end in itself.
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