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Directed by | |||
| Cameron Crowe | |||
Writing credits(WGA) | ||
| Cameron Crowe | (written by) | |
Produced by | |||
| Ian Bryce | .... | producer | |
| Cameron Crowe | .... | producer | |
| Marty P. Ewing | .... | associate producer (as Martin P. Ewing) | |
| Scott M. Martin | .... | associate producer | |
| Steven P. Saeta | .... | associate producer | |
| Lisa Stewart | .... | co-producer | |
| Jerry Ziesmer | .... | associate producer | |
Original Music by | |||
| Nancy Wilson | |||
Cinematography by | |||
| John Toll | (director of photography) | ||
Film Editing by | |||
| Joe Hutshing | |||
| Saar Klein | |||
Casting by | |||
| Gail Levin | |||
Art Direction by | |||
| Clay A. Griffith | |||
| Clayton Hartley | (as Clayton R. Hartley) | ||
| Virginia L. Randolph | (as Virginia Randolph-Weaver) | ||
Set Decoration by | |||
| Robert Greenfield | |||
Costume Design by | |||
| Betsy Heimann | |||
Makeup Department | |||
| Audrey L. Anzures | .... | hair stylist (as Audrey Anzures) | |
| Kathryn Blondell | .... | hair department head | |
| Lois Burwell | .... | makeup department head | |
| Carolyn Elias | .... | hair stylist (as Carolyn L. Elias) | |
| Michael Germain | .... | key makeup artist | |
| Marina Hart | .... | hair stylist | |
| Kim Messina | .... | hair stylist (as Kimi Messina) | |
| Maggie Myer | .... | makeup artist | |
| Donna Cicatelli-Lewis | .... | makeup artist (uncredited) | |
| Maggie Fung | .... | makeup artist (uncredited) | |
| Linda Grimes | .... | makeup department head: New York (uncredited) | |
| Timothy A. Miguel | .... | makeup artist (uncredited) | |
| Jennifer Saeta | .... | assistant makeup artist (uncredited) | |
| Dan Uebel | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Carla Corwin | .... | unit manager: additional photography | |
| Marty P. Ewing | .... | production manager (as Martin P. Ewing) | |
| Amy Herman | .... | unit production manager: New York | |
| Lisa Dennis Kennedy | .... | post-production supervisor | |
| Steven P. Saeta | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Carla Corwin | .... | first assistant director: additional photography | |
| Stephen V. Johnson | .... | dga trainee | |
| David Kelley | .... | second assistant director | |
| Amy Lynn | .... | second assistant director: New York | |
| Jill Southern | .... | second assistant director | |
| Andrew Ward | .... | second assistant director: additional photography (as Andrew M. Ward) | |
| Laurie Webb | .... | second second assistant director | |
| Eric Yellin | .... | second second assistant director: New York | |
| Jerry Ziesmer | .... | first assistant director | |
| Jason Roberts | .... | additional second second assistant director (uncredited) | |
Art Department | |||
| Ruben Abarca | .... | drapery foreman | |
| David H. Allen | .... | property master | |
| Doreen Austria | .... | graphic designer | |
| Conny Boettger | .... | set designer (as Conny Boettger-Marinos) | |
| Steve Borgese | .... | greens foreman | |
| Charisse Cardenas | .... | set designer | |
| Larry Guy Clause | .... | general foreman (as Larry Clause) | |
| Cece Destefano | .... | art department coordinator (as Cecele M. De Stefano) | |
| John R. Elliott | .... | construction coordinator (as John Elliott) | |
| David Fanderlik | .... | propmaker foreman | |
| Melissa Feinberg | .... | property assistant (as Melissa A. Feinberg) | |
| Jeannine Fenton | .... | set dresser | |
| Pete Gikas | .... | set dresser (as Peter Gikas) | |
| Carmine Goglia | .... | stand-by painter | |
| Tim Gomes | .... | paint foreman | |
| Rod Gregory | .... | set dresser | |
| Glen E. Hawbecker | .... | propmaker foreman | |
| Lee J. Jashinsky | .... | paint foreman | |
| Lisa M. Kittredge | .... | construction auditor (as Lisa M. Brooks) | |
| Mark Kusy | .... | property assistant | |
| Kim Lincoln | .... | graphic designer | |
| John Hammer Maxwell | .... | on-set dresser (as John H. Maxwell) | |
| Mike Medina | .... | labor foreman (as Michael Medina) | |
| Michael Molen | .... | propmaker foreman | |
| Chris Peterson | .... | set dresser | |
| Bart Rees | .... | plasterer foreman | |
| Eric Rosenberg | .... | assistant art director | |
| Michael Ruby | .... | supervising signwriter | |
| Dominic Sandfrey | .... | labor foreman | |
| Shana Sigmond | .... | production buyer | |
| Tim Snowber | .... | lead person | |
| Mindy R. Toback | .... | set designer (as Mindi R. Toback) | |
| Joe Viau | .... | set dresser | |
| Adam L. Barker | .... | plasterer (uncredited) | |
| David L. Bell | .... | set dresser (uncredited) | |
| Todd Bennett | .... | plaster foreman (uncredited) | |
| Philip Canfield | .... | lead man (uncredited) | |
| Vincent D'Aquino | .... | greensman (uncredited) | |
| Guillaume DeLouche | .... | set dresser (uncredited) | |
| Brendan C. Fenton | .... | set dresser (uncredited) | |
| Stephen Gibson | .... | set dresser (uncredited) | |
| Alex Hill | .... | storyboard artist (uncredited) | |
| Al Hobbs | .... | set designer (uncredited) | |
| Byron K. Lovelace | .... | props (uncredited) | |
| Bryan McBrien | .... | stand-by greens (uncredited) | |
| Christopher Parker | .... | set dresser (uncredited) | |
| Jeffrey Rollins | .... | props (uncredited) | |
| Eddie Ros | .... | property assistant (uncredited) | |
| Chris Samp | .... | stand-by painter: reshoots (uncredited) | |
Sound Department | |||
| Robert Batha | .... | first assistant sound editor | |
| Kerry Ann Carmean | .... | foley editor (as Kerry Carmean) | |
| Don Coufal | .... | boom operator | |
| Dino Dimuro | .... | sound effects editor | |
| Nerses Gezalyan | .... | foley mixer | |
| Tim Gomillion | .... | sound recordist | |
| Laura Graham | .... | adr editor | |
| Laura R. Harris | .... | dialogue editor (as Laura Harris) | |
| Doug Hemphill | .... | sound re-recording mixer (as D.M. Hemphill) | |
| Rick Kline | .... | sound re-recording mixer | |
| Tony Lamberti | .... | sound effects editor | |
| Lee W. Lebaigue | .... | digital assistant (as Lee Lebaigue) | |
| Kimaree Long | .... | dialogue editor | |
| Paul Massey | .... | sound re-recording mixer | |
| Tim McColm | .... | re-recording stage engineer | |
| Daniel Mendez | .... | recording consultant (as Daniel Mendes) | |
| James Moriana | .... | foley artist (as Jimmy Moriana) | |
| Scott Olson | .... | recording consultant | |
| Kelly Oxford | .... | adr supervisor | |
| LaNessa Phearson | .... | cable person (as Lanessa Phearson) | |
| Dennis Rogers | .... | sound recordist | |
| Scott Sanders | .... | sound effects editor | |
| Branden Spencer | .... | adr assistant (as Brandon Spencer) | |
| Frederick H. Stahly | .... | foley editor (as Fred Stahly) | |
| David Stanke | .... | digital assistant | |
| Wylie Stateman | .... | additional sound | |
| Greg Steele | .... | adr mixer | |
| Jon Title | .... | sound effects editor | |
| Jeff Wexler | .... | production sound mixer | |
| Jeffrey Wilhoit | .... | foley artist (as Jeff Wilhoit) | |
| Michael D. Wilhoit | .... | supervising sound editor (as Mike Wilhoit) | |
| Scott Wolf | .... | sound effects editor | |
| Greg Zimmerman | .... | foley recordist | |
| Mark Choi | .... | sound conforming editor (uncredited) | |
| Rob Disner | .... | utility sound (uncredited) | |
| Sean England | .... | sound re-recordist (uncredited) | |
| Scott Jason Farr | .... | utility sound (uncredited) | |
| Jeff Glueck | .... | sound engineer (uncredited) | |
| Mike Lanoue | .... | boom operator (uncredited) | |
| Michael Miller | .... | adr mixer (uncredited) | |
| John Soukup | .... | sound transfer (uncredited) | |
Special Effects by | |||
| John Frazier | .... | special effects supervisor | |
| Jim Jolly | .... | effects technician (as Jim Jolley) | |
| James D. Schwalm | .... | special effects coordinator (as Jim Schwalm) | |
| Steve Riley | .... | special effects foreman (uncredited) | |
| J.D. Schwalm | .... | special effects (uncredited) | |
Visual Effects by | |||
| Patrick Ballin | .... | visual effects editor: MVFX | |
| Travis Baumann | .... | compositor: MVFX | |
| John Cassella | .... | 3D artist: MVFX (as John Cassella Jr.) | |
| Robert Chapin | .... | 3D artist: MVFX | |
| Nicolle Cornute | .... | paint/roto artist: MVFX | |
| John 'D.J.' Des Jardin | .... | 3D supervisor: MVFX (as John Desjardin) | |
| Matt Dessero | .... | compositor: MVFX | |
| Phillip Feiner | .... | production executive: Pacific Title Digital (as Phil Feiner) | |
| Donald Fly | .... | general manager: MVFX (as Don Fly) | |
| Chris Flynn | .... | digital compositor: Pacific Title Digital | |
| Fortunato Frattasio | .... | compositor: MVFX | |
| Mark Freund | .... | digital effects supervisor: Pacific Title Digital | |
| Gary George | .... | technical assistant: MVFX | |
| Gilbert Gonzales | .... | paint/roto artist: MVFX | |
| Tom Gorey | .... | imaging supervisor: Pacific Title Digital | |
| Nicolle Gray | .... | technical assistant: MVFX | |
| Maureen Healy | .... | digital painter: Pacific Title Digital | |
| Rob Hodgson | .... | visual effects supervisor: MVFX | |
| Heather Hoyland | .... | lead digital compositor: Pacific Title Digital | |
| Ed Jones | .... | visual effects supervisor | |
| David Lee | .... | technical assistant: MVFX (as Dave Lee) | |
| Mark Leo Perry | .... | 3D artist: MVFX | |
| Matt Magnolia | .... | visual effects production coordinator: MVFX | |
| Diana Miao | .... | 3D artist: MVFX | |
| Rodney Montague | .... | digital effects producer: Pacific Title Digital | |
| Devorah Petty | .... | 3D artist: MVFX | |
| Sheldon Ramones | .... | technical assistant: MVFX | |
| John E. Sasaki | .... | compositor: MVFX | |
| Jonathan F. Styrlund | .... | visual effects producer: MVFX | |
| Daniel Sunwoo | .... | 3D artist: MVFX | |
| Sean White | .... | runner: MVFX | |
| Chris Wood | .... | paint/roto artist: MVFX | |
| Roger Dorney | .... | visual effects supervisor: Pacific Title Digital (uncredited) | |
Stunts | |||
| Joey Box | .... | stunt double (uncredited) | |
| Charles Croughwell | .... | stunt coordinator (uncredited) | |
| Thomas DuPont | .... | stunts (uncredited) | |
| David Loitz | .... | precision driver (uncredited) | |
| Gregg Sargeant | .... | stunts (uncredited) | |
| Sonny Tipton | .... | utility stunts (uncredited) | |
| Mark Aaron Wagner | .... | stunt double: Billy Crudup (uncredited) | |
| Darlene Ava Williams | .... | stunt double: Kate Hudson (uncredited) | |
Casting Department | |||
| Andrew S. Brown | .... | casting associate | |
| Rich King | .... | extras casting | |
| Rudy Quintanilla | .... | local extras casting | |
| Niki Boyle | .... | extras casting (uncredited) | |
| Tina Real | .... | extras casting: local (uncredited) | |
Costume and Wardrobe Department | |||
| Alice S. Awad | .... | seamstress | |
| Betty Besio | .... | cutter/fitter (as Elizabeth Besio) | |
| Melissa Binder | .... | costumer (as Melissa F. Binder) | |
| Lisa Buchignani | .... | costumer | |
| Brian Callahan | .... | costumer | |
| Michael Dennison | .... | costume supervisor | |
| Jorge J. González | .... | costumer (as Jorge J. Gonzalez) | |
| Linda Henrikson | .... | key costumer | |
| Nisa Kellner | .... | costumer | |
| Francisco Mares | .... | tailor | |
| Leslie Miller | .... | cutter/fitter | |
| Jonny Pray | .... | costumer | |
| Patia Prouty | .... | costumer | |
| Nava R. Sadan | .... | costumer (as Nava Sadan) | |
| D. Barak Stribling | .... | cutter/fitter | |
| James P. Cullen | .... | costumer (uncredited) | |
| Erin Lenk | .... | assistant to costume designer (uncredited) | |
| Nancy Smytka | .... | set costumer (uncredited) | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Martin Cohen | .... | post-production executive | |
| Richard Conkling | .... | assistant editor (as Rich Conkling) | |
| Daniel Fair | .... | editorial assistant | |
| Heather Goodwin | .... | apprentice editor | |
| Cecilia Hyoun | .... | first assistant editor: avid | |
| Mark Livolsi | .... | associate editor | |
| David Orr | .... | color timer | |
| Lisa Marie Serra | .... | post-production coordinator | |
| Ofe Yi | .... | first assistant film editor (as Ofelia Jimenez) | |
Music Department | |||
| Jon Bayless | .... | additional musician | |
| Danny Bramson | .... | music supervisor | |
| James Eric | .... | music playback operator | |
| Peter Frampton | .... | additional musician | |
| Todd Homme | .... | executive in charge of music | |
| Carlton Kaller | .... | music editor | |
| Gordon Kennedy | .... | additional musician | |
| Mike McCready | .... | additional musician | |
| Gary Raymond | .... | music playback mixer | |
| Ben Smith | .... | additional musician | |
| Nancy Wilson | .... | music producer: original songs | |
| Peter Frampton | .... | musician: Stillwater music (uncredited) | |
| Bud Raymond | .... | music playback assistant (uncredited) | |
| Greg Townley | .... | music engineer (uncredited) | |
Transportation Department | |||
| Ted Basso | .... | production van driver | |
| Rudy Beilicke | .... | driver (as Rudolf Beilicke) | |
| Bobby Bress | .... | driver | |
| Ronald Brown | .... | driver | |
| Rose Echeverria | .... | driver | |
| James Fanning | .... | transportation captain: New York (as Jim Fanning) | |
| Robert Garcia Jr. | .... | driver | |
| Lee Garibaldi | .... | transportation captain | |
| Ronald Hooker | .... | driver | |
| Linda Johnson | .... | driver | |
| Pete Johnson | .... | driver | |
| Sandra Powell | .... | driver | |
| George Power | .... | driver | |
| John Sullivan | .... | mechanic: picture vehicles | |
| Tommy Tancharoen | .... | transportation coordinator | |
| Tom Whelpey | .... | driver (as Tom Whelpley) | |
| John Wiser | .... | picture vehicle coordinator | |
| Kristen Dolan | .... | transportation office coordinator (uncredited) | |
| William Hogue | .... | driver (uncredited) | |
Thanks | |||
| Lawrence Kasdan | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I've seen a few coming-of-age films, and a few prodigy-cum-genius type films, and of course more than my share of romantic comedy stuff. This film skirts between the lines of all those possibilities and somehow manages to find its way to the viewer intact, deftly and with a whole lot of old-fashioned charisma.
The acting was honest, true to how people behave without getting schmaltzy or over-dramatic. Cameron Crowe gets these actors to all project a belief in themselves and bring that across in a way that we care about what happens to them. I particularly liked the rendition of William Miller by Patrick Fugit, who steals the show as the precocious rock-n-roll journalist. He evokes visions of a young Matthew Broderick or a wide-eyed Michael J. Fox without ever getting corraled into being the "cute but troubled young kid".
Frances McDormand is amazing and well-cast as Elaine the Mom, someone so wrapped up in creating a safe, healthy environment she drives both her children far away from home.
Billy Crudup & Kate Hudson create the tension filled romance that drives the story along; both did a great job & were adroitly evocative of those fast times in the rock & roll fantasyland of the 70's. Billy, as Russell Hammond, teeters on the edge of fame, not wanting to leave his long-suffering bandmates behind but being courted as the band's star by the record company, is palpably torn. He carries William through the whirlwind of emotions and music along with him, showing him a world that is desperate and lonely, even with the whole world seemingly vying for his attention. His casting is also very clever, seeing as how Billy Crudup also sits on the brink of his own stardom & acclaim in real life.
Lester Bangs is William's 'guru', played to perfection by Phillip Seymour Hoffman. A walking oxymoron, he exudes a callous arrogance and at the same time expresses genuine affection for the up-and-comer, sometimes giving William the exact advice he needs to get him through the toughest moments as a rock critic & dealing with the love/hate relationships they seem to engender with everyone in their world of music.
I can't say enough about the awesome casting job, as well as the very detailed set design, costuming & realism to the times. Period pieces are usually difficult to do well; Mr. Crowe did this one genuine and good.
A truly great film, one that I'd heartily recommend to all but the most jaded rock critics.