A chronicle of country music legend Johnny Cash's life, from his early days on an Arkansas cotton farm to his rise to fame with Sun Records in Memphis, where he recorded alongside Elvis Presley, Jerry Lee Lewis and Carl Perkins.
A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Paul Thomas Anderson
Philip Seymour Hoffman
William Miller is a 15-year-old kid hired by Rolling Stone magazine to tour with and write about Stillwater, an up and coming rock band. This wonderfully witty coming-of-age film follows William as he falls face first to confront life, love, and lingo. Written by
The school shown for a few seconds at the beginning of the film is the University of San Diego High School, Cameron Crowe's alma mater. Crowe gave his high school journalism teacher, Daniel Wilson, a cameo during the high school graduation scene. The concert scenes that open the film were filmed at the San Diego Sports Arena, down the road from USDHS . See more »
In the Untitled version, when William and Lester Bangs are alone on the San Diego corner, just after Lester refers to "his many fans", a 1990s Obey Giant (aka "Andre Has a Posse") poster is on the traffic box on the left. See more »
There are two things that make this film one of the best made in the last few years- characters and music. I am personally not a big fan of 70s music, but it is used very well in this film, most of my favourite scenes are made all the more memorable by the music, which includes America (Simon & Garfunkel), Tiny Dancer, Mona Lisa's and Mad Hatters (both Elton John), River (Joni Mitchell) Paranoid (Black Sabbath) and Feel Flows (The Beach Boys) Most of the actors and actresses in this film give the performance of their lives, Frances McDormand being especially comical as William's mother, and many of the best moments are all hers. William himself has an endearing quality about him to the audience, and I'm surprised I haven't seen Patrick Fugit in any other films since this one. A great film, and the Directors Cut DVD is well worth the money, especially for those of you (like me) who had previously only watched the UK version.
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