| Photos (See all 10 | slideshow) |
| Ice-T | ... | Owen Turner (as Ice T) | |
| Costas Mandylor | ... | Ryan Mitchell | |
| Erika Eleniak | ... | Erin Mitchell (as Erika Eleniak-Goglia) | |
| Sarah Dampf | ... | J.P. Mitchell | |
| William Sadler | ... | Adm. Frank Peterson | |
| Ernie Hudson | ... | President Westwood | |
| Andrew Divoff | ... | Roberto Menendez | |
| William G. Schilling | ... | Harry Goldberg | |
| John Enos III | ... | Larry Ramsey | |
| Alex Meneses | ... | Roberto's Young Lady Desidea | |
| Tommy 'Tiny' Lister | ... | Berg (as Tommy 'Tiny' Lister Jr.) | |
| Steve J. Hennessy | ... | Brett Kelly (as Stevie J. Hennessy) | |
| Michael Gregory | ... | Gen. Elliott Wasserman | |
| Mark Adair-Rios | ... | Manuel Vega (as Mark Adair Rios) | |
| Paul Terrell Clayton | ... | Lt. Phillips | |
| Steve Eastin | ... | Captain Thomson | |
| George Gerdes | ... | Alexander Chez / Clancy | |
| Trevor Gordon | ... | Navel / Paul Mason | |
| Clay Greenbush | ... | Mike Hudson | |
| Jon Huertas | ... | Lt. Bradley Elias | |
| Peter Spellos | ... | Andres Solymosi | |
| rest of cast listed alphabetically: | |||
| Nikki Fritz | ... | Massage Girl (unconfirmed) | |
Directed by | |||
| Jim Wynorski | (as Jay Andrews) | ||
Writing credits(in alphabetical order) | ||
| Lenny Juliano | writer | |
| T.L. Lankford | additional dialogue (as Roger Wade) | |
| John A. Sanders | co-story writer | |
Produced by | |||
| Paul Hertzberg | .... | executive producer | |
| Ice-T | .... | executive producer (as Ice T) | |
| Gary Rubin | .... | executive producer in charge of production | |
| Sabrina Sipantzi Ballard | .... | line producer | |
| Jim Wynorski | .... | producer (as Jay Andrews) | |
Original Music by | |||
| Alex Wilkinson | |||
Cinematography by | |||
| J.E. Bash | (director of photography) | ||
Film Editing by | |||
| Vanick Moradian | |||
Casting by | |||
| Phaedra Harris | |||
Production Design by | |||
| Scott Buckwald | (as Scott A. Buckwald) | ||
Set Decoration by | |||
| David Clark | |||
Costume Design by | |||
| Tricia Gray | |||
Makeup Department | |||
| Marguerite Sehr-Cooper | .... | assistant makeup artist | |
| Melanie Tooker | .... | hair stylist | |
| Melanie Tooker | .... | makeup artist | |
Production Management | |||
| J.P. Pettinato | .... | executive in charge of production | |
| Sabrina Sipantzi Ballard | .... | production manager (as Sabrina Sipantzi) | |
| Bill Sweeney | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Michael Cunningham | .... | assistant director | |
| Phyllis Harrison | .... | assistant director | |
| Andy Miller | .... | assistant director | |
Art Department | |||
| Will Alovis | .... | property master | |
| Jeanne Kukor | .... | set dresser | |
| Herman Luna | .... | assistant property master | |
Sound Department | |||
| Leslie Bloom | .... | foley artist | |
| Anita Cannella | .... | foley artist | |
| Seth Cooper | .... | boom operator | |
| Lorita de la Cerna | .... | adr mixer | |
| Lorita de la Cerna | .... | foley mixer | |
| Glenn Gaines | .... | sound mixer | |
| Michael S. Gaines | .... | boom operator | |
| Kevin Hamilton | .... | adr editor | |
| Kevin Hamilton | .... | dialogue editor | |
| Jan Kikumoto | .... | sound | |
| Scott C. Kolden | .... | sound effects editor | |
| Scott C. Kolden | .... | sound re-recording mixer | |
| Kitty Malone | .... | foley artist | |
| Mike Roffone | .... | sound mixer | |
| Sivv Sivertsen | .... | sound mixer | |
| Joel E. Smith | .... | sound re-recording mixer | |
| Dennis Michael Tenney | .... | sound | |
Special Effects by | |||
| Bruce Knechtges | .... | special effects | |
Visual Effects by | |||
| Wendie Newcomb | .... | visual effects | |
| Jim Stewart | .... | visual effects | |
Stunts | |||
| Ted Barba | .... | stunts | |
| Chuck Borden | .... | stunts | |
| Bob Bragg | .... | stunts (as Bobby Bragg) | |
| Eric Chambers | .... | stunts (as Eric Norman Chambers) | |
| Eugene Collier | .... | stunts | |
| Bret Davidson | .... | stunt coordinator | |
| Thomas Dewier | .... | stunts | |
| Stephen P. Hart | .... | stunts | |
| Justin Lundin | .... | stunts | |
| Cole S. McKay | .... | stunts (as Cole McKay) | |
| Patrick J. Statham | .... | stunt coordinator | |
Camera and Electrical Department | |||
| K. Gertie Baldwin | .... | assistant camera | |
| Gregory A. Black | .... | grip | |
| R. Grant Brittan | .... | grip | |
| Evans Brown | .... | electrician | |
| Damon Dulas | .... | electrician | |
| Eric F. Edelman | .... | grip | |
| Ron Edmondson | .... | dolly grip | |
| Guus Floor | .... | gaffer | |
| Gary Gray | .... | best boy | |
| Lila Javan | .... | assistant camera | |
| Scott E. Kaufman | .... | electrician | |
| Emily Mackley | .... | first assistant camera | |
| Paul Maletich | .... | assistant camera | |
| Jeffrey Maroun | .... | electrician (as Jeff Maroun) | |
| Judd McKelvey | .... | electrician (as Judson McKelvey) | |
| Bob Myers | .... | key grip | |
| Michael O'Connor | .... | still photographer | |
| Mike Reppert | .... | electrician | |
| Alex Schmidt | .... | dolly grip | |
| Joseph Thompson | .... | electrician | |
| Michael Walton | .... | electrician | |
Casting Department | |||
| Carla Anne Rose Prestininzi | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Aliza Washabaugh | .... | wardrobe assistant | |
Editorial Department | |||
| Chris Weber | .... | negative cutter | |
| Gary Weber | .... | negative cutter | |
Music Department | |||
| Joel Goldsmith | .... | composer: main title theme | |
Transportation Department | |||
| Matthew Ballard | .... | transportation captain | |
| Russell Ballard | .... | driver | |
| Roger Byrd | .... | transportation captain | |
| David Gerry | .... | driver | |
| Daniel Inouye | .... | driver | |
| Elliot Sarkin | .... | driver | |
| Jason T. Wyman | .... | driver | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Satellite ran this stinker late last night and, what seemed on the surface an interesting premise was lost quickly in the poor writing, stiff and otherwise horrible acting, mute extras, and overall lack of direction. Here are but a few examples: there are no colonels in the US Navy; men on the disabled sub were having difficulty breathing, but they were not breathing "carbon monoxide" as the med staff suggested unless their exhaust was leaking into the compartment; lifting off from an arms seller's supposedly isolated base of operations, the Nighthawk rolls along a clearly marked runway, then passes a VOR station, a type of navaid that would assist in identifying the location of this base. How about a GPS receiver that we're to believe also transmits its location, despite it being noted in the dialogue as simply for finding one's position?
Most of the dough must have been blown on the really cool opening sequences that hooks the viewer, these scenes depicting Navy fighters roaring through and taking out an urban area, 'cause from there on out, it's the movie itself that proved stealthy.