A virus breaks out at a university and people start to become zombies. After 29 days, a team of AMS scientists and soldiers are sent in to deal with the problem. But while they search, things go wrong.
Sgt. Kabukiman NYPD contracts a deadly new STD, The Sex Lobsters, and unknowingly spreads it around town while visiting Tromaville's best orgy spots. Only Dolphinman can find the cure and save the day!
John P. Brennan
John P. Brennan,
America's 7th Best Superhero Team, the Specials, are a group of geeks and oddballs. We get to see one day in their lives as fan and new member Nightbird joins the group, just in time for the group to get a new line of action figures. But the members' extreme personalities and personal issues threaten to rip the group apart. Written by
I've been a humongous fan of the Specials since I was knee-high to... something for sure. All my friends would make fun of me because the Specials were not a "cool" group like the Amazing Trio or the Crusaders. But, you know, screw that. I also liked Winger better than Bon Jovi. I still do. I don't care what the critics say.
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During the end credits we see an "In Memory: 1970-1993" reference and picture of Mr. Stretch, an original member of the Specials that we are told died of mouth cancer in one of interview segments. See more »
Nifty low-budget variant on MYSTERY MEN, with a script that's about four times as good. Here, the superheroes are less dysfunctional and more beset by the amorous pangs and gnawing dissatisfactions of everyday life; the humor ranges from the gulpingly broad to the surprisingly observant, deft, life-sized. The movie is visually hideous, but the script is astonishingly lively, and some members of the cast burst out at you. As the Shatneresque team leader, the Strobe, Thomas Haden Church is like a concentrated Swat team of extreme earnestness. And there is a lovely scene--not really funny, but you can feel the audience beaming at it--in which a mongoloid "space orphan," dandled like a pinhead mascot through most of the movie, takes the stage at a techno nightclub and breakdances to "Life Is a Rock (But the Radio Rolled Me)."
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