A modern, punk adaptation of Shakespeare's classic. Told irreverently, this film attempts to impact the viewer in the same way theatre-goers were effected in Shakespeare's time. Bawdy, ... See full summary »
Lily is a twenty-something aspiring writer who receives an invitation to attend a wedding reception with Jonathan, a handsome entomologist who also happens to be the man of her dreams. The ... See full summary »
A group of 83 American expatriates who work in a building in Sao Paulo, Brazil, find themselves trapped in their workplace; a voice emits over the speaker system, forcing them through a series of murderous moral decisions.
America's 7th Best Superhero Team, the Specials, are a group of geeks and oddballs. We get to see one day in their lives as fan and new member Nightbird joins the group, just in time for the group to get a new line of action figures. But the members' extreme personalities and personal issues threaten to rip the group apart. Written by
I've been a humongous fan of the Specials since I was knee-high to... something for sure. All my friends would make fun of me because the Specials were not a "cool" group like the Amazing Trio or the Crusaders. But, you know, screw that. I also liked Winger better than Bon Jovi. I still do. I don't care what the critics say.
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During the end credits we see an "In Memory: 1970-1993" reference and picture of Mr. Stretch, an original member of the Specials that we are told died of mouth cancer in one of interview segments. See more »
Nifty low-budget variant on MYSTERY MEN, with a script that's about four times as good. Here, the superheroes are less dysfunctional and more beset by the amorous pangs and gnawing dissatisfactions of everyday life; the humor ranges from the gulpingly broad to the surprisingly observant, deft, life-sized. The movie is visually hideous, but the script is astonishingly lively, and some members of the cast burst out at you. As the Shatneresque team leader, the Strobe, Thomas Haden Church is like a concentrated Swat team of extreme earnestness. And there is a lovely scene--not really funny, but you can feel the audience beaming at it--in which a mongoloid "space orphan," dandled like a pinhead mascot through most of the movie, takes the stage at a techno nightclub and breakdances to "Life Is a Rock (But the Radio Rolled Me)."
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