Traces the Beats from Allen Ginsberg and Jack Kerouac's meeting in 1944 at Columbia University to the deaths of Ginsberg and William S. Burroughs in 1997. Three actors provide dramatic ... See full summary »
The infamous story of Benjamin Barker, a.k.a Sweeney Todd, who sets up a barber shop down in London which is the basis for a sinister partnership with his fellow tenant, Mrs. Lovett. Based on the hit Broadway musical.
Helena Bonham Carter,
Traces the Beats from Allen Ginsberg and Jack Kerouac's meeting in 1944 at Columbia University to the deaths of Ginsberg and William S. Burroughs in 1997. Three actors provide dramatic interpretations of the work of these three writers, and the film chronicles their friendships, their arrival into American consciousness, their travels, frequent parodies, Kerouac's death, and Ginsberg's politicization. Their movement connects with bebop, John Cage's music, abstract expressionism, and living theater. In recent interviews, Ginsberg, Burroughs, Kesey, Ferlinghetti, Mailer, Jerry Garcia, Tom Hayden, Gary Snyder, Ed Sanders, and others measure the Beats' meaning and impact. Written by
This film is simply a love letter to the three writers Allen Ginsburg, Jack Kerouac, and William Burroughs. The film offers no dissenting viewpoints, and provides very little evidence to back up its claims that these three men were somehow 'The Source' for all counter culture movements that followed them.
This is a preposterous claim. The Beats were simply part of a long tradition of counter culture art that began in earnest in the mid 19th Century.
Anyways, outside of some sloppy history, the film does at least seem to capture the spirit of who the Beats were. What it fails to do, however, is convince me that I should still actually care who they were. So, for a fan this film will be a joy ride, but for people, like me, who have always been somewhat ambivilant about the Beats, it doesn't do much convincing.
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