In this film made over ten years, filmmaker Barbara Sonneborn goes on a pilgrimage to the Vietnamese countryside where her husband was killed. She and translator (and fellow war widow) Xuan... See full summary »
In this film made over ten years, filmmaker Barbara Sonneborn goes on a pilgrimage to the Vietnamese countryside where her husband was killed. She and translator (and fellow war widow) Xuan Ngoc Nguyen explore the meaning of war and loss on a human level. The film weaves interviews with Vietnamese and American widows into a vivid testament to the legacy of war. Written by
Fiona Kelleghan <email@example.com>
As a Vietnamese who was born more than 10 years after the Vietnam War, I learned about the War at school, through my parents, through my grandparents; I watched the War on TV, I listened about the War on radio, and I celebrated our victory of the War with my people every April. But then, I rarely think about the War; The War isn't something very real to me, it is history. Watching Regret to Inform, I was saying to myself "Oh! The War was actually happen, it was real". The number of deaths is not just raw statistics in my history book, the film make me realized behind the numbers are husbands who had wives and children waited for them. I'm very fortune that both my grandfathers, my uncle, my host dad Mike are not in the statistic. After watching Regret to inform, a moving documentary film with heartbroken testimonies of American and Vietnamese widows of the War, I recognized how careless I'm; I was born only 11 years after the War.
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