In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
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In the year 2054 A.D. crime is virtually eliminated from Washington D.C. thanks to an elite law enforcing squad "Precrime". They use three gifted humans (called "Pre-Cogs") with special powers to see into the future and predict crimes beforehand. John Anderton heads Precrime and believes the system's flawlessness steadfastly. However one day the Pre-Cogs predict that Anderton will commit a murder himself in the next 36 hours. Worse, Anderton doesn't even know the victim. He decides to get to the mystery's core by finding out the 'minority report' which means the prediction of the female Pre-Cog Agatha that "might" tell a different story and prove Anderton innocent. Written by
The part of Danny Witwer was originally American and with a father who died outside a church in Maryland, but Steven Spielberg didn't think Colin Farrell could fully shake his Irish accent, so the character was made Irish. See more »
After John's chase in the Lexus, a crouching crewmember in a white shirt is reflected in the car door as it opens. See more »
Now, you understand I can't just give you new irises. Because if I do, the retinal scans will read the scar tissue, alarms will go off, and large men with guns will appear.
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The distributor and production company credits look like they are underwater, which ties into the opening shot of Agatha in the tank. See more »
This gets high marks for being an involving film that, despite a long length of almost two- and-a-half hours, keeps ones interest all the way. Being a Stephen Spielberg-directed film, it's no surprise that the photography is first-rate. This is nice-looking movie. Tom Cruise also was very good in here, not the obnoxious character he sometimes portrays (or did more often in his younger days.).
The film is a good mixture of action and suspense. Only the one chase scene was overdone with Rambo-like mentality of the good guys not getting hit when they should, and vice- versa.
The subject matter is interesting, too: what would do you (or the police) had very reliable information on crimes that were about to be committed, that you could prevent things from happening before they actually did?
I recognized two people in here who went on shortly thereafter to become recognizable in TV series: Kathryn Morris ("Cold Case") and Neal McDonough ("Boomtown"). Add Colin Farrell, Max Von Sydow, Samantha Morton and you have an interesting cast. I am of the opinion that this is one of Spielberg's underrated gems.
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