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Minority Report (2002)

 -  Action | Mystery | Sci-Fi  -  21 June 2002 (USA)
7.7
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Ratings: 7.7/10 from 327,507 users   Metascore: 80/100
Reviews: 1,306 user | 251 critic | 37 from Metacritic.com

In a future where a special police unit is able to arrest murderers before they commit their crimes, an officer from that unit is himself accused of a future murder.

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(short story), (screenplay), 1 more credit »
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Nominated for 1 Oscar. Another 16 wins & 61 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Jad
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Pre-Crime Cop
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Pre-Crime Cop
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Pre-Crime Cop
Klea Scott ...
Pre-Crime Cop
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Pre-Crime Cop
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Sarah Simmons ...
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Office Worker
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Storyline

In the year 2054 A.D. crime is virtually eliminated from Washington D.C. thanks to an elite law enforcing squad "Precrime". They use three gifted humans (called "Pre-Cogs") with special powers to see into the future and predict crimes beforehand. John Anderton heads Precrime and believes the system's flawlessness steadfastly. However one day the Pre-Cogs predict that Anderton will commit a murder himself in the next 36 hours. Worse, Anderton doesn't even know the victim. He decides to get to the mystery's core by finding out the 'minority report' which means the prediction of the female Pre-Cog Agatha that "might" tell a different story and prove Anderton innocent. Written by Soumitra

Plot Summary | Plot Synopsis

Taglines:

The Future Can Be Seen. Murder Can be Prevented. The Guilty Punished Before the Crime is Committed. The System is Perfect. It's Never Wrong. Until It Comes After You. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for violence, brief language, some sexuality and drug content | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

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Release Date:

21 June 2002 (USA)  »

Also Known As:

Second Sight  »

Box Office

Budget:

$102,000,000 (estimated)

Opening Weekend:

$1,543,533 (Japan) (6 December 2002)

Gross:

$15,916,084 (Japan) (31 January 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The concept behind the spiders was what a grenade would look like if it had been designed by Porsche. See more »

Goofs

When Lara is tying Lamar's bow tie, she stops tying and removes her arms from his body when Lamar mentions the drowning. In the next scene, in the close-up of Lamar's face, when she says she hasn't mentioned a drowning, her arms are resting on his shoulders, as if she just stopped tying his bow tie. See more »

Quotes

Lara Anderton: [starts fixing Lamar's bow tie]
Lamar Burgess: Listen, I'll tell you what I'll do. First thing Monday, I'll look over the Witwer evidence. And I'll have Gideon run the Containment files, see if anyone drowned a woman by the name of - what did you say her name was?
Lara Anderton: [freezes]
[Lamar's bow tie falls out of her hands]
Lara Anderton: Anne Lively
[pause]
Lara Anderton: ... but I never said she drowned.
See more »

Crazy Credits

In Memory of Michael Macias See more »

Connections

References Defending Your Life (1991) See more »

Soundtracks

8th Symphony in B Minor Unfinished D759 - 1st Movement
Written by Franz Schubert
Conducted by Carlos Kleiber
Performed by Wiener Philharmoniker
Courtesy of Deutsche Grammophon GmbH. Hamburg
Under license from Universal Music Enterprises
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

One of the best/most complex science fiction films
14 August 2004 | by See all my reviews

Steven Spielberg sets Minority Report in the near future of 2054, in which the technology is advanced, but not far-fetched. Cars can drive themselves and ride up elevators, computers come with holograms as a user interface, and stores recognize you from your eyeball scan. As all science fiction fans know, however, the genre is not about technology but about ideas. The big idea for Minority Report is based on a short story by the venerable Philip K. Dick. In this future, there is a "pre-crime" unit in the police force, which revolves around three psychics who are able to see violent crimes before they occur. These visions are projected in a flat screen panel and manipulated by detectives with the grace of a symphony conductor. Equipped with futuristic stun guns, jet packs, and search robots, these cops then arrest and intern the criminals before the crimes are committed.

We learn all this in the first ten minutes of the movie. After this introduction, the plot really starts when Detective John Anderton (Tom Cruise) finds out that the precogs saw him kill someone, someone that he has never met. He finds himself in a race. With the forced recruitment of a precog, Agatha (Samantha Morton), he must clear his name before the predetermined murder. All the while, his old buddies, now helped with a special agent from the FBI (Colin Farrell), are trying to track him down.

Spielberg, with Janusz Kaminski, his cinematographer for many films, have crafted a visually stunning movie. The special effects are seamlessly incorporated of the world they created. The muted blues echo the style of black & white film noirs. John Anderton is similar to noir's morally ambiguous characters--a good cop with an illegal habit that is forced (by circumstances and desire) to betray the very things he loves.

But this is not just a special effects or mystery movie. The characters, all well drawn, are supremely acted by the cast. Tom Cruise is a good physical actor and he shows it here. By the way he sits or walks, we can intuit the grief and confusion that's going through him. Samantha Morton does a good job of portraying a haunted young lady who has seen too much. Colin Farrell skillfully balances the ambitious and professional sides of his character. As always, Max von Sydow authoritatively plays the respected father figure.

This is one of my favorite Science Fiction films. I would also recommend the following films. These (I think) influenced Minority Report.

"The Maltese Falcon" ~ film noir "A Clockwork Orange" ~ science fiction "Blade Runner" ~ science fiction (also based on a Dick story)

***** out of *****


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