A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
In the year 2054 A.D. crime is virtually eliminated from Washington D.C. thanks to an elite law enforcing squad "Precrime". They use three gifted humans (called "Pre-Cogs") with special powers to see into the future and predict crimes beforehand. John Anderton heads Precrime and believes the system's flawlessness steadfastly. However one day the Pre-Cogs predict that Anderton will commit a murder himself in the next 36 hours. Worse, Anderton doesn't even know the victim. He decides to get to the mystery's core by finding out the 'minority report' which means the prediction of the female Pre-Cog Agatha that "might" tell a different story and prove Anderton innocent. Written by
When Anderton is in the park looking for Howard Marks' house, the merry-go-round behind him is not moving. A couple shots later, the merry-go-round is moving in the foreground. See more »
Think about all the lives that little girl has saved.
Think about all the lives that little girl has saved, think about all the lives she will save, that little girl could have saved Sean.
Don't you *ever* say his name!
You used the memory of my dead son to set me up.
You used the memory of my dead son to set me up! That was the one thing you knew would drive me to murder.
What are you going to do now, Lamar?
What're you going to do now, Lamar?
How are you...
...going to ...
[...] See more »
The distributor and production company credits look like they are underwater, which ties into the opening shot of Agatha in the tank. See more »
Steven Spielberg is one of the few directors around today who can still manipulate an audience in one sense while dazzling and daring that same audience with storytelling and character skills fused with ingenious visual effects. Minority Report is a shining example of that, which also has the grace of having an intelligent concept to start with, which so many sci-fi films lack much less summer sci-fi films (look at MIB2 to see what I mean), and also better than average acting.
Cruise takes the lead role here as John Anderton, who leads, more or less, the agency of police that prevent all murders on the basis of predictions from three Pre-Cogs (one of them Samantha Morton who has the most important role of the three). The system is presumably perfect, until to the surprise of Anderton, he is seen to commit a murder and so starts his quest to try and find out if there is a flaw in thirty six hours. This could be the basis for average sci-fi fodder (Impostor, a film based on another Philip K. Dick story that came out earlier this year, is an point of that), yet Spielberg elevates a story and creates a unique atmosphere to coexist with his characters; by the time the film is HALF way through you'll be exhausted in entertainment.
Bottom line, this is the type of picture to see twice, first to get the feel and presence, and the second to clear up any misunderstandings in the plot (or maybe to avoid Scooby Doo and Windtalkers), since this is indeed one of the best pictures of the year and one of Spielberg's best recent pictures. Grade: A+ or A
41 of 61 people found this review helpful.
Was this review helpful to you?