Top 500
Down 109 this week

Minority Report (2002)

PG-13  |   |  Action, Mystery, Sci-Fi  |  21 June 2002 (USA)
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 7.7/10 from 372,213 users   Metascore: 80/100
Reviews: 1,321 user | 250 critic | 37 from

In a future where a special police unit is able to arrest murderers before they commit their crimes, an officer from that unit is himself accused of a future murder.



(short story), (screenplay), 1 more credit »
Watch Trailer
0Check in

Watch Now

From $2.99 on Amazon Video


Fall TV: 15 Returning TV Shows Worth Binge Watching

Which returning shows do we recommend binging on? We've picked out 15 great options for you. Read this and more lists in our Fall TV section.

Read our list

User Lists

Related lists from IMDb users

a list of 49 titles
created 16 Sep 2012
a list of 41 titles
created 15 Dec 2012
a list of 24 titles
created 10 Jul 2013
a list of 33 titles
created 8 months ago
a list of 22 titles
created 3 weeks ago

Related Items

Search for "Minority Report" on

Connect with IMDb

Share this Rating

Title: Minority Report (2002)

Minority Report (2002) on IMDb 7.7/10

Want to share IMDb's rating on your own site? Use the HTML below.

Take The Quiz!

Test your knowledge of Minority Report.

User Polls

Nominated for 1 Oscar. Another 17 wins & 66 nominations. See more awards »



Learn more

People who liked this also liked... 

Adventure | Sci-Fi | Thriller
    1 2 3 4 5 6 7 8 9 10 6.5/10 X  

As Earth is invaded by alien tripod fighting machines, one family fights for survival.

Director: Steven Spielberg
Stars: Tom Cruise, Dakota Fanning, Tim Robbins
Action | Drama | History
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

An American military advisor embraces the Samurai culture he was hired to destroy after he is captured in battle.

Director: Edward Zwick
Stars: Tom Cruise, Ken Watanabe, Billy Connolly
Collateral (2004)
Crime | Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.

Director: Michael Mann
Stars: Tom Cruise, Jamie Foxx, Jada Pinkett Smith
Valkyrie (2008)
Drama | Thriller | War
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

A dramatization of the 20 July assassination and political coup plot by desperate renegade German Army officers against Hitler during World War II.

Director: Bryan Singer
Stars: Tom Cruise, Bill Nighy, Carice van Houten
Action | Adventure | Thriller
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

An American agent, under false suspicion of disloyalty, must discover and expose the real spy without the help of his organization.

Director: Brian De Palma
Stars: Tom Cruise, Jon Voight, Emmanuelle Béart
Action | Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 6.3/10 X  

A young woman gets mixed up with a disgraced spy who is trying to clear his name.

Director: James Mangold
Stars: Tom Cruise, Cameron Diaz, Peter Sarsgaard
Action | Adventure | Thriller
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

Agent Ethan Hunt comes into conflict with a dangerous and sadistic arms dealer who threatens his life and his fianceé in response .

Director: J.J. Abrams
Stars: Tom Cruise, Michelle Monaghan, Ving Rhames
Jack Reacher (2012)
Action | Crime | Mystery
    1 2 3 4 5 6 7 8 9 10 7/10 X  

A homicide investigator digs deeper into a case involving a trained military sniper who shot five random victims.

Director: Christopher McQuarrie
Stars: Tom Cruise, Rosamund Pike, Richard Jenkins
Adventure | Drama | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

A highly advanced robotic boy longs to become "real" so that he can regain the love of his human mother.

Director: Steven Spielberg
Stars: Haley Joel Osment, Jude Law, Frances O'Connor
Action | Adventure | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

The aliens are coming and their goal is to invade and destroy Earth. Fighting superior technology, mankind's best weapon is the will to survive.

Director: Roland Emmerich
Stars: Will Smith, Bill Pullman, Jeff Goldblum
Vanilla Sky (2001)
Fantasy | Mystery | Romance
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

A self-indulgent and vain publishing magnate finds his privileged life upended after a vehicular accident with a resentful lover.

Director: Cameron Crowe
Stars: Tom Cruise, Penélope Cruz, Cameron Diaz
I, Robot (2004)
Action | Mystery | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

In 2035 a technophobic cop investigates a crime that may have been perpetrated by a robot, which leads to a larger threat to humanity.

Director: Alex Proyas
Stars: Will Smith, Bridget Moynahan, Bruce Greenwood


Cast overview, first billed only:
Pre-Crime Cop
Pre-Crime Cop
Pre-Crime Cop
Klea Scott ...
Pre-Crime Cop
Pre-Crime Cop
Sarah Simmons ...
Office Worker


In the year 2054 A.D. crime is virtually eliminated from Washington D.C. thanks to an elite law enforcing squad "Precrime". They use three gifted humans (called "Pre-Cogs") with special powers to see into the future and predict crimes beforehand. John Anderton heads Precrime and believes the system's flawlessness steadfastly. However one day the Pre-Cogs predict that Anderton will commit a murder himself in the next 36 hours. Worse, Anderton doesn't even know the victim. He decides to get to the mystery's core by finding out the 'minority report' which means the prediction of the female Pre-Cog Agatha that "might" tell a different story and prove Anderton innocent. Written by Soumitra

Plot Summary | Plot Synopsis


The Future Can Be Seen. Murder Can be Prevented. The Guilty Punished Before the Crime is Committed. The System is Perfect. It's Never Wrong. Until It Comes After You. See more »

Motion Picture Rating (MPAA)

Rated PG-13 for violence, brief language, some sexuality and drug content | See all certifications »

Parents Guide:






Release Date:

21 June 2002 (USA)  »

Also Known As:

Second Sight  »

Box Office


$102,000,000 (estimated)

Opening Weekend:

$35,677,125 (USA) (21 June 2002)


$15,916,084 (Japan) (31 January 2003)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:



Aspect Ratio:

2.35 : 1
See  »

Did You Know?


When Gideon says that the contained prisoners are "busy, busy, busy," this may be a reference to 'Cat's Cradle' by 'Kurt Vonnegut': "'Busy, busy, busy,' is what we Bokononists whisper whenever we think of how complicated and unpredictable the machinery of life really is." See more »


The story is set in 2054, but when Anderton is eye-scanned on the subway, the information that is displayed in the PreCrime headquarters says that the date of the crime is "DEC 13 2055" and that Anderton has been missing since "DEC 12 2055." (You need to freeze-frame on the DVD, then flip the image horizontally to read the text being displayed on the transparent computer screen.) See more »


John Anderton: He set me up. He set me up.
See more »

Crazy Credits

The distributor and production company credits look like they are underwater, which ties into the opening shot of Agatha in the tank. See more »


Featured in Deconstructing Precog Visions (2002) See more »


Pine and Oats
Written by Guy Moon and Bob Kurtz
Produced by Guy Moon
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

One of the rare, great science fiction movies
20 June 2002 | by (Canberra, Australia) – See all my reviews

It's an open secret: the Oscar is jinxed. Spielberg's triumph with "Schindler's List" was followed by the longest hiatus of his career, which was broken with ... "Jurassic Park II", a lifeless sequel of the kind you'd once have sworn he'd never make - the single worst and most anonymous movie he's ever directed ("Hook" had its moments). His next two films were improvements (there was nowhere to go but up): the first anonymous but not bad ("Amistad"), the second bad but not anonymous ("Saving Private Ryan"), but they were both pompous gestures which appear to have been designed to win still more awards; and it wasn't until eight years after "Schindler's List" that the skilled director of old times re-appeared (with "A.I." in 2001).

But he's well and truly back now, and I'm happy. I've even learned to welcome it when he makes decisions which infuriate me, so long as he makes them with the right kind of self-assured arrogance. I didn't like the voice-over at the end (we didn't need to be told that stuff; we could have worked it out), or the way he caved in to the modern tendency to be needlessly revolting (at least he don't play his gross-out moments for cheap laughs), or even the style of photography (it's easy to manipulate us into thinking the future is a grim place, if you push-process the film until even the images which in the normal course of events would be luscious and rich, are grimy and desaturated - there are other ways of getting colourless images, as Spielberg well knows, and many of them are better). Yet, in the end, big deal. The story is a knockout, the action is taut, the future rich, dazzling and believable. Spielberg is to be particularly congratulated on how completely he has avoided the unimaginative dystopia of "Blade Runner". The future we see here is a MIX of dream and nightmare, so convincing a mix that we can't always tell them apart.

Here's a measure of how good the movie is: in an interview, Spielberg revealed that he completely misunderstood the issues which drive the stories

  • and there's simply no way of telling this from the finished product.

Unless Spielberg was just opportunistically latching on to the hook forced on him by a dim-witted journalist, he THOUGHT the movie was about how much freedom we are willing to give up in exchange for safety (in order to prevent terrorist attacks, for instance). This is interpretation is strained. Three people (the precogs) do indeed give up their freedom in order that millions of other people may be safer, and yes, there is an issue here. When one of the Crime Prevention officer says, "It's best not to think of them as human", I was surprised to find myself nodding in agreement. The benefits of the system are so great that OF COURSE I'd rather not look too closely into the burden that must be borne by three - just three - individuals. Aside from the three unfortunate precogs, nobody is asked to give up any freedom at all. (Except, of course, the freedom to commit murder. But under the law we are already unfree to commit murder, and a good thing too.)

The interesting issues that DO fall naturally out of the story concern the futility of revenge. After people who would otherwise have committed murder are prevented from doing so, they're sent to prison anyway, presumably on the grounds that that's what they deserve - and no doubt it IS what they deserve. But it's clear enough that locking these people up, however much it may be in the interests of justice, serves no purpose. It's exacting revenge on criminals for the sake of exacting revenge - which is exactly what the U.S. justice system is committed to doing at the moment, which is why the future is a realistic one. (Apart from the precognition, that is.) Anderton's mistake is to believe in the value of revenge, and he's never more admirable than when he realises his mistake. (THAT was a great scene; it's a pity I can't tell you exactly why. Suffice it to say that when we think we know where the story's going, we may indeed know where the story's going - but Spielberg is only allowing us to see so much of what's coming up in order to obscure the rest of it.)

The final sign that Spielberg is again at his peak lies in the performances. They're all good. Tom Cruise's weakness as an actor is that he is only ever as good as his director, and the fact that he's so good here means that "Minority Report" was directed by the real Spielberg, the old Spielberg, the Spielberg with the same ability Charles Dickens had to make even his most grotesque creations, and even his LEAST grotesque, come to life.

116 of 199 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
Probably Steven Spielberg's last great movie. jeevese
Anderton arrested because of two crimes - no trial? mkorchia
This is how Spielberg could have avoid the plot hole ... msdeora22
As with many of Spielberg's films cake_tin_11
Somehow Feels dated in 2013 endecottp
Leo Crow Murder Is Not A Plot Hole. keithmoonhangover
Discuss Minority Report (2002) on the IMDb message boards »

Contribute to This Page

Create a character page for: