Minority Report (2002)

User Rating:

7.7/10   

Director:

Steven Spielberg

Writers (WGA):

Philip K. Dick (short story)
Scott Frank (screenplay) ...

Release Date:

21 June 2002 (USA)

Genre:

Action | Mystery | Sci-Fi | Thriller

Tagline:

What would you do if you were accused of a murder, you had not committed... yet?

Plot:

In the future, criminals are caught before the crimes they commit, but one of the officers in the special unit is accused of one such crime and sets out to prove his innocence.

Plot Keywords:

Murder | Future | Washington D.C. | Police | Computer

Awards:

Nominated for Oscar. Another 16 wins & 47 nominations

US TV Schedule:

Sun. July 19	2:30 AM	TNT
Sun. July 19	2:30 PM	TNT

Cast

Tom Cruise	...	Chief John Anderton
Max von Sydow	...	Director Lamar Burgess
Steve Harris	...	Jad
Neal McDonough	...	Fletcher
Patrick Kilpatrick	...	Knott
Jessica Capshaw	...	Evanna
Richard Coca	...	Pre-Crime Cop
Keith Campbell	...	Pre-Crime Cop
Kirk B.R. Woller	...	Pre-Crime Cop
Klea Scott	...	Pre-Crime Cop
Frank Grillo	...	Pre-Crime Cop
Anna Maria Horsford	...	Casey
Sarah Simmons	...	Lamar Burgess' Secretary
Eugene Osment	...	Jad's Technician
James Henderson	...	Office Worker

Also Known As:

Total Recall 2 (USA) (original script title)

MPAA:

Rated PG-13 for violence, brief language, some sexuality and drug content.

Runtime:

145 min

Country:

USA

Language:

English | Swedish

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital EX | DTS-ES | SDDS

Certification:

Indonesia:Dewasa | Iceland:14 | Iceland:16 (video rating) | Malaysia:U | Canada:13+ (Quebec) | Canada:14 (Nova Scotia) | Canada:14A (Alberta/British Columbia) | Canada:AA (Ontario) (original rating) | Canada:PA (Manitoba) | Canada:PG (Ontario) (video rating) (2005) | Brazil:14 | New Zealand:M | Argentina:13 | Australia:M | Austria:14 (Niederösterreich) | Austria:16 (Steiermark) | Finland:K-15 | France:U | Germany:12 | India:A | Ireland:15 (video rating) | Israel:PG | Netherlands:12 | Norway:15 | Philippines:PG-13 | Singapore:NC-16 | Singapore:PG (censored version) | South Korea:15 | Spain:13 | Sweden:15 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | Switzerland:12 (canton of the Grisons) | UK:12 | USA:PG-13 (certificate #39066) | Ireland:12PG (original rating)

Filming Locations:

Ambassador Hotel - 3400 Wilshire Boulevard, Los Angeles, California, USA

Company:

Twentieth Century-Fox Film Corporation

Trivia:

Paul Thomas Anderson, who directed Tom Cruise in Magnolia (1999), has a cameo on the train. It is reported that he is so hard to find that Anderson himself does not know where he appears.

Goofs:

Revealing mistakes: The events take place in the year 2054, but when Anderton is checking the hotel registry to look for Leo Crow, the entry he sees just before he sees the one for Crow is for a hotel client who has checked in and out in the year "44" (i.e. 2044). The entry for Crow has the year reference blanked out.

Quotes:

Agatha: Think about all the lives that little girl has saved.
Lamar Burgess: Think about all the lives that little girl has saved, think about all the lives she will save, that little girl could have saved Sean.
John Anderton: [yells] Don't you *ever* say his name!
Male Precog: You used the memory of my dead son to set me up.
John Anderton: [yells] You used the memory of my dead son to set me up! That was the one thing you knew would drive me to murder.
Male Precog: What are you going to do now, Lamar?
John Anderton: [yells] What're you going to do now, Lamar?
Male Precog: How are you...
John Anderton: ...going to shut me up?
[...]

Movie Connections:

References North by Northwest (1959)

Soundtrack:

The Neuroflex

What must film makers do? This was GOOD - believe nothing else.

I think some people just write reviews for sites like this because they like to complain. I actually find myself wondering if all the gripers here have actually seen Minority Report, as I just have, because I have to say that is one of the most gripping and involving movies I have seen in quite a while.

The content is amazing - all the little details that put the audience firmly in the middle of the 21st century. Personally I can absolutely believe that technology will have advanced in the kind of ways portrayed in the film within 50 years. Just look back 50 years into the past and you should be able to see why. The lives of everyday people in the film, where they are scanned and advertised 'at' all day every day, apart from an excuse for product placement (and why not?), certainly make you think about a world where 'they' know your every move (a future towards which we are already hurtling with some speed).

The style is amazing - why the wooden balls? Because they're cool is why. I like to think that as we progress as a civilization we will keep a few such elegant idiosyncrasies knocking around. The plastic, chrome and glass sets, objects and architecture all looked clean and functional and the way that they suck the color out of a scene worked well and gave the film a distinctive palette. The cars are the best looking vehicles I have ever seen in a film. I have only one criticism here - why do all the computer displays look like Macs? Surely a touch unrealistic ;)

The story is amazing - complicated, yes, but also engrossing, exciting and scary. There are elements here that are only hinted at, but which give the plot a depth increasingly lacking in modern action flicks. And it asks the kind of questions about morality, justice, exploitation and society that'll keep you thinking for much longer that the film's two and some hours.

The direction and performances are amazing - the pre-visualization on this movie must have been a nightmare and yet all the incredible special effects blend perfectly into a visual style that is completely natural and assured, as might be expected from Spielberg and Michael Kahn. There are, of course, numerous references and homages to the work of Stanley Kubrick, which have given a hint of the edge and flair of 'Clockwork Orange' or '2001'. I hope it will continue to be a big influence on Spielberg.

Cruise delivers a first class performance as usual, but the discovery of this film is Samantha Morton as Agatha. Who saw the film and didn't share her terror and vulnerability? Little touches such as the way she clings to Cruise, almost like a baby's reflex, make her a character you immediately care about, innocent and tragic.

Anyway, if that's not enough to recommend the film, then you'll probably never find another one you like again. But if you need another reason, go to see it just for another fantastic soundtrack from the master, John Williams.

Full marks, five stars, a must see several times and buy the DVD movie.