In a future where a special police unit is able to arrest murderers before they commit their crimes, an officer from that unit is himself accused of a future murder.
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A marksman living in exile is coaxed back into action after learning of a plot to kill the president. Ultimately double-crossed and framed for the attempt, he goes on the run to track the real killer and find out who exactly set him up, and why.
In an alternate 1985 where former superheroes exist, the murder of a colleague sends active vigilante Rorschach into his own sprawling investigation, uncovering something that could completely change the course of history as we know it.
Director:
Zack Snyder
Stars:
Malin Akerman,
Jackie Earle Haley,
Patrick Wilson
Captain Picard, with the help of supposedly dead Captain Kirk, must stop a madman willing to murder on a planetary scale in order to enter a space matrix.
Director:
David Carson
Stars:
Patrick Stewart,
Jonathan Frakes,
Malcolm McDowell
On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
Director:
Nicholas Meyer
Stars:
William Shatner,
Leonard Nimoy,
DeForest Kelley
Coming from a police family, Tom Hardy ends up fighting his uncle after the murder of his father. Tom believes the killer is another cop, and goes on the record with his allegations. Demoted then to river duty, the killer taunts Tom.
Director:
Rowdy Herrington
Stars:
Bruce Willis,
Sarah Jessica Parker,
Dennis Farina
In the distant future, a police marshal stationed at a remote mining colony on the Jupiter moon of Io uncovers a drug-smuggling conspiracy, and gets no help from the populace when he later finds himself marked for murder.
Director:
Peter Hyams
Stars:
Sean Connery,
Peter Boyle,
Frances Sternhagen
In the year 2054 A.D. crime is virtually eliminated from Washington D.C. thanks to an elite law enforcing squad "Precrime". They use three gifted humans (called "Pre-Cogs") with special powers to see into the future and predict crimes beforehand. John Anderton heads Precrime and believes the system's flawlessness steadfastly. However one day the Pre-Cogs predict that Anderton will commit a murder himself in the next 36 hours. Worse, Anderton doesn't even know the victim. He decides to get to the mystery's core by finding out the 'minority report' which means the prediction of the female Pre-Cog Agatha that "might" tell a different story and prove Anderton innocent. Written by
Soumitra
Scott Frank:
The co-writer appears as a customer talking to imaginary guests ("You're the man") in the cyber parlor. See more »
Goofs
While Anderton is jogging through the street, an ad for pre-crime is playing, during which a future-victim states "he was going to rape me." However, later when Witwer is asking the pre-crime crew questions they discuss how the pre-cogs cannot see rape because of "the nature of murder". If the attacker were only going to rape her, the pre-cogs would not have predicted it, but if the attacker had planned to kill her after the rape, the rape would most likely have been seen as part of the pre-cogs' vision. See more »
Quotes
Director Burgess:
[before shooting]
Shh. Do you know what I hear? Nothing. No footsteps up the stairs, no hovercraft out the window, no clickety-click of little spiders. Do you know why I can't hear any of those things, Danny? Because right now, the precogs can't see a thing.
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Steven Spielberg is one of the few directors around today who can still manipulate an audience in one sense while dazzling and daring that same audience with storytelling and character skills fused with ingenious visual effects. Minority Report is a shining example of that, which also has the grace of having an intelligent concept to start with, which so many sci-fi films lack much less summer sci-fi films (look at MIB2 to see what I mean), and also better than average acting.
Cruise takes the lead role here as John Anderton, who leads, more or less, the agency of police that prevent all murders on the basis of predictions from three Pre-Cogs (one of them Samantha Morton who has the most important role of the three). The system is presumably perfect, until to the surprise of Anderton, he is seen to commit a murder and so starts his quest to try and find out if there is a flaw in thirty six hours. This could be the basis for average sci-fi fodder (Impostor, a film based on another Philip K. Dick story that came out earlier this year, is an point of that), yet Spielberg elevates a story and creates a unique atmosphere to coexist with his characters; by the time the film is HALF way through you'll be exhausted in entertainment.
Bottom line, this is the type of picture to see twice, first to get the feel and presence, and the second to clear up any misunderstandings in the plot (or maybe to avoid Scooby Doo and Windtalkers), since this is indeed one of the best pictures of the year and one of Spielberg's best recent pictures. Grade: A+ or A
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Steven Spielberg is one of the few directors around today who can still manipulate an audience in one sense while dazzling and daring that same audience with storytelling and character skills fused with ingenious visual effects. Minority Report is a shining example of that, which also has the grace of having an intelligent concept to start with, which so many sci-fi films lack much less summer sci-fi films (look at MIB2 to see what I mean), and also better than average acting.
Cruise takes the lead role here as John Anderton, who leads, more or less, the agency of police that prevent all murders on the basis of predictions from three Pre-Cogs (one of them Samantha Morton who has the most important role of the three). The system is presumably perfect, until to the surprise of Anderton, he is seen to commit a murder and so starts his quest to try and find out if there is a flaw in thirty six hours. This could be the basis for average sci-fi fodder (Impostor, a film based on another Philip K. Dick story that came out earlier this year, is an point of that), yet Spielberg elevates a story and creates a unique atmosphere to coexist with his characters; by the time the film is HALF way through you'll be exhausted in entertainment.
Bottom line, this is the type of picture to see twice, first to get the feel and presence, and the second to clear up any misunderstandings in the plot (or maybe to avoid Scooby Doo and Windtalkers), since this is indeed one of the best pictures of the year and one of Spielberg's best recent pictures. Grade: A+ or A