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Minority Report (2002)

PG-13  |   |  Action, Mystery, Sci-Fi  |  21 June 2002 (USA)
7.7
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Ratings: 7.7/10 from 368,641 users   Metascore: 80/100
Reviews: 1,319 user | 250 critic | 37 from Metacritic.com

In a future where a special police unit is able to arrest murderers before they commit their crimes, an officer from that unit is himself accused of a future murder.

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(short story), (screenplay), 1 more credit »
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Title: Minority Report (2002)

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Nominated for 1 Oscar. Another 17 wins & 66 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Jad
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Pre-Crime Cop
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Pre-Crime Cop
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Pre-Crime Cop
Klea Scott ...
Pre-Crime Cop
Frank Grillo ...
Pre-Crime Cop
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Sarah Simmons ...
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Office Worker
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Storyline

In the year 2054 A.D. crime is virtually eliminated from Washington D.C. thanks to an elite law enforcing squad "Precrime". They use three gifted humans (called "Pre-Cogs") with special powers to see into the future and predict crimes beforehand. John Anderton heads Precrime and believes the system's flawlessness steadfastly. However one day the Pre-Cogs predict that Anderton will commit a murder himself in the next 36 hours. Worse, Anderton doesn't even know the victim. He decides to get to the mystery's core by finding out the 'minority report' which means the prediction of the female Pre-Cog Agatha that "might" tell a different story and prove Anderton innocent. Written by Soumitra

Plot Summary | Plot Synopsis

Taglines:

Everybody Runs See more »


Motion Picture Rating (MPAA)

Rated PG-13 for violence, brief language, some sexuality and drug content | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

21 June 2002 (USA)  »

Also Known As:

Second Sight  »

Box Office

Budget:

$102,000,000 (estimated)

Opening Weekend:

$35,677,125 (USA) (21 June 2002)

Gross:

$15,916,084 (Japan) (31 January 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Cate Blanchett was offered the role of Agatha. See more »

Goofs

When John takes Agatha to see his hacker friend they escape with the aid of Agatha's immediate future visions. However at the start of the movie it is explained that the precogs can only see future murders, not immediate non-murder futures. See more »

Quotes

Cyber Parlor Customer: I wanna kill my boss.
Rufus Riley: Uh-huh, okay. You got some images I can work with?
[spots John approaching with Agatha and hastily tries to cover up his unethical transaction]
Rufus Riley: ... Uh, yeah, being concertmaster for the Philadelphia Symphony is one of our most popular choices...
Cyber Parlor Customer: No, I wanna kill my boss.
Rufus Riley: You sick bastard! You're what makes this a terrible world to live in!
See more »

Crazy Credits

The cast list during the closing credits is divided into the following categories: Pre-Crime, FBI, Pre-Cog Chamber, The Greenhouse, Department of Containment, Pre-Crime Witenesses, Anderton's Family, Victims & Killers, The Mall, The Chase, Operating Room & Tenement Bldg., The Ballroom, And (miscellaneous cast members), Commercials, & Stunts See more »

Connections

Referenced in 'Catch Me If You Can': The Casting of the Film (2003) See more »

Soundtracks

Pine and Oats
(2002)
Written by Guy Moon and Bob Kurtz
Produced by Guy Moon
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

What must film makers do? This was GOOD - believe nothing else.
17 July 2002 | by (England) – See all my reviews

I think some people just write reviews for sites like this because they like to complain. I actually find myself wondering if all the gripers here have actually seen Minority Report, as I just have, because I have to say that is one of the most gripping and involving movies I have seen in quite a while.

The content is amazing - all the little details that put the audience firmly in the middle of the 21st century. Personally I can absolutely believe that technology will have advanced in the kind of ways portrayed in the film within 50 years. Just look back 50 years into the past and you should be able to see why. The lives of everyday people in the film, where they are scanned and advertised 'at' all day every day, apart from an excuse for product placement (and why not?), certainly make you think about a world where 'they' know your every move (a future towards which we are already hurtling with some speed).

The style is amazing - why the wooden balls? Because they're cool is why. I like to think that as we progress as a civilization we will keep a few such elegant idiosyncrasies knocking around. The plastic, chrome and glass sets, objects and architecture all looked clean and functional and the way that they suck the color out of a scene worked well and gave the film a distinctive palette. The cars are the best looking vehicles I have ever seen in a film. I have only one criticism here - why do all the computer displays look like Macs? Surely a touch unrealistic ;)

The story is amazing - complicated, yes, but also engrossing, exciting and scary. There are elements here that are only hinted at, but which give the plot a depth increasingly lacking in modern action flicks. And it asks the kind of questions about morality, justice, exploitation and society that'll keep you thinking for much longer that the film's two and some hours.

The direction and performances are amazing - the pre-visualization on this movie must have been a nightmare and yet all the incredible special effects blend perfectly into a visual style that is completely natural and assured, as might be expected from Spielberg and Michael Kahn. There are, of course, numerous references and homages to the work of Stanley Kubrick, which have given a hint of the edge and flair of 'Clockwork Orange' or '2001'. I hope it will continue to be a big influence on Spielberg.

Cruise delivers a first class performance as usual, but the discovery of this film is Samantha Morton as Agatha. Who saw the film and didn't share her terror and vulnerability? Little touches such as the way she clings to Cruise, almost like a baby's reflex, make her a character you immediately care about, innocent and tragic.

Anyway, if that's not enough to recommend the film, then you'll probably never find another one you like again. But if you need another reason, go to see it just for another fantastic soundtrack from the master, John Williams.

Full marks, five stars, a must see several times and buy the DVD movie.


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