Kirikou's Grandfather says that the story of Kirikou and The Witch was too short, so he proceeds to explain more about Kirikou's accomplishments. We find out how little boy became a ... See full summary »
Awa Sene Sarr,
Once upon a time there were two children nursed by same woman. Azur, a blonde, blue-eyed son of a noblewoman and Asmar, the dark skinned and dark-eyed child of the nurse. As kids, they ... See full summary »
It's a catastrophe! A flood has hit our planet and an unusual group of people are all that remains. Led by Ferdinand, a modern day Noah, this little group have managed to defy the furiously... See full summary »
A set of original and folk stories in Michel Ocelot's on-off lifetime work of silhouette animation fairy tales take their inspiration from, among others, Caribbean, Meso-American, Russian and Tibetan culture.
The plot of the film has a grandfather telling his grand kids the story of Maki, a young boy who escapes from slave traders, befriends a giraffe (the title character), cross the desert, ... See full summary »
Max Renaudin Pratt,
Arborea, kingdom of great forests and great clearings flooded with light. A peaceful people has built wooden homes on the trees. Aida, the fearless daughter of the king of Arborea, roams ... See full summary »
In a little village somewhere in Africa, a boy named Kirikou is born. But he's not a normal boy, because he knows what he wants very well. Also he already can speak and walk. His mother tells him how an evil sorceress has dried up their spring and devoured all males of the village except of one. Hence little Kirikou decides, he will accompany the last warrior to the sorceress. Due to his intrepidity he may be the last hope of the village. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
Director Trademark: [Michel Ocelot] [silhouettes] In one scene Kirikou's mother is seen as a solid black silhouette backlit by fire; later in the film, Kirikou himself, for the entirety of the underground tunnel scenes, is rendered as a black silhouette with only the whites of his eyes and teeth showing. See more »
I had the opportunity to rent this from Netflix, and I'm so glad I did! I fell in love with the style and the rich colors, and though I live in the US, I was glad to see the women and children as they really are,semi or completely nude. After awhile,I didn't even notice it,and I think that it made Karaba the sorceress even more beautiful. The plants and animals were very well drawn, and I was relieved to see that none of the animals talk or sing. Kirikou himself is a very well realized character,and the folk of his village stay true to human nature. I would definitely recommend this film to families, but just be sure that the adults can handle seeing naked children and lots of cartoon boobs. The kids won't even notice if parents don't make a fuss over it, and that's not what really matters in the story anyway. The point is that Kirikou stays true to himself and he turns out to be a very moral person, even without clothes. Try it, you'll like it!
8 of 10 people found this review helpful.
Was this review helpful to you?
| Report this