Kirikou's Grandfather says that the story of Kirikou and The Witch was too short, so he proceeds to explain more about Kirikou's accomplishments. We find out how little boy became a ... See full summary »
Awa Sene Sarr,
Once upon a time there were two children nursed by same woman. Azur, a blonde, blue-eyed son of a noblewoman and Asmar, the dark skinned and dark-eyed child of the nurse. As kids, they ... See full summary »
A set of original and folk stories in Michel Ocelot's on-off lifetime work of silhouette animation fairy tales take their inspiration from, among others, Caribbean, Meso-American, Russian and Tibetan culture.
The plot of the film has a grandfather telling his grand kids the story of Maki, a young boy who escapes from slave traders, befriends a giraffe (the title character), cross the desert, ... See full summary »
Max Renaudin Pratt,
Natanaël, seven, still doesn't know how to read. His eccentric old aunt bequeaths her house to his parents and her book collection to the young boy. Nat discovers that the books serve as a ... See full summary »
In a little village somewhere in Africa, a boy named Kirikou is born. But he's not a normal boy, because he knows what he wants very well. Also he already can speak and walk. His mother tells him how an evil sorceress has dried up their spring and devoured all males of the village except of one. Hence little Kirikou decides, he will accompany the last warrior to the sorceress. Due to his intrepidity he may be the last hope of the village. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
[Michel Ocelot] had first envisioned Kirikou and the Sorceress (1998) as a silhouette animation (the medium he had been working in since 1988's We Are the Star (1989)) and wrote the initial version of the screenplay with this manner of presentation in mind. Karaba's "breast jewelry" emerged during this phase as a device to prevent her having the appearance of having only one breast when her torso was turned to a three-quarter view but was retained despite the changeover to full color. See more »
A child who can bring himself into the world, can give himself a bath.
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This film, all too limited in its British cinema release, is fortunately now available both on video (a mere £5.99) and on DVD from the BFI. Exquisitely designed, wholly engaging and both ethnic and universal, this African tale is equally appealing to children and adults. As well as being entertaining, it is possessed of genuine wisdom while also being unpretentious. It also has real charm as opposed to the calculated kind found in 'Amelie'. It attains all it set out to achieve and is the film I admire the most of all that I saw which were released in Britain during 2003.
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