Kirikou's Grandfather says that the story of Kirikou and The Witch was too short, so he proceeds to explain more about Kirikou's accomplishments. We find out how little boy became a ... See full summary »
Awa Sene Sarr,
Once upon a time there were two children nursed by same woman. Azur, a blonde, blue-eyed son of a noblewoman and Asmar, the dark skinned and dark-eyed child of the nurse. As kids, they ... See full summary »
It's a catastrophe! A flood has hit our planet and an unusual group of people are all that remains. Led by Ferdinand, a modern day Noah, this little group have managed to defy the furiously... See full summary »
A set of original and folk stories in Michel Ocelot's on-off lifetime work of silhouette animation fairy tales take their inspiration from, among others, Caribbean, Meso-American, Russian and Tibetan culture.
The plot of the film has a grandfather telling his grand kids the story of Maki, a young boy who escapes from slave traders, befriends a giraffe (the title character), cross the desert, ... See full summary »
Max Renaudin Pratt,
Arborea, kingdom of great forests and great clearings flooded with light. A peaceful people has built wooden homes on the trees. Aida, the fearless daughter of the king of Arborea, roams ... See full summary »
Totò dreams of becoming a great chef, but he's poor and can't buy the ingredients. Everything changes when he finds four magical pots that turns everything into food. Seems that his luck ... See full summary »
In a little village somewhere in Africa, a boy named Kirikou is born. But he's not a normal boy, because he knows what he wants very well. Also he already can speak and walk. His mother tells him how an evil sorceress has dried up their spring and devoured all males of the village except of one. Hence little Kirikou decides, he will accompany the last warrior to the sorceress. Due to his intrepidity he may be the last hope of the village. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
Director Trademark: [Michel Ocelot] [silhouettes] In one scene Kirikou's mother is seen as a solid black silhouette backlit by fire; later in the film, Kirikou himself, for the entirety of the underground tunnel scenes, is rendered as a black silhouette with only the whites of his eyes and teeth showing. See more »
Did all the men go out to fight against Karaba the sorceress?
Oh no, but those who did not fight, she ate up as well.
See more »
I've always had this idea that popcorn and Coke were added to fill a void that most film storylines leave untouched. That such a void can filled at all, simply by bloating out stomachs with toasted corn and carbonated sugar water, is a subject that might well be worth entering into, another day. "Kirikou et la sorcière" has the spartan charm of so many stories and fables from Africa. It is as if the scarcity of food and water that illustrated in this story - as in so many like it - had, in turn, to be compensated by making the fable rich in wondrous colourful fantasy and highly nourishing in details that describe the frequently comical and pathetic side to human behaviour. The travesty I see is that, while this film is available in German, French and Spanish, puritans in countries like the US and the UK have, once again, determined that - in an effort at sparing depraved censors the discomfort of twitching at the sight of happily naked village kids and their semi naked mothers - my children shall not be allowed to learn about life in cultures other than their own, nor to hear lessons of great wisdom but may, instead, freely view animated violence and large doses of their own recycled high school yarns. Cannibalise cartoon & eat Pokemon!
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